Architecture is increasingly asked to do less, not more. In environments shaped by constant movement, noise, and expectation, spaces that allow people to stay, pause, and be present have become both rarer and more necessary. Many public and semi-public places are designed to keep people moving, consuming, or reacting, leaving little room for lingering, observation, or simply being without a reason.
In response, a growing body of work is shifting attention away from activation and toward presence. Rather than asking users to interact or participate, these spaces create conditions that support staying. Comfort, continuity, and openness allow people to remain without pressure or obligation, making presence a spatial quality rather than an activity.
Launched in September 2024, the Rediscovering Modernism in Africa series joined a growing worldwide interest in this topic. Previously underrepresented in architectural discussions, the work of architects and researchers on the continent and abroad has continued to tell the story of these high-quality modern works of architecture. These buildings represent designers striving to create locally suited architecture using global concepts and technologies, coinciding with huge political changes as most African countries gained their independence.
Unlike most popular sports, the origin of basketball has a precise year and creator: it was invented in 1891 in the United States by Canadian physical education instructor James Naismith as an indoor sport for athletes at Springfield College during the winter, after the end of the football season. The sport quickly expanded beyond U.S. borders, being included in the Olympic Games in 1936 and achieving international popularity after the Second World War. As basketball became more widespread, it also left the controlled environment of gymnasiums and began occupying a wide range of locations: playgrounds, public plazas, school courtyards, driveways, and backyard patios became informal courts for play and community life, reinforcing the role of physical activity as a catalyst for social interaction and neighborhood regeneration.
Education has long been understood as a cornerstone of social development, shaping not only individual futures but also the collective capacity of societies to respond to change. Observed annually on 24 January, the International Day of Education invites reflection on the role education plays in addressing global challenges and sustaining social progress. As the world confronts overlapping challenges, from technological transformation to deepening inequalities, the question of how education is imagined, governed, and experienced has become increasingly urgent.
Montparnasse Commercial Centre and CIT Tower redevelopment project, 2026. Aerial view. Image Courtesy of RPBW
During a presentation to the press held at Paris City Hall on January 7, 2026, architect and Pritzker Prize laureate Renzo Piano released the first images of the transformation of Montparnasse's emblematic shopping center and CIT Tower into a pedestrian-focused district in Paris, France. The project, commissioned to Renzo Piano Building Workshop (RPBW) in 2022 by the co-owners of the commercial complex, proposes both a visual and functional transformation of the 1970s low-rise retail development into a more traversable space characterized by transparency and openness. The design was developed in parallel with the redevelopment of the Montparnasse Tower, led by Nouvelle AOM, to reshape the broader tertiary complex into a contemporary Parisian block oriented toward public life, environmental performance, and everyday use. The project reopens the site to the city, reconnecting streets and restoring continuity between Montparnasse and its surrounding neighborhoods through new public spaces.
World Monuments Fund (WMF) is an independent organization dedicated to safeguarding significant places that enrich people's lives and foster mutual understanding across cultures and communities. Since 2008, the World Monuments Fund/Knoll Modernism Prize has been a biennial award recognizing outstanding achievements in the conservation of buildings emblematic of the modernist architectural movement. The prize honors individuals and organizations that revitalize modern built heritage through innovative and sensitive architectural interventions.
On January 22, 2026, WMF and Knoll announced the Australia-based architecture firm Architectus as the recipient of the 2026 World Monuments Fund/Knoll Modernism Prize for its conservation of the United Nations' Historic Africa Hall in Addis Ababa, Ethiopia. The jury recognized the project for reestablishing a significant work of African modernism as an active venue for diplomacy and cultural exchange. In addition to the main prize, the jury also awarded Paul Rudolph's Umbrella House in Sarasota, Florida, United States, with the Stewardship Award for Modernist Homes.
Sunset panorama of a large residential gated community (Aparna’s Elixir) viewed from Khajaguda hills, India. Photo by iMahesh. License Creative Commons Attribution-Share Alike 4.0 International
You learn how to behave long before you arrive home. At the gate, you slow down and wait. You are watched, then waved through. A badge is checked, a barrier lifts, a camera blinks. Nothing dramatic happens, and that is precisely the point. The most consequential work of gated communities is not done by their walls, but by the choreography of entry that quietly teaches residents what to expect, whom to trust, and where they belong.
Lu Wenyu—co-founder of Amateur Architecture Studio with Pritzker laureate Wang Shu—has shaped many of the practice's most emblematic works across China, including the Ningbo History Museum and the Xiangshan Campus of the China Academy of Art in Hangzhou. Often working outside the spotlight, her leadership is unmistakable in the discipline of execution and the roles she has assumed: in 2003, together with Wang Shu, she established the Architecture Department at the China Academy of Art, where she also serves as Director of the Sustainable Construction Center. Her practice and teaching form a reciprocal loop: research conducted in studios at the China Academy of Art continually folds back into construction strategies on site, while lessons learned in the field return to the classroom as material intelligence rather than abstract theory.
Founded by Oliver Thomas, the ATN Summit is the first flagship conference of the Archi-Tech Network, marking five years since the platform began as a grassroots initiative to share real-world architectural knowledge. Taking place on March 18–19, 2026, in London, the ATN Summit brings together architects, technologists, and industry innovators to explore how emerging technologies are reshaping architectural practice. Designed as a high-production, ideas-driven event, the Summit reflects ATN's evolution from an informal online conversation into a global platform actively engaging with the future of the built environment.
Architecture's public role emerges as a central theme across recent announcements, institutional projects, and professional programs. The selection of the 2026 Serpentine Pavilion designer foregrounds architecture as a space for public encounter and material inquiry, while major civic and cultural projects point to renewed investment in institutions that support education, exchange, and urban continuity. Alongside these developments, international award programs and policy-aligned initiatives continue to situate architecture within broader conversations on sustainability, social responsibility, and long-term impact, highlighting how design decisions at both intimate and monumental scales respond to shared environmental and civic challenges.
Danish architecture studio Henning Larsen has been selected to redesign and expand Glyvra School in the Faroe Islands, proposing a landscape-driven educational campus that responds directly to the region's topography and climate. Conceived as a "learning village," the project rethinks the role of the school in a small coastal community, positioning architecture and outdoor space as integral parts of everyday learning. Commissioned by Runavík Municipality and developed in collaboration with engineering firm Ramboll, the project will be delivered in multiple phases to ensure the school remains fully operational throughout construction, with new facilities completed and occupied before existing structures are renovated or removed.
The magic of Indian architecture lies in an invisible order amidst visceral chaos. When an uncertain future knocks on the doors of local practitioners, one might begin to look within the four walls they occupy to discover an opportunity for reinterpretation.
Mumbai, Delhi, Bengaluru, and other major metropolises are described as needing massive housing solutions for millions. The instinctive answer is predictable — masterplans, dense towers, and standardized units smeared over haphazard developments. The lexicon misses a deeper truth about how the people already live, work, and build in India. The shorthand used in policy and planning — slum, informal settlement, unauthorized colony — implies a temporary state to be corrected. A designer's eye views these places as layered urban histories, formed through necessity.
Once a Najdi settlement defined by mudbrick walls and courtyard houses, Riyadh has undergone one of the most radical urban transformations of the 20th and 21st centuries. The discovery of oil reserves, the consolidation of political power, and the rapid expansion of infrastructure reshaped the city from a regional capital into a sprawling metropolis almost within a single generation. As a result, Riyadh's urban fabric is marked by discontinuities, fragments of vernacular architecture coexist with mid-century institutional modernism, and a rapidly evolving contemporary skyline.
In recent decades, this layered condition has been further intensified by large-scale development strategies and cultural investment programs that position architecture as a tool for redefining national identity. International practices have played a decisive role in shaping key institutions, infrastructures, and landmarks, while local studios increasingly contribute projects that reinterpret climate, materiality, and social space within a contemporary framework.
Zhu Pei is a Chinese architect born in 1962 in Beijing. He studied at Tsinghua University and UC Berkeley, and founded Studio Zhu Pei in 2005. The studio's experimental work and research focus on contemporary architecture, art, and cultural projects. With an artistic and exploratory approach, it investigates the relationship between the roots that anchor architecture in specific natural and cultural contexts and the innovation that drives architecture as a form of artistic revolution. In his interview with Louisiana Channel, Zhu Pei describes architecture as an artistic discipline that, like poetry, relies on openness, imagination, and the creation of new experiences. He argues that great architecture goes beyond functional problem-solving by generating a sense of wonder through its ability to "invent" and "create some new thing, new experience," positioning architectural practice as cultural and sensory exploration rather than purely technical production.
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Historic center renewal has become a recurring strategy in Central American cities seeking to reassert the symbolic, economic, and functional relevance of their traditional cores. These processes often combine physical rehabilitation, institutional investment, and stricter control over public space. San Salvador offers a recent and instructive case, which allows for understanding of how interventions in inherited civic spaces balance infrastructure improvement with heritage conservation and social regulation. It also enables the assessment of how these choices resonate within broader debates on urban transformation in the region.
By shifting rotation away from traditional hinges and distributing weight vertically, pivot doors were developed to address a specific architectural challenge: how to move large, heavy door panels with precision, durability, and minimal visual interference. These systems allow doors to grow significantly in scale, weight, and material ambition, often blurring the line between door, wall, and architectural surface. Over time, this technical innovation has expanded the role of doors in architecture, allowing them to operate not only as points of access, but also as spatial thresholds, compositional devices, and expressive elements within the building envelope.
Highlighting this evolution, FritsJurgens established the Best Pivot Door Contest to showcase projects where engineering precision and architectural intent converge. Founded in the Netherlands, the company is internationally recognized for its concealed pivot systems capable of supporting exceptionally large and heavy doors. These systems give architects greater freedom in scale and materiality while maintaining precision, reliability, and architectural clarity.
In the translation of three-dimensional reality onto a two-dimensional plane, axonometry stands as one of the graphic systems of representation that form the foundation of the language used by architecture and design professionals. Alongside plans, sections, and elevations, its exploded views often stand out for their ability to study the multiple layers that compose a project. Although axonometry is also employed in other disciplines such as engineering and urban planning, it consistently proves its capacity to function as more than a mere representational tool, strengthening the understanding not only of a project's construction processes, materials, and structural systems but also expanding the communication of the ideas and design processes that shape a project.
From building codes to mobility restrictions and new diplomatic roles within city governments, climate policy is increasingly being shaped at the local level through a widening range of legislative and institutional tools. Cities as varied as Sydney, Boston, New York, Paris, Miami, and dozens across Latin America are adopting targeted strategies that reflect their distinct environmental pressures and governance structures. These initiatives range from all-electric and net-zero construction requirements, to traffic-control measures designed to curb the social costs of private vehicle use, to emerging forms of urban diplomacy that coordinate responses to rising temperatures and biodiversity loss. Together, these approaches illustrate how territorial management is evolving in response to the accelerating climate crisis, and how local governments are experimenting with regulation and collaboration to confront challenges that are at once global and deeply place-specific.
Serpentine has announced LANZA atelier as the designer of the Serpentine Pavilion 2026, marking the 25th edition of the annual commission. Founded by Isabel Abascal and Alessandro Arienzo, the Mexico City–based studio was selected to realise the Pavilion titled a serpentine, which will open to the public at Serpentine South on 6 June 2026. As part of the anniversary programme, Serpentine will collaborate with the Zaha Hadid Foundation, recognising Hadid's role as architect of the inaugural Pavilion in 2000 and reaffirming the Pavilion's legacy as a platform for architectural experimentation.
How did a material conceived for bridges, factories, and large-scale structures make its way to the living room bench, the apartment bookshelf, the café table? For centuries, metal was associated with labor, machinery, and monumentality—from the exposed structures of 19th-century World’s Fairs to the productive logic of modern industry. Its presence in domestic interiors is not self-evident but rather a cultural achievement: the transformation of an industrial material into an element of everyday, intimate use, in close proximity to the body.
The Nobel Foundation has revealed the first design proposal for the new Nobel Center, a public cultural and educational institution dedicated to science, literature, and peace. Designed by David Chipperfield Architects Berlin, the project will be constructed along Stadsgårdskajen at Slussen in Stockholm, with construction scheduled to begin in 2027 and completion planned for 2031. Conceived as a permanent home for the activities surrounding the Nobel Prize, the building aims to make the work of Nobel Prize laureates accessible to a broad public through exhibitions, public programs, and interdisciplinary exchange, positioning the center as both a civic landmark and an international point of reference.
