This guide explains how to structure multi-image prompts in the RunDifussion platform. Explore RunDifussion's product catalog.

On June 24, 2019, the International Olympic Committee (IOC) announced that Milan and Cortina d'Ampezzo would host the 2026 Winter Olympic Games. The last Winter Games to take place in Italy were held in Turin in 2006, and since then, climate change in the European continent has impacted traditional skiing venues. In this context, Italy has the advantage of a portion of the Alps, a strip of about 1,200 km along the borders with France, Switzerland, Austria, and Slovenia. The Italian Alpine region hosts most of the facilities that have been prepared over the past five years for the Winter Olympics, which will take place from February 6 to 22, 2026, followed by the Paralympic Games from March 6 to 15. Set to be the most geographically widespread Olympic Winter Games in history, this edition continues the sustainable model established by the Paris 2024 Olympic Games by relying almost entirely on existing and reconditioned sports infrastructure.

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Innovation is at the core of architecture, expressed through new approaches to design, material experimentation, and, of course, ways of living. As a result, the conception of buildings and indoor spaces is constantly evolving. This evolution is especially evident in regions with a rich cultural heritage, such as Spain, where innovation reinterprets traditional ways of relating to space. This attentiveness to memory and daily life extends into interiors, where each intervention has the potential to actively reshape how people experience a space and open new possibilities for living and interaction.

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Transcending their role as mere infrastructure, bridges have long served as powerful architectural statements. This expressive potential is now being explored with renewed vigor across South-East Asia, where a growing number of architects are re-evaluating traditional materials. By championing wood and bamboo, these designers are creating distinctive structures that integrate local craftsmanship with contemporary needs, resulting in landmarks that are both functional and deeply rooted in their landscape.

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Blending vernacular techniques with contemporary experimentation, Mexico's architectural landscape is shaped by a continuous dialogue between tradition, materiality, and modernity. As the fifth most biodiverse country in the world, Mexican architecture seeks to respond to its vast range of natural environments, climates, and cultural traditions, all within a territory marked by striking contrasts. Reflecting a visible duality, it can embody both exclusivity and act as a catalyst for social transformation.

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ArchDaily is proud to reveal the winners of the 5th edition of Next Practices, recognizing 20 groundbreaking architectural practices from around the globe. These firms embody the creativity, innovation, interdisciplinary approach and social responsibility that are shaping the future of architecture and expanding its horizons.

An architecture degree may provide a vast curriculum, but many of the skills needed for a project lie outside the discipline. This is especially true for urban-scale projects. They demand expertise in areas like traffic studies, structural calculations, landscape design, and technical installation forecasting. These are often seen as "complementary" but are, in fact, fundamental to the overall design.

In a country like Portugal, with a relatively small but geographically diverse territory, the challenge of connecting different parts of the territory – whether to cross a river or link one level of a city to another – is a constant one. Its largest metropolitan areas, such as Lisbon and Porto, share a rugged geography of steep valleys and hills. These features led to the development of elevators and funiculars, like the Santa Justa Lift and the Bica Funicular in Lisbon, and the Guindais Funicular in Porto. Today, besides improving urban mobility, they have become tourist landmarks.

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The latest release of Offsitewood.org marks a significant step forward in making offsite wood construction more approachable for architects. Version 2.0 introduces a set of digital resources aimed at helping designers model, plan, and collaborate more efficiently.

Free downloadable libraries are a central and expanding feature of the site. Additionally, new applications and services are now available that include wood material e-sample viewers, an advanced panelization and framing toolbar for Revit, and a collaborative workspace for project optimization.

October will see the opening of Ibraaz, a new cultural space reimagined by Architect-in-Residence Sumayya Vally in central London. The initiative is led by the Kamel Lazaar Foundation and aims to highlight art, culture, and ideas from the Global Majority: communities of African, Asian, Indigenous, and Latin American heritage that together represent most of the world's population. The project seeks to bridge local and global conversations by creating a "world of many worlds" within a single venue: a six-floor, 10,000-square-foot building that has undergone multiple transformations, from synagogue to residence, club, and now cultural center.

As cities and infrastructures evolve to meet shifting cultural, environmental, and social demands, new architectural projects are redefining how public spaces and civic institutions operate. This edition of Architecture Now brings together proposals spanning different contexts and scales: on Yakushima Island, Jean Nouvel embeds a boutique retreat for NOT A HOTEL into a UNESCO-listed forest landscape; in New York City, Rossetti and WSP are preparing a major renovation of Arthur Ashe Stadium to expand capacity and enhance the visitor experience; in Toronto, Diamond Schmitt and gh3* have broken ground on a mass-timber, net-zero paramedic station; and across the English Channel, Hollaway Studio is leading a transformation of LeShuttle's UK and French terminals into more seamless and sustainable gateways. Together, these projects reflect how design is being used to adapt existing systems and landscapes to new forms of public life.

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"Dance, dance… otherwise we are lost." This oft-cited phrase by Pina Bausch encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and contested through the body. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.

Historically, architecture and dance have operated in parallel, shaping human experience through the body's orientation in space and time. From the choreographed rituals of classical temples to the axial logics of Baroque palaces, built space has always implied movement. The Bauhaus took this further, as Oskar Schlemmer's Triadic Ballet visualized space as a geometric extension of the body. This was not scenery, but spatial thinking made kinetic. In the 20th century, choreographers like William Forsythe and Anne Teresa De Keersmaeker integrated architectural constraints into their scores, while architects such as Steven Holl, Diller Scofidio + Renfro, and Toyo Ito designed buildings that unfold as spatial sequences, inviting movement, drift, and delay.

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The first edition of the Copenhagen Architecture Biennial opens today and runs until October 19, transforming the city into a platform for architectural dialogue and exchange. Organised by CAFx (Copenhagen Architecture Forum), the new biennial expands on the former Copenhagen Architecture Festival, shifting from an annual format to a broader, more ambitious platform for architectural exploration. Led by Josephine Michau, CEO and Founder of CAFx and curator of the Danish Pavilion at the Venice Architecture Biennale 2023, the Biennial launches under the theme "Slow Down," reflecting on how societies can respond to the pressures of rapid population growth, resource consumption, and environmental challenges by rethinking the pace of change in the built environment. The theme builds on the concept of a "Great Deceleration," inviting participants to envision spaces that promote sustainability, longevity, and mindful engagement with the built environment.

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Zaha Hadid Architects' design for a digitally fabricated marine habitat in the North Lantau Marine Park conservation zone in Hong Kong was recently presented at the World Design Congress exhibition in London. The event took place at the Barbican Centre between September 9 and 10, one of the world's most recognized examples of Brutalist architecture. Its theme, "Design for Planet," called on designers and commissioners of design to take on their most critical brief to date: to design a regenerative future in the face of climate change and to examine design's role as a tool for environmental action. In this context, Zaha Hadid Architects presented Nereid, a digitally fabricated habitat developed with advanced 3D printing technologies by D-Shape, aimed at supporting the natural regeneration of marine ecosystems.

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Among the seven winners of this year's 16th Aga Khan Award for Architecture was the Revitalisation of Historic Esna in southern Egypt. Led by the Cairo-based firm Takween, the project was far more than a simple restoration. It was a comprehensive renewal effort that combined deep community engagement with the preservation of both tangible and intangible heritage. By creating thousands of jobs and restoring the historic center, the initiative offered a powerful alternative to demolition. The Aga Khan Trust lauded it as a 'replicable model for sustainable development'.

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Videos

This year marks 20 years since the first VELUX Daylight Symposium—two decades of shared insights, ideas, and exploration into the role of daylight in our built environment. Since its humble beginnings in 2005, the symposium has grown into a leading international forum for cross-disciplinary dialogue on daylight.

The 10th edition, taking place in the heart of Copenhagen, will once again bring together researchers, architects, engineers, and policymakers to examine the evolving role of daylight in architecture and design. It's a space where science and practice meet to reflect on past learnings and look ahead to the future of daylight in our cities and spaces. Join the livestream on September 18th, 2025, from 09:00 to 17:30 (CEST).

Historically, the first universities in the contemporary model were established in Europe to educate elites for the State and the Church, rather than to promote social emancipation. With the rise of capitalism, they became privileged centers for producing and reproducing modern Western culture. However, from the 1960s onward—particularly after the student uprisings of May 1968—the academic focus shifted toward market-oriented values, displacing humanist and critical ideals. The humanities lost prominence, while technical fields gained central importance, often at the expense of reflecting on the social impact of their work.

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Christian de Portzamparc has been announced as the recipient of the 2026 Andrée Putman Lifetime Achievement Award by the Créateurs Design Awards (CDA). The recognition honors his influence on architecture and urban planning, situating him among a lineage of practitioners whose work has shaped both the built environment and cultural discourse. The ceremony will be held in Paris on January 17, 2026, where de Portzamparc will accept the award in person.

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From 2014 to 2019, Daesh (ISIS) occupied and controlled territory in Iraq and Syria, including the northern city of Mosul. UNESCO estimates that 80% of Mosul's historic town was destroyed during this period, which led to one of the most ambitious reconstruction campaigns in recent decades: "Revive the Spirit of Mosul." Since 2019, UNESCO has carried out large-scale efforts to rebuild the city's landscapes and monuments, reconstructing three religious and cultural landmarks and 124 heritage houses, along with other buildings located in the Old City. The program was structured around three pillars: restoring significant heritage, promoting the return of cultural life, and strengthening spaces for education. On September 1, 2025, Iraq's Prime Minister inaugurated three major landmarks: the Al-Nouri Mosque complex, Al-Saa'a Convent, and Al-Tahera Church, marking the completion of the restoration project.

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Since its opening in 1987, Four Winds Field — home of the AA Minor League team South Bend Cubs — has undergone several transformations. In each of them, brick has remained a central architectural element, evoking tradition, permanence, and a distinct urban character. Now, with a major expansion underway, the stadium reaffirms this legacy while embracing innovative construction techniques, most notably, the integration of thin brick as a contemporary solution that honors the past without compromising technical performance.

Videos

With deep roots, sturdy trunks, and the ability to withstand extreme temperatures, date palms (Phoenix dactylifera) are among the species best adapted to the arid desert environment. It is no coincidence that in many local indigenous cultures they are known as the "tree of life," as their fruits, leaves, and trunks have provided food, shelter, and building materials for thousands of years. Without them, much of human settlement in desert regions would not have been possible. Today, widely cultivated across desert regions around the world, the species continues to sustain traditional agricultural  practices, yet its potential can be further enhanced and expanded through the efforts of contemporary researchers.

Utopian Hours returns to Turin as Europe's leading festival dedicated to city making and urban innovation. Three days packed with inspiration: masterclasses, talks, workshops, roundtables, and exhibitions. Recipes and case studies from around the world show how urban (and social) innovation happens — and how the very idea of city-making is being stretched in bold new directions. More than 40 international guests, the most influential media, leading urban gurus, and Europe's sharpest city officials are all gathering in Turin to exchange ideas, tools, experiences, solutions, desires, and passions.

The Korean Pavilion at the 19th International Architecture Exhibition - La Biennale di Venezia marks its 30th anniversary with "Little Toad, Little Toad: Unbuilding Pavilion," an exhibition commissioned by Arts Council Korea (ARKO) and curated by Curating Architecture Collective (CAC), composed of Chung Dahyoung, Kim Heejung, and Jung Sungkyu. Bringing together architects and artists Kim Hyunjong, Heechan Park, Young Yena, and Lee Dammy, the exhibition critically revisits the pavilion as both a physical structure and a symbolic space, tracing its trajectory since its completion in 1995 while speculating on its possible futures.

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Sir Nicholas Grimshaw, the British architect known for advancing high-tech architecture and for founding the practice Grimshaw, has died at the age of 85. Over a career spanning more than five decades, he delivered public and infrastructure projects that emphasized structural clarity, advanced engineering, and utility. His major works include Waterloo International, the original Eurostar terminal in London; the Eden Project in Cornwall; the Financial Times Printworks; and major transport hubs around the world. Knighted in 2002 for his services to architecture, he helped define an era of British and international design. He served as President of the Royal Academy of Arts from 2004 to 2011 and was awarded the Royal Institute of British Architects' Royal Gold Medal in 2019.

In Plato's allegory of the cave, light symbolizes knowledge: it is what guides the human being out of the shadows of ignorance and toward truth. In many religions, light is also associated with divinity, as a manifestation of the sacred. Over time, light ceased to be merely a symbol of reason and became an instrument of sensitivity, a living material capable of shaping atmospheres, influencing perception, and revealing meaning.

Light is masterfully used in the quiet spaces of Tadao Ando, for example, where it seeps in like a sacred substance between concrete walls. In Alvar Aalto's buildings, it is delicately modulated to converse with the Nordic sky. In James Turrell's immersive installations, it becomes body, color, and experience. But light also manifests in the most ordinary gestures: in every precisely oriented window, or every shadow carefully drawn to reveal what is not immediately visible. Like a conductor before the score and the orchestra, the architect can compose with light accentuating volumes, softening boundaries, and giving rhythm and intensity to the spaces we inhabit.

The earliest stages of ideation can be both the most exciting and the most challenging part of the design process. Ideas flow quickly, but they can be abstract and difficult to communicate. This can lead to frustration and waste precious time.

Now, architects, designers, and artists can shorten the distance between the first sketch and a meaningful design decision by pairing traditional ideation techniques with AI-powered visualization tools designed to enhance — not replace — human creativity. Chaos tools keep creators firmly in the center of the process, empowering them with speed and clarity without sacrificing ownership or control.