A composition of public and private spaces discreetly distances the house from the street beneath a series of horizontal planes. By overlapping these planes, the interior space expands outward while maintaining a sense of enclosure. A massive cantilever over the porch extends three meters from its nearest structural support.
A building’s materiality is what our bodies make direct contact with; the cold metal handle, the warm wooden wall, and the hard glass window would all create an entirely different atmosphere if they were, say, a hard glass handle, a cold metal wall and a warm wooden window (which with KTH’s new translucent wood, is not as absurd as it might sound). Materiality is of just as much importance as form, function, and location—or rather, inseparable from all three.
Here we’ve compiled a selection of 16 materials that should be part of the design vocabulary of all architects, ranging from the very familiar (such as concrete and steel) to materials that may be unknown to some of our readers, as well as links to comprehensive resources to learn more about many of them.
Argentine firm Estudio Arzubialde and Chilean architect Verónica Arcos led a Material Experimentation Workshop in Rosario, Argentina, during which six different groups of students designed and built projects using a variety of brick laying techniques.
Each project used different brick patterns based on simple rules, resulting in a structure with a certain degree of geometric complexity.
This article was originally published on July 28, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Six million yellow bricks on a hilltop just outside Copenhagen form one of the world’s foremost, if not perhaps comparatively unknown, Expressionist monuments. Grundtvigs Kirke (“Grundtvig’s Church”), designed by architect Peder Vilhelm Jensen Klint, was built between 1921 and 1940 as a memorial to N.F.S. Grundtvig – a famed Danish pastor, philosopher, historian, hymnist, and politician of the 19th century.[1] Jensen Klint, inspired by Grundtvig’s humanist interpretation of Christianity, merged the scale and stylings of a Gothic cathedral with the aesthetics of a Danish country church to create a landmark worthy of its namesake.[2]
It was decided in 1912 that Grundtvig, who had passed away in 1873, had been so significant to Danish history and culture that he merited a national monument. Two competitions were held in 1912 and 1913, bringing in numerous design submissions for statues, decorative columns, and architectural memorials.[3]
Bricks have historically been the cornerstone of a wide array of living spaces, providing everything from enclosure and protection to the framework for letting in sunlight. Whether it be for their economic or aesthetic aspects in both color and texture, the use of brick can be glimpsed in cities the world over.
In spite of its practicality and widespread use, brick does present a challenge for architects and builders. Everything from humidity, wind, sun, mold, and time leaves its mark on brick, gradually wearing down its practical and aesthetic properties.
But fear not, in the following article we'll give you our tips on how to best treat and care for brick.
French designer, Nathanaël Abeille's metalized pieces in 'Proyecto Reflexión' shows how a building could reflect sunlight and share it with another building in some of the narrow spaces of Villa 21 de Barracas, Buenos Aires. These "metal bricks" came about as a combined team effort with architects Francisco Ribero and journalist Cecilia Fortunato.
Review the full project after the break.
This week we present a selection of the best images of brick houses published on our site. These 11 Mexican projects reveal the diversity of expression that architects in the country have achieved through creative arrangements of the brick modules. read on for a selection of images from prominent photographers such as Carlos Berdejo Mandujano, Onnis Luque, and Patrick Lopez.
Uniting the material intelligence of vernacular crafts with the precision and flexibility provided by the new digital design and manufacturing technologies, the Robotic Fabrication LAB of The Faculty of Architecture of HKU has developed the CeramicINformation Pavilion, with the objective of finding suitable levels of automation to be used for emerging and transitioning economies.
Part of an evolving series, each of its 1,000 components is unique and relates specifically to its neighboring units. The elements are constructed through 3D printing and are made of terracotta brick, a material commonly used in modern Chinese construction.
Danish firm Schmidt Hammer Lassen Architects has been selected to design the redevelopment of Kimmel Quarter, a historic district in the heart of the Latvian capital of Riga, after an international competition. The 19th-century Kimmel Brewery complex, now mostly abandoned, will be transformed into a mixed-use center featuring a new office building, hotel, and an array of public facilities. Schmidt Hammer Lassen was one of eleven participants, with firms such as Henning Larsen and Zaha Hadid invited to the open competition.
The proposal for the 120,000-square-foot (11,500-square-meter) district manifests as a vibrant, public-orientated program, including a gym, child care center, café, food court, and spa. A series of courtyards and plazas are laced throughout the scheme, connecting old and new in a “timeless, classic appearance that is also uniquely contemporary.” The design took 2nd place in a competition in which no first place winner was selected, as the jury felt that no entry fully met the competition criteria. As the highest-placing entry, the competition organizers have committed to begin negotiations with Schmidt Hammer Lassen to refine the design.
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A design by Ashari Architects for an architectural installation in Iran is a direct response to the need to reconnect with the senses. The project, a pavilion built from a cube that holds a suspended brick volume, shows the potential of the use of this material by creating distinct atmospheres.
London-based firm Architecture Initiative has released updates of their mixed-use scheme set to transform a neglected brutalist building in Northampton, England. The Northampton International Academy, currently an abandoned Royal Mail sorting office, will be centered around educational, commercial, and community use. The scheme aims to address a need for school places in a manner which contributes to the economic regeneration of the local area.
