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The Robin Evans Lecture 2019: Beatriz Colomina

The city is not what it used to be. What is private and what is public has become completely blurred. We can no longer think of distinct spaces for work, play, domesticity, and rest. We are living in a 24/7 culture. Industrialisation brought with it the eight-hour shift and the radical separation between the home and the office or factory, between rest and work, night and day. Post-industrialisation collapses work back into the home and takes it further into the bedroom and into the bed itself. Networked electronic technologies have removed any limit to what can be done in bed. Millions of dispersed beds are taking over from concentrated office buildings. The boudoir is defeating the tower. This lecture explores the new role of the bed as the epicentre of labour, post-labour and love in the age of social media

Introducing GSAPP Conversations' Inaugural Episode: "Exhibition Models"

We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.

GSAPP Conversations is a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school's influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.

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After "Are We Human?" – Beatriz Colomina and Mark Wigley Discuss the Istanbul Manifesto

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With Are We Human—the exhibition of the 3rd Istanbul Design Biennial, which ran for one month at the end of 2016—curators Beatriz Colomina and Mark Wigley were researching the fundamental notion of ‘design’. Their historic, cultural and conceptual exploration attempted to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This pushed the notion of design and the biennale as a format beyond their established definitions.

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