Building a monumental dome without the use of external iron chains or traditional centering was the enormous challenge faced by Filippo Brunelleschi at the Cathedral of Santa Maria del Fiore in Florence. To demonstrate the feasibility of his proposal and to guide the construction, he relied on a large-scale wooden model that played a fundamental role in studying proportions, the interlocking of ribs, and the innovative arrangement of bricks using the "a spina pesce" (herringbone) system. As an essential technical tool, this model — which is still on display at the Museo dell'Opera del Duomo in Florence — guided the master builders throughout the construction, establishing itself as a seminal example of the value of models in architectural planning, constructive communication, and experimentation.
When examining photos of Japanese houses, one frequently notices a recurring space with tatami mats, often slightly elevated and integrated into the public areas of the home. This is the washitsu, or Japanese-style room: a traditional, multipurpose space still commonly found in modern residential architecture. Used for activities ranging from reading and sleeping to hosting a family altar, its versatility is central to its continued relevance. This article explores the Washitsu's layout and meaning, beginning with its historical origins to better understand its role and interpretation in contemporary Japanese homes.
Pearling Path - Muharraq. Image via Shutterstock - Kirk Fisher
The Kingdom of Bahrain is being widely acknowledged recently through their worldwide architectural contributions at the Expo 2025 in Osaka, with their Anatomy of a Dhow pavilion by Lina Ghotmeh; or at the Venice Biennale, where the Heatwave exhibition was awarded the Golden Lion for Best National Participation. However, for the past few years Bahraini cities like Muharraq have been lending the stage for regional and international architects to discover their typical Persian Gulf architecture and add their own touches to the local sites. It's through the works of Leopold Banchini, Anne Holtrop, or Valerio Olgiati that the old has been brought back to life, along with the efforts of the local authorities and cultural figures.
What can a pavilion’s architecture reveal about its country? At major World Expos, national pavilions are designed to answer this question, transforming into spaces laden with symbolism. Though temporary, these structures are rich in meaning, functioning as architectural expressions of political identity. Their forms and materials encapsulate national ambitions. Expo Osaka 2025, the latest chapter in this ongoing narrative, showcases how nations increasingly use built space to construct global images of themselves—sustainable, technological, culturally distinct, and geopolitically relevant.
Lincoln Center for the Performing Arts, Inc. has revealed the design for the Amsterdam Avenue side of its campus, developed by Hood Design Studio, Weiss/Manfredi Architecture/Landscape/Urbanism, and Moody Nolan. Recently released renderings illustrate a transformation that includes a new outdoor performance venue, expanded community park spaces, and the removal of the existing wall along Amsterdam Avenue. In response to long-standing calls from both Lincoln Center and local communities, the construction is expected to begin in spring 2026 and be completed by spring 2028.
Søren Pihlmann is the curator of the Danish Pavilion at the 2025 Venice Architecture Biennale. The exhibition, commissioned by the Danish Architecture Center, is titled Build of Site, and focuses on exploring sustainable architectural practices through the lens of reuse and resourcefulness. Pihlmann's proposal transforms the existing Danish Pavilion, located within a historic building complex in the Biennale's Giardini, into an active exhibition space for material experimentation. The installation highlights techniques that incorporate recycled and bio-based elements. The Pavilion offers visitors the opportunity to observe ongoing experimental processes, witnessing how building resources are creatively reimagined for new uses. In this on-site interview, ArchDaily editors spoke with the curator about the ideas behind the project and the challenges its execution represents.
What structures and infrastructures sustain the ties and relationships between the countryside and the city? How will architecture and emerging technologies maintain -or not- the coexistence of both worlds in the future? The reduction of ecological footprints, the impact of climate change, the decentralization of major cities, food security, and other contemporary issues challenge professionals in architecture and urbanism globally under the main shared goal of improving citizens’ quality of life and achieving physical, mental, and emotional well-being in both built and natural environments.
A series of recently announced projects across Europe, Asia, the Middle East, and North America reflects an ongoing shift in architectural thinking toward approaches that integrate buildings with their landscapes, programs with public life, and design with long-term environmental goals. In Nantes, France, a healthcare campus redefines medical education through climate-conscious planning, while in San Antonio, Texas, a new arboretum transforms a former golf course into a research-driven public landscape. Residential towers are rising beside Bangkok's Lumphini Park, a new coastal community is underway in the UAE, and an expansion to the Nelson-Atkins Museum in Kansas City reconsiders how cultural institutions connect with their surroundings. Together, these announcements point to a growing interest in projects that embed architecture within broader ecological and civic systems, proposing new models of spatial integration, accessibility, and resilience.
There is a particular kind of architecture that does not begin with a blank page. It begins in silence, in ruins, in walls shaped by time. It begins by listening. Rather than imposing itself, it draws near, slowly, choosing to touch rather than overwrite. This is an architecture that engages with the past through the lens of the present, not to erase it or mimic it, but to offer it continuity.
Contemporary architecture increasingly recognizes that to build with the past is not to be held back by it. Heritage is no longer seen as a constraint but as an active ground for design. Within this shift, pre-existence becomes more than a physical condition — it becomes a narrative thread, a structural and symbolic presence that invites care. Rather than asserting dominance, many architects today choose to respond with gestures that are deliberate, quiet, and precise. These interventions frame rather than replace, protect rather than obscure. In doing so, they allow history to remain visible, not as a backdrop, but as a living layer of the architectural experience.
The German Design Awards 2026 are now open for submissions worldwide. Under the theme Connecting Global Excellence, the awards extend an invitation not just to enter, but to engage—with ideas, with places, with people. This year's open call is accompanied by a new series of Design Masterclasses in Zurich and Copenhagen, created in collaboration with DAAily platforms, offering spaces to share, learn and connect. As the Frankfurt RheinMain region prepares to take the global stage as World Design Capital 2026, the German Design Awards 2026 reflect the full spectrum of design today—from visionary innovation to cultural continuity. They are both a mirror of our diverse design landscape and a catalyst for forward-thinking transformation across all disciplines.
The V&A East Storehouse will open to the public for the first time on Saturday, 31 May 2025. Located in the Queen Elizabeth Olympic Park, the project is part of East Bank, a new cultural quarter supported by the Mayor of London. Designed by the internationally recognized architecture firm Diller, Scofidio + Renfro, the new facility serves as both a working store and a visitor destination. Following a decade of planning and extensive audience consultation, V&A East Storehouse is the first of V&A East's two new cultural destinations to open in East London. The second, V&A East Museum, is scheduled to open in spring 2026 and will explore the role of making and creativity as agents of change.
When creating exhibition spaces, the design of the experience, the proposed route, and the transmission of certain perceptions and senses contribute to establishing different bonds and connections between the displayed objects and their visitors. Understanding a showroom as a space designed to creatively and experientially showcase products and services, what design strategies could enhance users’ interior experiences? How does interior design engage in dialogue with exhibition architecture?
The exhibition "Ma Yansong: Architecture and Emotion," presenting the work of Chinese architect Ma Yansong and his globally recognized practice MAD Architects, has opened at the Nieuwe Instituut in Rotterdam, the Netherlands' national museum for architecture, design, and digital culture. Featuring a selection of projects from MAD's international portfolio, the exhibition explores how the studio challenges conventional architectural paradigms through forms influenced by nature and guided by sensorial experience. The exhibition will be on view until 12 October, and on Thursday 26 June, Ma Yansong will be the guest of honour at the Nieuwe Instituut for "An Evening With...", a public program where he will discuss his design philosophy with Aric Chen.
The main role of architecture is to create structures that protect us from the environment and create spaces that are safe and comfortable for all types of needs and activities. By providing shelter, architecture also shapes the way people interact with their surroundings. Building technologies of the past rarely managed, however, to create a complete separation between us and the outside world.
While impermeability was a desired outcome, the porous building materials available always allowed some water, wind, or outside particles to leak into the interior spaces. In contrast, modern technologies now allow for almost completely impermeable building envelopes, allowing for complete separation between indoors and outdoors, thus relying on engineered systems to regulate temperature, airflow, or humidity. This article explores the differences between these two contrasting approaches, exploring how building facades are equipped to regulate indoor comfort and its environmental impact.
Space has become a luxury in many of the world's most densely populated cities—a growing reality that's hard to ignore. Megacities like Tokyo, Shanghai, Mumbai, Mexico City, and São Paulo already have populations exceeding 20 million, while other urban centers across Asia and Africa continue to expand rapidly. Among these, Delhi stands out: if current trends continue, it is projected to become the most populous city by 2028. As these cities expand, housing—especially new developments—follows a new logic: as square meters shrink, furniture adapts, and daily life learns to fit and thrive in high-density environments. This change isn't just about size; it reflects a new way of living. Where spaciousness once dominated, density now rules. Every corner gains spatial and commercial value, with the kitchen emerging as one of the biggest challenges in housing design today.
Buildner has announced the results of its third annual Home of Shadows international architecture ideas competition. The competition series is designed to focus on the vital interplay between light and shadow in creating functional and inviting living spaces. It highlights the importance of natural light in home design, essential for creating comfortable, inviting, and practical environments.
Light is viewed as a language through which architects communicate emotions in their designs, with shadows playing an equally significant role in influencing the ambiance of a space. The balance between light and shadow allows for the creation of spaces with depth and texture, setting different moods for various purposes. Often, this balance can be achieved through the strategic placement of windows and doors.
The Empire State Development (ESD) Board of Directors has approved a major office-to-residential conversion project at 5 Times Square, New York City, as announced by the New York state government. Originally built in 2002 as the headquarters for Ernst & Young, with Kohn Pedersen Fox (KPF) as the design architect, the building has been largely vacant since the corporation vacated the premises in 2022, with vacancy rates remaining around 75 percent. Gensler's proposal aims to repurpose this underutilized office space into a mixed-use complex, introducing up to 1,250 new homes, including 313 permanently affordable units.
The Serbian Pavilion at the 19th Venice Architecture Biennale consists of an immersive installation made of wool. The exhibition, titled Unraveling: New Spaces, was curated by architect Slobodan Jović and designed by an interdisciplinary team composed of Davor Ereš, Jelena Mitrović, Igor Pantić, Sonja Krstić, Ivana Najdanović, and Petar Laušević. The interior space of the Pavilion, located in the Biennale's Giardini, is occupied by an ephemeral installation that follows the principles of circular design, effectively producing no waste. The installation consists of a broad woven wool fabric that gradually unknits according to a guided choreography of algorithmic precision, completely disassembling by the end of the Biennale's exhibition.
Little has been written about the work of Abdelmoneim Mustafa, one of the most respected architects in his homeland of Sudan and a pioneer in his profession in the mid-twentieth century. Esra Akcan, who made extensive research of his work with a team in Sudan during a small window of opportunity between 2019 and 2021, laments this lack of recognition thus, "How could someone as gifted as Moneim Mustafa… designer of some of the most exciting mid-century modernist buildings anywhere, be so neglected, so ignored out of Sudan, that to this day there is no internationally accessible publication in his name." Akcan's writings, coupled with the personal blog of Hashim Khalifa, who trained under Mustafa, shed light on his extensive legacy.
The Pavilion of China at the 19th International Architecture Exhibition - La Biennale di Venezia presents the exhibition CO-EXIST, curated by Ma Yansong, founder of MAD Architects, and organized by the Ministry of Culture and Tourism of the People's Republic of China at the Arsenale. Through ten works by twelve interdisciplinary groups, the pavilion examines how traditional Chinese philosophical thought can inform architectural responses in the age of advanced technology and artificial intelligence.
Haut Pays Bigouden / Pierre Brulé. Image Courtesy of Cupa Pizarras
Inspired by experimental solar houses developed after the 1970s oil crisis, the Passive House certification emerged in the late 1980s as a response to growing concerns about energy efficiency and the environmental impact of the construction industry. Its goal is both simple and radical: to reduce heating and cooling demands to an absolute minimum through passive strategies, controlled mechanical ventilation, and an extremely efficient building envelope — eliminating the need for complex or expensive systems.
The choice of exterior cladding materials plays a strategic role in achieving this performance. Poorly designed surfaces, thermal bridges, or sealing failures can undermine the building's entire thermal logic, especially in demanding climates. This is where rainscreen systems stand out: by creating a ventilated air gap between the cladding and the structural wall, they promote continuous airflow, manage moisture, and enhance thermal stability. Materials that combine performance, durability, and visual appeal are rare — and natural slate from Spain's Cupa Pizarras is a standout solution.
"The limits of our design language are the limits of our design thinking". Patrik Schumacher's statement subtly hints at a shift occurring in the built environment, moving beyond technological integration to embrace intelligence in the spaces and cities we occupy. The future proposes a possibility of buildings serving functions beyond housing human activity to actively participate in shaping urban life.
Studio Gang, led by Jeanne Gang, has revealed its design for the Colorado 150 PedestrianWalkway, a new civic infrastructure project commissioned by Governor Polis and the America 150-250 Commission. Spanning 11,000 square feet, the walkway is conceived as both a connective urban thread and a commemorative landscape, marking the 150th anniversary of Colorado's statehood. Strategically sited in downtown Denver, the intervention links key public spaces and monuments, enhancing pedestrianaccessibility while fostering a layered experience of art, culture, and history. Set to be completed by July 2026, various features, such as viewing platforms, monuments, new public artworks by Colorado-based artists, play areas, and interpretive elements, aim to invite users to explore, gather, and reflect along the route.
