Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.
Found worldwide and revolving around various activities, from resource extraction to manufacturing, monotowns are urban settlements created around a single industry that employs the majority of the inhabitants. In the former Eastern Bloc, where monotowns are the remnants of the totalitarian regimes of the last half of the 20th century, the sudden transition from centralized economies to capitalism came as a profound shock to these settlements, generating processes of deurbanization and internal migration. The following explores the architecture of the Russian Soviet-era monotowns, highlighting the failures, successes, and current state of these particular urban environments.
Over the past few years, a series of exhibitions and monographs have prompted a rediscovery of socialist modernism, its powerful expression and exoticism stirring significant interest. The recently published photo book Concrete Siberia. Soviet Landscapes of the Far North by Zupagrafika casts a new light on this relatively unexplored chapter of architecture history by showcasing the Soviet architecture of Siberia's major cities while providing an insight into a little-known landscape. The book presents the architecture and urban environment of six Siberian cities: Novosibirsk, Omsk, Krasnoyarsk, Norilsk, Irkutsk and Yakutsk, through the lens of Russian photographer Alexander Veryovkin, bringing about a new-found perspective on post-war architecture.
