Wellness and healing spaces are shaped by cultural traditions, geographical contexts, and social structures. Across the world, certain practices have been deeply rooted for centuries, like Roman baths, Turkish hammams, and Japanese onsens, while others evolve by drawing inspiration from rituals or redefining their own concept and image of a healing environment. Europe, North America, and Oceania are characterized by a focus on personal journeys, self-care, and often luxurious wellness spaces. Asia shapes the prevailing global perception of wellness through meditation-based healing, inner reflection, and holistic retreats. In Africa, wellness is deeply rooted in ancestral traditions, integrated with nature, and centered around community and social interaction. The commonality worldwide lies in sensory engagement, relaxation, and holistic healing, often tied to nature. But what does wellness look like in Africa? What are the healing spaces that shape it, and what architectural languages define wellness from north to south?
https://www.archdaily.com/1028770/rooted-in-tradition-nature-and-community-wellness-and-healing-spaces-from-the-north-to-the-south-africaHadir Al Koshta
The next generation of Sub-Saharan Africa’s green and inclusive cities is just around the corner, but only if designers embrace the opportunity. Can small-scale entrepreneurship drive new sustainable housing, or will the overburdened sector fail to meet the challenge of climate change?
For nearly the past two decades, cities around the world embraced "starchitecture"—futuristic, eye-catching buildings designed by globally renowned architects. In China, this trend was particularly pronounced as rapid urbanization fueled the construction of iconic megastructures like Zaha Hadid's Galaxy SOHO, OMA's CCTV Headquarters, and Herzog & de Meuron's Bird's Nest Stadium in Beijing. At the time of their construction, these were all celebrated as symbols of progress and global ambition. However, architecture worldwide has begun shifting toward a more context-driven, human-centered approach, with China emerging as one of the key contributors to this transformation. This year, Liu Jia Kun's 2025 Pritzker Prize further underscores that shift.
This International Women's Day, we celebrate the contributions of women in architecture, a field traditionally dominated by men. While dominant narratives may overlook their significant impact, as the history of architecture is replete with examples of women subtly but powerfully shaping the profession. When limited to a draftsman position, Ester McCoy took a step back not to disengage but to better observe. She became the first architectural critic and historian to notice the unique flavor of Modernism developing along the West Coast during the 1950s, bringing names such as Richard Neutra, or Luis Barragan to the forefront of architectural discussions. Similarly, the name Aline Louchheim may not be a widely recognized one among architects, but, because of her, the name Eero Saarinen surely is. The profession of architectural publicist also emerged through this collaboration. These stories remind us that recognizing women's achievements in architecture is not about celebrating gender, but about acknowledging a historical bias that has hindered the entire field's progress.
As, one by one, the African nations gained their independence in the middle of the twentieth century, building programs were central to the process of nation-building. In several of those countries, this included the construction of the state's institutions such as their respective national assembly. These buildings not only facilitate the legislative process but also symbolize the new nation's governance, identity, and aspirations. The period of independence movements also coincided with the introduction of the Modern Movement across the continent, which was associated with progress and a break from the colonial past. Across Africa, some national assemblies were constructed early and were part of the nationalization process that preceded independence, while some were constructed long after.
Kéré Architecture has revealed the design of a masterplan and series of buildings dedicated to the cultural and spiritual heritage of the Ewé people in the town of Notsé, in Togo. Commissioned by the Kothor Foundation, the center incorporates a sanctuary, several temples, a large-scale open-air amphitheater, as well as cultural functions such as exhibition halls, an auditorium, restaurants, and a reconstruction of the ancient royal palace of the Ewé Kingdom. The project, Francis Kéré's first in Togo, started construction in October 2024 and is scheduled for completion in February 2026.
Two museums in Africa built in the mid-twentieth century carry the name 'National Museum.' They reflect the story of their respective nation's history and are tied to notions of national identity. Both are also examples of fine architecture built on the principles of Modernism, a movement associated with nation-building in Africa. However, their inception and purpose followed very different paths. This article explores the under-reported architecture of the National Museum of Ghana in Accra and the Sudan National Museum in Khartoum.
To this day, Cairo has a vibrant history, rich architectural culture, and heritage, which, from an outside perspective, is still the vivid and leading representation of the city. But what is today's Cairo beyond the capital of Egypt, the Nile, the deserts, the bustling streets, the museums, and the archaeological sites and historic buildings? The city has experienced a rapid urban transformation over the past few decades, acquiring a remarkably different character from the one recent and older generations remember from their youth in the streets, neighborhoods, and buildings of the city.
Cairo represents a population growth of 4 million in the 1960s to over 20 million today, while its urban footprint expanded by approximately 400% since the 1960s. The built-up area represents nearly half the metropolitan region, with an annual urban growth rate of 2-4% - much higher than the approximate 1% growth rate typical in countries like Canada, Germany, Japan, Italy, and Sweden. Due to this rapid urbanization, agricultural land now constitutes less than 10% of the total area of Greater Cairo. The city is a constantly evolving mosaic of over 50 distinct neighborhoods, each embodying its own unique identity and demographic composition, contributing to Cairo's diverse urban fabric.
https://www.archdaily.com/1022982/cairo-a-mosaic-of-contrasting-urban-narrativesHadir Al Koshta
The middle of the Twentieth Century saw the independence of most countries on the African continent. Those euphoric times brought forward-looking sentiments and a wish to break with the past. As an architectural movement, Modernism was ideal for the day, and newly independent countries had extensive building programs to assert themselves as fully functioning nations.
Hotels are one type of building that illustrates the complex architectural and political history of the times. Some were built specifically to host international delegations, others to boost tourism, while some were built as strong leaders' wishes. Although a marginal building type, several hotels across Africa stand as physical records of important parts of their respective country's history. Following an exploration of the histories of West Africa's Modernist Hotels, this second article turns to East Africa to uncover the ways in which this understated typology relates to larger histories of independence and national identity.
The middle of the Twentieth Century saw the independence of most countries on the African continent. Those euphoric times brought forward-looking sentiments and a wish to break with the past. Modernism, as an architectural movement, was ideal for the day, and newly independent countries had extensive building programs to assert themselves as fully functioning nations.
Hotels are one type of building that illustrates the complex architectural and political history of the times. Some were built specifically to host international delegations, others to boost tourism, while some were built as strong leaders' wishes. Although a marginal building type, several hotels across Africa stand as physical records of important parts of their respective country's history.
Traveling on land through vast regional areas of African countries has been an inefficient ordeal, particularly in West Africa. Google Maps optimistically estimates it would take 53 hours to drive nonstop from Lagos, Nigeria's largest city, to Dakar, Senegal's capital. However, this estimate doesn't account for the poor road infrastructure, complex border crossings, and socio-economic challenges that realistically extend the journey to about a week.
This is why the ongoing Trans-West African Coastal Highway project offers a great opportunity to connect and unlock the region's potential. This project, also known as TAH 7, is a transnational highway initiative linking 12 West African coastal nations, from Mauritania in the northwest to Nigeria in the east. Its gradual construction opens new avenues for freight movement, rail infrastructure, and, more importantly, innovative forms of architecture around borders, addressing their unique socio-cultural functions.
A city that defies expectations, this is what many visitors often express about the Senegalese capital, Dakar. As Africa's most western port city, which gained independence from the French in 1960, Dakar is a regional hub for diversity and culture. While it's often described as an unexpectedly sleek and "modern" city, with its characteristic and sometimes colorful monolithic buildings, Dakar is in fact in constant development and each of its districts tends to reflect a different style and focus, depending on its inhabitants and the dominating functions.
A region's identity is deeply tied to its community spaces. These spaces—whether parks, public squares, or community centers—reflect their users' culture, history, and values. They don't just preserve regional identity; they actively shape how communities engage with their environment, fostering a dynamic relationship between place and people. Community spaces are more than just physical locations; they are vital social hubs that foster engagement, cultural expression, and a sense of belonging. These spaces symbolize a shared identity and purpose.
Located north of Dakar, near the city's airport, is an architectural composition of triangular volumes known as the International Trade Fair Centre, Dakar, Senegal. Also known as the Foire Internationale de Dakar or FIDAK, this structure is an iconic example of 60s modernism in West Africa. It synthesizes the complexity of simple forms within vernacular spatial patterns. Completed in 1974, it reflects the post-colonial ambition of the country and has grown as an adaptive spatial framework for major cultural events and exhibitions.
Recent news headlines from the African continent show a variety of urgent issues affecting urban centers: severe flooding threatens Kenya's capital, Nairobi; the light rail system in Addis Ababa, Ethiopia, is faltering after a successful start. Meanwhile, in Egypt's capital, Cairo, new infrastructure and housing expenditures proved too steep and necessitated a government bailout. African cities face a plethora of problems but they also hold the potential to improve countless lives. As South America shares stark similarities in its history with that of Africa, it could provide both a point of reference and a positive example for tackling these concerns at an urban level.
Harvard University Graduate School of Design (GSD) has just announced Thandi Loewenson as the winner of the 2024 Wheelwright Prize. The prestigious $100,000 grant is dedicated to supporting innovative research in contemporary architecture with a global perspective. Loewenson’s project, “Black Papers: Beyond the Politics of Land, Towards African Policies of Earth & Air,” explores the social and spatial dynamics in modern Africa.
