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Frankfurt Architecture City Guide: 20 Projects Tracing a Skyline Between History and Modernity

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Frankfurt is often recognised for its distinctive skyline, a rare feature in European cities. Towering glass skyscrapers mark its role as a global financial hub, yet beneath this vertical image lies a city layered with centuries of history, destruction, and reconstruction. From medieval timber-framed houses to post-war modernism and contemporary high-rises, Frankfurt has consistently reinvented itself through architecture, producing a built environment where different periods coexist in dialogue.

The city's transformation accelerated after World War II, when much of its historic core was destroyed and planners sought to balance rapid economic growth with the need for cultural reconstruction. Landmarks such as the Römerberg square were meticulously rebuilt, while modernist interventions and infrastructural projects introduced new scales and languages. More recently, projects by internationally renowned offices have reshaped the riverfront and business districts, adding architectural icons that express Frankfurt's global role.

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“One Day All the Dreamers Will Get Together to Build a Fantastic World”: In Conversation with Massimiliano and Doriana Fuksas

“One Day All the Dreamers Will Get Together to Build a Fantastic World”: In Conversation with Massimiliano and Doriana Fuksas - Image 1 of 4“One Day All the Dreamers Will Get Together to Build a Fantastic World”: In Conversation with Massimiliano and Doriana Fuksas - Image 2 of 4“One Day All the Dreamers Will Get Together to Build a Fantastic World”: In Conversation with Massimiliano and Doriana Fuksas - Image 3 of 4“One Day All the Dreamers Will Get Together to Build a Fantastic World”: In Conversation with Massimiliano and Doriana Fuksas - Image 4 of 4“One Day All the Dreamers Will Get Together to Build a Fantastic World”: In Conversation with Massimiliano and Doriana Fuksas - More Images+ 10

Italian architects Massimiliano and Doriana Fuksas were both born and grew up in Rome. Both graduated from La Sapienza University – he in 1969, she a decade later. He started his studies as a painter, she initially persued the history of art. In the early 60s, Massimiliano assisted Giorgio De Chirico and after graduation worked for Archigram in London and then for Henning Larsen and Jørn Utzon in Copenhagen. He started his first practice, the GRANMA in 1967. Doriana joined him in 1985 and became an equal partner in 1997. Subsequent offices were opened in Paris (1989) and in Shenzhen (2004). In 2000, Massimiliano Fuksas served as the Director of the 7th Venice Architecture Biennale under the theme "Less Aesthetics, More Ethics." The duo’s most recognized built works include Museum of Graffiti in Ariege, France; Shenzen Bao'an International Airport; EUR Convention Centre in Rome; New Milan Trade Fair, Rho-Pero; Zenith Music Hall in Strasbourg; and Peres Peace House in Jaffa, Tel Aviv. I met with the architects during their recent visit to New York where so far, they completed only one project, Armani 5th Avenue Flagship Store. We discussed how they start again with every project, their preoccupation with the future, and why buildings should try to become something else.

MyZeil Shopping Mall / Studio Fuksas

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MyZeil Shopping Mall / Studio Fuksas - Image 8 of 4
© Karsten Monnerjahn

Architects: Studio Fuksas - Massimiliano and Doriana Fuksas Interior Design: Fuksas Design Location: Frankfurt, Germany Address: Grosse Eschenheimer Strasse 10-14 Period: 2002-2009 Client: PalaisQuartier GmBH & CO., KG Surface: Built Surface – 77,000 sq.m., Facade – 8,500 sq.m., Cover – 13,000 sq.m. Engineering: Structures – Knippers-Helbig Beratende Ingenieure, Stuttgart; Krebs und Kiefer Beratende Ingenieure für das Bauwesen GmbH, Darmstadt | Realization of the façade and covering – Waagner Biro Stahlbau AG, Wien

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© Karsten Monnerjahn
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© Karsten Monnerjahn
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© Karsten Monnerjahn
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© Karsten Monnerjahn