“We’re on the verge of one of the biggest revolutions that we’re going to face in the industry,” warns German Otto Bodenbender, Design Technology Manager at BIG Barcelona and Professor of ZIGURAT Institute of Technology.
First, it was theCAD revolution, with the introduction of computers; then it was the turn of BIM methodology, with new processes and workflows; and now, when many professionals haven’t yet gotten used to all those changes, we have AI. This is not just affecting how we do things, but is revolutionizing the entire lifespan of construction processes, introducing new computational capacities in every single aspect of architecture, construction, and engineering.
We Caught A UFO! by Xavier Madden and Katja Banovic, Croatia and Australia. Image Courtesy of Winter Stations
Winter Stations, now in its 10th year, has unveiled the winning designs selected from a pool of hundreds of submissions worldwide. Following an international design competition launched in November 2023, designers, artists, and architects contributed with bold proposals to reimagine the lifeguard stations along Toronto’s east-end beaches for the winter. Launched by RAW Design, Ferris + Associates, and Curio in 2014, the event aims to gather an international design and art community to join in this playful exercise of rethinking public spaces through bold temporary interventions. The winning designs were realized with the support of Anex Works, a Toronto-based fabrication group, and will be on display until the end of March.
For its 10th anniversary edition, the chosen theme for this year is “Resonance,” hoping to challenge designers to reflect on the artistic legacy and enduring impact of the Winter Stations and to embark on a journey of reinvention and reimagination. The projects were invited to recreate and reinvent installations from previous Winer Stations editions, offering moments of contemplation and remembrance. The event also continues the tradition of the Lifeguard Sands, inviting designers to incorporate them into their designs without structurally altering the stands in any manner.
GRAFT Architects has just won the competition to design the new Carl Bechstein Music Campus. Located centrally in Berlin, the Carl Bechstein Foundation’s main goal with the campus is to create a cultural hub entirely devoted to piano music. Serving as a focal point for the Bechstein Brand, established in 1853 and known for its variety of Bechstein pianos, this campus will serve as a focal point and a new headquarters for the foundation.
Four years after the onset of the COVID-19 pandemic, its effects are still felt in the construction and real estate sectors in the United States. Accelerated remote work and hybrid schedules are leading to a sharp decline in demand for traditional office space in cities across America. In major metros like New York and San Francisco, occupancy rates have dropped, property values have diminished and rents have fallen significantly. As architects design for the future of work, the real estate market faces divided perspectives on whether to invest in the country's growing inventory of vacant office buildings.
The manipulation and combination of materials are ongoing pursuits in architecture. This has not only broadened the possibilities for construction but also enabled the creation of distinctive shapes and aesthetics by using the same materiality. An example of this is Portland cement, an essential element in the mixture of water and aggregates that make concrete, which allows the creation of both load-bearing and decorative elements. In parallel, as a result of the exploration of innovative materials, fiber cement emerged (invented by Ludwig Hatschek) at the end of the 19th century, combining Portland cement, mineral-based materials, and cellulose fibers.
Nowadays, fiber cement —distinguished by its key technical qualities of slenderness, lightness, durability, and flexible aesthetics— has stood out in various applications associated with design, ranging from furnishings to facade systems. It is in the latter where it has adopted notable expressions due to its textures, incombustibility, rain resistance, and malleability. For this reason, we have developed a design guide that addresses the use of fiber cement, exploring the principles that should be considered when designing the facade, regarding its materiality, dimensions, layout, details, and special applications.
https://www.archdaily.com/1011851/design-guide-working-with-fiber-cement-facadesEnrique Tovar
For decades, cities around the world have been promoting their nightlife scene and the designed spaces in which these activities occur. Occasionally hidden away from the hustle and bustle, offering a sort of escapism from the day-to-day-routine behind red velvet ropes and intense security measures, or sometimes proudly on display for people from all walks of life to congregate and spend the evening under the glisten of a disco ball or flashing lights, nightclubs are an example of how fashion, culture, and societal norms influence an often overlooked and underground side of architecture.
The Mysk Al Badayer Retreat in the desert outside Dubai, United Arab Emirates. Image Courtesy of Mysk Al Badayer Retreat
Set deep within some of the most isolated desert landscapes across the Middle East and further afield, these desert camp hotels offer a way to connect with their surroundings through the solitary experience of open and expansive scenery.
Los Angeles Aerial. Image via trekandshoot / Shutterstock
Cities in the United States are short of millions of housing units. Compounded by other factors, this shortage is radically increasing the cost of both renting and buying houses. Los Angeles is no exception; with 74% of its land zoned exclusively for single-family homes, multifamily housing construction is limited to an extremely small swath of the city, making the construction of new affordable housing difficult. Complex multi-year permit approval processes often make these projects even less feasible.
That's why, in December 2022, Mayor Karen Bass took a drastic approach by declaring a state of emergency to speed up approval for affordable housing projects, allowing developers to expedite rent-stabilized projects through fast permitting times and exemptions from zoning rules. Executive Direction (ED1) created a surge of affordable housing applications, surprisingly not just from developers using public money but from private ones.
As part of our yearly tradition, we have asked our readers who should win the 2024 Pritzker Prize, the most esteemed accolade in the realm of architecture.
Established by Jay Pritzker and administered by the Hyatt Foundation in the United States, the Pritzker Prize honors living architects, irrespective of nationality, whose architectural contributions "have produced consistent and significant contributions to humanity through the art of architecture."
Greenhouses are elegant and ingenious structures that incorporate simplicity in design while creating light-filled spaces that shape indoor climates. With walls and roofs composed mainly of transparent or translucent materials, these structures harness solar energy to create a controlled environment. As advances in materials and environmental management progress, they can seamlessly be integrated into architectural designs, offering innovative solutions that blend functionality with aesthetics. Beyond their original role in plant cultivation, they have evolved into projects that emphasize sustainability, education, and conservation. At their core, they offer experiences of exploration and discovery, showcasing the intricate relationship between sunlight, plants, and indoor environments.
The field of architecture and design is a dynamic one, often managing large-scale investments and involving a wide array of professionals. It stands to reason that, in this type of environment, success is not simply defined by just the quality of the completed structures, but also by the internal ability of architecture firms to effectively manage their business operations. For architects and designers, measuring performance goes beyond financial metrics; it encompasses a diverse range of factors that reflect the firm's efficiency, creativity, and impact within the industry.
Several key metrics can be measured, from financial goals to client relationship management, innovation, influence, and professional development, all helping architects and designers gauge their performance from different perspectives. As the famous saying goes, “What gets measured gets managed.” To help in this effort, Monograph's 2024 Architecture Business Benchmarks Report offers a thorough examination of five key metrics.
The Joslyn Art Museum in Nebraska announced that the restoration and expiation works led by Snøhetta and Alley Poyner Macchietto Architecture (APMA) are nearing completion, as the transformed institution is scheduled to reopen on September 10, 2024. The new 42,000-square-foot Rhonda & Howard Hawks Pavilion, designed by Snøhetta and APMA will add new gallery spaces to Nebraska’s largest art museum, becoming the centerpiece of the large-scale project for reimagining the visitor experience.
Oman has just announced plans for a $2.4 billion mixed-use project, the new Omani Mountain Destination on Jabal al Akhdar. Masterplanned by AtkinsRéalis, the scheme aims to attract sustainable development opportunities, hoping to "operate as Net Zero Carbon and striving to use 100% renewable energy." The project is in alignment with Oman Vision 2040, seeking a developed, diversified, and sustainable economy;, featuring residences, hotels, and a health village.
Many buildings often fall into disuse due to our cities' constant economic, social, and technological changes. The programmatic inconsistency of current times demands great versatility and adaptability from our infrastructures, increasingly leading projects to become uninhabited, and left to abandonment and decay.
Next, we present a series of 20 Latin American projects in which old warehouses, homes, prisons, mills, and markets were recovered and transformed into Cultural Centers, Museums, and Galleries.
At first glance, Dorte Mandrup's design for the Wadden Sea Center seems to mimic the landscape. Its low height, its horizontal lines and, above all, its materiality make it a modern building in perfect harmony with the local nature. But its connection also encompasses the built heritage of the region, more specifically because of its covering with straw, harvested and dried close to the land. This is an extremely traditional and historic building technique, but which is rarely attributed to contemporary buildings. In this article we will rescue some of the history of this natural material, its constructive characteristics and some examples of use.
In recent years, India has seen a resurgence of interest in natural building materials, a movement driven by escalating environmental concerns and a growing desire to revive traditional lifestyles. From the busy streets of Mumbai to the serene villages of Kerala, architects, builders, and communities are coming together to experiment with the potential of earth, bamboo, lime, and other organic materials in shaping contextually relevant structures that also embody India's contemporary ideals. The shift towards using natural materials and other vernacular resources reflects a movement towards sustainability and a deeper connection with nature.
UNStudio, in collaboration with local partner HYP Architects, has won the competition for the design of the Kyklos building in Luxembourg. The project is part of Beval, a large-scale redevelopment initiative aiming to transform a former industrial site into an urban center complete with a university and technological center, in addition to residential, office, and retail spaces. When designing the Kyklos building, which will occupy a central position in the district's main square, the architects set out to find solutions to create the smallest carbon footprint for both operational and embedded metrics.
Allford Hall Monaghan Morris (AHMM)’s architectural studio has revealed the plans to convert a 1950s London office building into a co-living residential scheme. Initiated by developer HUB and Bridges Fund Management, “Cornerstone” is nestled on the fringes of the iconic Barbican estate, hoping to seamlessly transform the original office building to integrate 174 co-living residences.
On April 4 – 6, the international conference FABRICATE 2024will be held at the Royal Danish Academy in Copenhagen. Since its inception in 2011, FABRICATE has established itself as a global forum for new radical possibilities for architecture and welcomed thousands of participants from practice, industry, and research.
In this first article we meet architect Anders Lendager who is CEO and founder of Lendager, a front runner and one of the most influential architecture studios and strategic consultants within sustainability and circular economy. The text is an excerpt from the upcoming FABRICATE 2024 book and based on an interview conversation led by Co-chair Mette Ramsgaard Thomsen with Anders Lendager and Meejin Yoon, Dean of Cornell AAP. The book will be published on the opening night of the FABRICATE 2024 conference.
Polyvinyl chloride (PVC) plastic –commonly known as vinyl– is everywhere. In fact, chances are you are sitting close to (or on) something containing PVC in some way, shape or form. It’s used in packaging, automobile parts, children’s toys, clothing, accessories, wires, furniture, medical supplies and hundreds of other everyday items. This year alone, global production exceeded 51 million metric tons, solidifying its rank as the third-most produced plastic in the world. It is particularly in the architecture, engineering and construction industry that the material stands unchallenged, accounting for 60-70% of its total consumption. So much so that it has indisputably become the most used plastic for building materials worldwide, often found in pipes, fittings, flooring, roofing, window profiles and more. It’s not hard to understand why: PVC is durable, highly versatile, cost-effective and easy to maintain. But nothing comes without a cost, they say…
For decades, our society and the development of our built environment have been strongly associated with intensive extractive processes. While these methods were fundamental to the growth of urban areas, they also laid the groundwork for significant challenges that contemporary generations face today. Nowadays, construction debris accumulates on the peripheries of our cities, and plastic waste floats in the oceans.
In this context, and similarly to the idea expressed by Alvar Aalto, who stated that "modern architecture does not imply the use of new materials, but rather employing existing materials more humanely," it is crucial to reconsider how we manage our resources and waste. This shift in direction provides us with new opportunities to address the challenges that the ongoing climate crisis has brought. In response, various actions are now being taken, using materials such as food waste, recycled wood, and plastic debris, among others, exploring innovations in a context where raw materials are becoming increasingly scarce.
https://www.archdaily.com/1013787/casting-furniture-with-upcycled-plastics-and-urban-debris-los-colados-projectEnrique Tovar
New York-based architecture office WEISS/MANFREDI Architecture/Landscape/Urbanism has been named the 37th recipient of the Louis I. Kahn Award, offered by DesignPhiladelphia. The firm, founded by Marion Weiss and Michael Manfredi, is recognized for its wide range of projects, from cultural institutions to urban landscapes, all demonstrating and responding to contextual conditions, sustainability standards, and centered around the human experience.
