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Meeting House Square, Temple Bar. Image Courtesy of Sean Harrington Architects
The veteran Irish architecture critic Shane O'Toole once remarked that when traveling in Europe in the 1970s, "The universal comment was is there modern architecture in Ireland? Now, in less than 50 years, we've gone to a Pritzker Prize and two RIBA Royal Gold Medallists in five years." He attributes this change in perception to a design competition that launched the careers of several of Ireland's award-winning architects of today. This was the Temple Bar Framework Plan competition of 1991 in the center of Dublin, the capital of Ireland, which was won by a group of architects still in their 30s, running under the name of Group 91.
Dutch architecture firm MVRDV has won the competition to design a new multifunctional market and food hall in Zhubei, Taiwan. Developed in collaboration with local firm EKUO, the project, referred to as the "Market Cube" or "River Bank 1," aims to redefine the traditional market building through a vertically layered, highly adaptable structure. Positioned along the Touqian River at a prominent gateway between Zhubei and neighboring Hsinchu, the building is set to become a major civic destination.
When we think about cities, we often assume the orthogonal grid is the norm: neat, predictable, and rational. However, many urban areas around the world, notably those shaped by hills and uneven terrain, defy this convention. In cities like Lisbon, in Portugal orthogonal grids appear only in flatter zones such as Baixa, while surrounding areas like Alfama adapt organically to topography. These areas create more layered, irregular, and visually dynamic urban forms. Yerevan in Armenia, offers another urban example of this adaptation: the Cascade Complex transforms a steep hill into a terraced public space that connects different city levels while framing panoramic views. For other countries, this response to topography becomes even more critical. Cities like Tegucigalpa in Honduras or Valparaiso in Chile are defined by steep, irregular terrain that requires architects to engage deeply with the land. Designing in these contexts, especially for residential projects, demands technical adaptation and a contextual understanding that allows the slope to become a generative element in the design process.
As educational institutions around the world adapt to shifting societal needs, the architecture of learning is also evolving. This curated selection brings together projects submitted by the global ArchDaily community, highlighting how architects are rethinking the future of schools and universities through design. These proposals reflect pressing global concerns: the importance of community-centerededucation, the revitalization of historical buildings and neighborhoods, the integration of natural systems, and the search for spatial expressions that accommodate both formal instruction and informal exchange. Whether situated in dense urban centers, rural villages, or coastal landscapes, these projects respond to specific cultural and environmental contexts while engaging with broader architectural questions about sustainability, access, and identity.
21st Europe, a new design-led think tank founded by former SPACE10 creative director Kaave Pour focused on shaping the future of the continent, has just unveiled Starline: a blueprint for a high-speed rail system that aims to connect Europe as seamlessly as a city metro. Revealed at the think tank's inaugural summit in Barcelona and developed in collaboration with creative technology studio Bakken & Bæck, Starline combines infrastructure, digital tools, and visual identity into one integrated vision for movement across the continent.
Contemporary cities are vibrant, complex, and constantly evolving. Above all, they are ever-changing, mutable, and diverse. What transformative changes are occurring, and where are they leading us? Urbanization continues to gain momentum in many regions of the world, generating visible and structural transformations. As this unfolds, data on the evolution of its configuration and the challenges we encounter begin to emerge. According to the World Bank, the urban population will continue to trend upward, with 90% of new urban residents concentrated in Africa and Asia. This growth raises essential questions: How can we consolidate a design approach that ensures equitable access to spaces, resources, and services? How can we make emerging and consolidated metropolises more inclusive and accessible?
https://www.archdaily.com/1028012/designing-inclusive-cities-the-role-of-universal-design-in-creating-accessible-urban-atmospheresEnrique Tovar
Architecture is often defined by its physical form, materials, and structural elements, but light and shadow truly shape the experience of space. These elements influence perception, guide movement, and evoke emotional responses, transforming static structures into dynamic environments. Throughout history, architects have harnessed the interplay of light and shadow, using it as a fundamental design tool to create atmosphere and meaning.
In March 2025, the actor Adrian Brody rose to the stage to collect his Academy Award for playing the role of László Toth in the acclaimed film, The Brutalist. The film is about a Bauhaus-educated architect who escaped Nazi Germany in the 1930s for the United States. Whilst the story is fictional, it reflects the lives of several émigré architects who left Central Europe in search of better working and intellectual conditions. These included the first three directors of Bauhaus, the renowned German school of design established in 1919. The first and third directors of the school, Walter Gropius and Mies van der Rohe respectively, ended up in the US where their careers in teaching and building both flourished. Lesser known is the second director, Hannes Meyer, who took a different path from his colleagues.
Sustainability in architecture is often framed as a universal challenge, leading to standardized solutions that prioritize efficiency over context. However, architecture is inherently tied to its environment — buildings interact with climate, topography, and cultural history in ways that demand specificity. Instead of relying on standardized sustainability checklists, how can architecture embrace site-specific solutions? This conversation is deeply connected to the concept of Genius Loci, or the spirit of a place, introduced by Christian Norberg-Schulz and embraced by architects advocating for designs that resonate with their surroundings. It suggests that architecture should not be imposed upon a site but rather emerge from it, informed by its materials, climate, and cultural significance. This philosophy challenges the widespread application of generic sustainable technologies, instead proposing that sustainability must be inherently tied to the location in which it operates.
The creative fusion of art and activism in urban spaces has propelled the British collective Led by Donkeys into the spotlight, garnering millions of views for their interventions on social media. Their critical visual occupations - whether billboard messages during the day or large-scale projections at night - raise a compelling question: which medium holds the greater persuasive power? The book "Led by Donkeys: Adventures in Art, Activism and Accountability" offers a deep dive into their conceptual approach, charting their rapid evolution over six years. What began as a London-based response to Brexit has expanded into a global critique of political hypocrisy, addressing issues in Europe, the Middle East, and America. For Peter Weibel, former director of the ZKM Center for Art and Media in Karlsruhe, Germany, the innovative fusion of activism and art—or "Artivism"—represents the first new art form of the 21st century. Years of experience in environmental activism provided the group with crucial insights into the mechanics of political communication, the organization of public interventions, and the challenges of achieving meaningful societal change.
Henning Larsen has just launched a new initiative in Esbjerg, Denmark, aimed at rethinking urban spaces through the perspectives of teenage girls. Developed in collaboration with Esbjerg Municipality, Ramboll, Catapult Projects, and KOMPAN, the project builds on research from the Urban Minded framework to explore how co-creation can shape more inclusive public environments. Supported by a 2.3 million DKK grant from the Villum Foundation and 485,000 DKK from the Ramboll Foundation, the initiative seeks to address an often-overlooked demographic in urban planning. As cities continue to evolve, conversations around gender-inclusive urban spaces have gained momentum, particularly in light of International Women's Day.
In Tokyo's bustling Ginza district, where tradition and modernity converge, the Maison Hermès emerges as a luminous architectural icon. Designed by Renzo Piano Building Workshop and completed in 2001, the 15-story structure serves as the Japanese headquarters of Hermès, the renowned French luxury brand celebrated for its craftsmanship and timeless elegance. Beyond its function as a commercial hub, the building encapsulates Hermès' ethos, transforming its urban site into a dialogue between light, materiality, and context.
The United Center arena in Chicago, designed by HOK Sport (now Populous), Marmon Mok, and W.E. Simpson Company, was built between 1992 and 1994. With a capacity of over 20,000 seats for sports and general events, it includes more than 6,000 parking spaces in lots surrounding the arena. These parking lots span approximately 55 acres (over 22 hectares) in Chicago's West Side (1901 W. Madison Street). A new master plan, named the 1901 Project, aims to transform this space into a mixed-use neighborhood. Led by design collective RIOS, with contributions from landscape architecture studio Field Operations, this long-term, multi-phase project aims to connect neighborhoods by creating new public spaces and infrastructure on a metropolitan scale. The proposal recently received approval from the Chicago Plan Commission.
Chinese architect and educator Liu Jiakun has been announced as the laureate of the 2025 Pritzker Architecture Prize, the highest honor in the architecture field. This prestigious award recognizes Jiakun, founder of Jiakun Architects (established 1999), for his ability to blend traditional Chinese elements with contemporary design and for his commitment to social equity in the built environment. Born in Chengdu, China, where he continues to live and work, he becomes the second Chinese architect to receive the accolade, following Wang Shu (2012). Jiakun joins a distinguished list of previous laureates including Riken Yamamoto in 2024, David Chipperfield in 2023, and Francis Kéré in 2022. The award ceremony will be held this spring at the Jean Nouvel-designed Louvre Abu Dhabi, with a global video release of the presentation this fall, followed by the 2025 Laureates' Lecture and Symposium in May.
Liu Jiakun, the 2025 Pritzker Prize winner, has spent decades redefining Chinese architecture by combining utopia with function and social engagement with personal memory. His buildings are reflections of the everyday lives of ordinary people, crafted with an understanding of place, culture, and materiality. Rejecting the pursuit of a fixed architectural style, Jiakun believes in a strategy rather than a signature aesthetic, tailoring each project to its specific context and needs. His work integrates history with contemporary urban needs, collectivism with individual experience, and density with openness, offering timely solutions to the challenges of rapid urbanization.
Jiakun's approach is deeply rooted in Chinese philosophy, common sense, and local craftsmanship, ensuring that architecture grows naturally from its surroundings rather than being imposed upon them. His buildings reflect an authenticity that speaks to both past and present, avoiding grand gestures in favor of spaces that foster interaction, spirituality, and human connection.
Design disciplines, like user experience (UX) design, have evolved to excel at devising experiences that make digital interfaces navigable. They accomplish this through a deep understanding of user needs and by mapping user journeys with meticulous attention to detail. The city represents a physical interface experienced by multiple users - residents, tourists, people of various ages and genders each experiencing it uniquely. In a time where digital interfaces are crafted for frictionless user experiences, why do many cities remain challenging to navigate?
Envisioned as a "daylight factory", the Van Nelle complex introduced revolutionary architectural and social concepts for its time. By integrating glass, steel, and concrete into an open, rational layout, it demonstrated how design could transform industrial processes while improving the lives of the people within. It was not merely a space for production but a symbol of optimism, representing the potential of architecture to reshape industries and communities.
Canada's Expo 67 stands as one of the most successful world expos ever held, setting records and leaving an enduring impact on Montreal's urban landscape. As part of Canada's 100 years celebrations, the event provided an opportunity for the city to showcase its cultural and technological achievements on a global platform. With over 50 million visitors in just six months, it shattered attendance records, including an astonishing 569,500 visitors in a single day. An unprecedented feat for a world fair at the time. Now, 58 years later, and with the Osaka Expo 2025 set to showcase how to design the future society for our lives, it is worth revisiting the legacy of Expo 67 and exploring the urban transformations it brought to Montreal.
