ArchDaily, in collaboration with the European Cultural Center (ECC), is curating its first-ever exhibition as part of the seventh edition of Time Space Existence, the biennial architecture exhibition held alongside the 19th Venice Architecture Biennale. Running from 10 May to 23 November 2025, this edition invites practitioners to explore the themes of Repair, Regenerate, and Reuse, emphasizing innovative and sustainable approaches to the built environment. ArchDaily's contribution will be presented in a dedicated space at Palazzo Mora, complementing other exhibition venues including Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.
OMA has unveiled its latest exhibition design for "Christian Dior: Designer of Dreams" in Seoul, South Korea. Held at Dongdaemun Design Plaza (DDP), the exhibition marks the fifth collaboration between OMA and Dior. Previous designs include Dior: From Paris to the World at the Denver Art Museum (2018) and Dallas Museum of Art (2019), as well as Christian Dior: Designer of Dreams at the Museum of Contemporary Art Tokyo (2022). The Seoul exhibition presents over 80 years of Dior's creative history and the cultural heritage of Korea.
Santuario de la Naturaleza Humedal Río Maipo.. Image Courtesy of Fundación Cosmos
On Earth Day 2025, observed annually on April 22, we are once again reminded of the urgent environmental and sustainability challenges that face our planet—challenges that continue to evolve alongside global economic, political, and cultural shifts. The building and construction industry remains one of the most critical sectors in the effort to manage and reduce global carbon emissions. This year, these issues are being addressed through increasingly diverse lenses, calling for more holistic and integrated approaches. It's vital that we view sustainability not as a one-size-fits-all solution, but as a multi-scalar effort—one that spans from large-scale urban development and strategic planning, to the advancement of sustainable materials, and even to temporary, thought-provoking interventions like exhibitions and installations. In doing so, we reaffirm our commitment to reducing our collective carbon footprint, while shaping a built environment that promotes human well-being and planetary health.
For three weeks, from March 28 to April 20, 2025, the John F. Kennedy Center for the Performing Arts in Washington, D.C. will host the art festival "EARTH to SPACE: Arts Breaking the Sky." Curated by Alicia Adams, Vice President of International Programming, and Gilda Almeida, Director of International Programming, the festival includes a full agenda of performances, film screenings, talks, panels, and exhibitions. As part of the festival, Foster + Partners has designed an exhibition titled "From Earth to Space and Back," inviting visitors to imagine a future where humans have experienced life on Mars, where exploring new worlds is within reach, and where technological advancements in space revolutionize life on Earth. The festival is based on the idea that imagining life in space can inspire solutions for living on Earth, a perspective reflected in the projects presented by Foster + Partners.
As a result of the ideas competition organized by the governments of Sweden, Finland, and Norway in 1958, Sverre Fehn's Nordic Pavilion won first prize, becoming one of the most significant works of his career and one of the most outstanding Scandinavian architectural achievements during the mid-20th century. Designed to create a space at the Venice Biennale for the biennial exhibitions of these countries, Fehn's proposal addressed several key architectural challenges—ranging from its integration with the site and incorporation of pre-existing elements to the handling of physical boundaries and uniform natural lighting. His design explored the interaction between architecture and trees, the flexibility in the exhibition space, the filtering of light, the connection between interior and exterior, the concept of movement through space, and the display of artworks.
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Courtesy of Katia Sei Fong, Ken Sei Fong, Luis Sei Fong
The national exhibition of Uruguay at the 2025 Venice Architecture Biennale, titled "53.86% Uruguay, Land of Water," explores the intrinsic relationship between architecture, territory, and water. Curated by architects Katia Sei Fong and Ken Sei Fong, along with visual artist Luis Sei Fong, the exhibition proposes that we may be entering the age of water, the "Hydrocene", and that the way humanity manages and conserves this resource will shape its future. In this context, the project highlights that Uruguay's maritime territory (53.86%) is larger than its land territory. Water, therefore, is not only a natural resource but a fundamental element of the country's history and culture, essential to its development.
Axonometric drawing of the Granciclismo showroom (with Daniela Puppa), 1988. Image Courtesy of Archivio Franco Raggi
"Franco Raggi. Unstable Thoughts" (Franco Raggi. Pensieri Instabili) offers an in-depth exploration of the work of Italian architect, designer, and intellectual Franco Raggi. Curated by Marco Sammicheli and Francesca Pellicciari, the exhibition provides visitors with an experimental and immersive experience that traces Raggi's creative journey. Designed by the architecture studio Piovenefabi, the installation is hosted in the Design Platform space at the Museo del Design Italiano in Milan, a museum dedicated to key themes and figures in contemporary design. Held from February to April, the event is part of the prelude to the 24th edition of the Milan Triennale International Exhibition, titled Inequalities, which will run from May to November 2025.
"Soane and Modernism: Make it New" brings together architectural drawings from Sir John Soane's extensive collection in dialogue with works by renowned modernist figures, including Le Corbusier, Frank Lloyd Wright, Adolf Loos, and Ernő Goldfinger. Curated by Dr. Erin McKellar, Assistant Curator of Exhibitions at Sir John Soane's Museum, the exhibition highlights the presence of 20th-century modern architectural design ideals in the work of 19th-century architect Sir John Soane. The selection of works is based on the idea that Soane's designs can be considered a precursor to many architectural principles adopted in the twentieth century.
Salone Satellite 2024. Image Courtesy of Salone del Mobile
The 2025 edition of Salone del Mobile.Milano has just announced its opening dates and events program. The 63rd edition is set to take place from April 8 to 13 at Fiera Milano, Rho. This year's event will bring together over 2,000 exhibitors from 37 countries, reinforcing its role as a strategic platform for the design industry. The fair will highlight industrial manufacturing, sustainable innovation, and emotional intelligence as key themes, aiming to shape the future of design.
From January 24 to May 11, 2025, the Danish Architecture Center (DAC) will host an exhibition dedicated to the work of designer Nanna Ditzel. Crowned "The Grand Dame of Danish Design," Ditzel remains a significant figure in the field, known for her iconic creations such as the Hanging Egg Chair, Hallingdal Fabric, and the Trinidad Chair. Born in 1923, she established herself as a pioneer in furniture design, experimenting with unconventional materials, including the then-untested foam rubber, polyester, and fiberglass. She also transformed traditional materials such as wicker, laminated wood, and silver into innovative furniture and jewelry pieces that became icons of modern design, many of which will be showcased in this retrospective exhibition.
French President Emmanuel Macron has announced a significant renovation plan for the Louvre, following concerns from the museum's director about the building's deteriorating condition. The project includes the creation of a new grand entrance and broader refurbishments across the historic site.
The renovation comes after a letter from Louvre director Laurence des Cars to the French Cultural Ministry highlighted serious maintenance issues affecting both visitors and staff. According to the letter, first published in Le Parisien, conditions inside the museum have become increasingly difficult, with visitors lacking space to rest, insufficient food and restroom facilities, and outdated signage in need of a complete redesign. The letter also pointed to climate control issues, describing a greenhouse effect inside the 36-year-old glass Pyramid designed by I.M. Pei, as well as hazardous temperature fluctuations and leaks in other parts of the building.
As the global climate crisis intensifies, the construction industry faces increasing pressure to reduce carbon emissions, prompting a fundamental reassessment of building practices. Dutch architecture firm MVRDV, known for its commitment to sustainability, presents an honest exploration of this challenge in "Carbon Confessions," an exhibition at Munich's Architekturgalerie. The exhibition provides insight into the firm's ongoing efforts, highlighting both its achievements and the obstacles encountered in the pursuit of carbon reduction.
The Museum for Architectural Drawing in Berlin, Germany, will host a new exhibition titled "Steven Holl – Drawing as Thought," curated by Kristin Feireiss. The exhibition explores the creative process of internationally renowned architect Steven Holl with a focus on his use of drawing as a fundamental tool in architectural design. Furthermore, the exhibition highlights Holl's extensive artistic practice, which includes over 50,000 sketches, black-and-white drawings, and watercolors, offering insight into his approach to architecture through visual exploration.
The Danish Architecture Center (DAC) will open its new exhibition, "Water is Coming" in October 2024, remaining open until March 12, 2025. The exhibition addresses the escalating global water crisis, prompted by melting polar ice, rising groundwater levels, and increasingly frequent and intense flooding. It acknowledges the reality of rising sea levels and extreme weather events, shifting the focus from mitigation to adaptation. The exhibition aims to foster a deeper understanding of our complex relationship with water, exploring its vital role as both a life-giving resource and a potential threat to human settlements.
The European Cultural Centre (ECC) has unveiled the forthcoming chapter of its acclaimed Time Space Existence exhibition. Marking its seventh edition, this celebrated biennial architecture will once again transform Venice into a global hub of architectural innovation. From 10 May to 23 November, 2025, the iconic venues of Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens will serve as vibrant stages for a kaleidoscope of ideas and visions redefining the built environment community.
1180 - The Gothic Choir. Image Courtesy of Histovery
Ahead of the official reopening of Notre Dame de Paris, scheduled for December 8, a series of exhibitions are happening worldwide, aiming to use immersive technologies and augmented reality to bring to a wider audience both the restoration efforts and the wider story of the beloved monument. The event aims to present significant chapters of the history of the iconic structure, from its medieval origins to its witnessing of historical events such as the coronation of Napoleon or the marriage of Henri IV, the 19th-century restoration which added the spire designed by French architect Viollet-le-Duc, and the devastating 2019 fire.
The "Garden Futures" exhibition, currently showing at the Nieuwe Instituut in Rotterdam until April 13, 2025, explores the multifaceted history and future of the modern garden. Curated by Maria Heinrich and spatially designed by Frank Bruggeman, the exhibition presents the garden not only as a personal refuge, but also as a site reflecting broader political and commercial forces. The show's structure, divided into four thematic chapters, allows for a comprehensive exploration of the garden's evolution and its potential for future development.
Our contemporary society has been witnessing a surge in skyscraper construction in urban centers worldwide for various reasons—including engineering advancements, increased urban density, space constraints, and, arguably, a competitive drive for building the tallest structures. The allure of all-glass facades and the pursuit of curtain walls with larger panes of continuous glass have often come at the cost of functionality.
In these towers, operable windows are sacrificed for aesthetics and expansive views, with a central core layout that maximizes 360-degree views while creating architectural "solar heat-gain monsters." Without natural or cross ventilation, these glass skyscrapers trap significant heat from solar radiation within habitable spaces, relying almost exclusively on mechanical HVAC systems to cool these spaces. This raises the question: is passive ventilation strategy becoming obsolete in high-rise design, or can operable systems be integrated effectively into our high-tech towers?
