Swedish Architecture

Recent years have seen a shifting paradigm in multi-family residential architecture, as more and more new projects are being built with engineered wood, specifically Cross-Laminated Timber (CLT) and glued-laminated timber (glulam). Because timber is lightweight, these systems can reduce dead load and ease foundation demands, which is especially useful on sites with limited bearing capacity or over existing infrastructure. From a sustainability standpoint, timber can store carbon over the life of the building and often reduces embodied carbon compared with conventional concrete-and-steel systems. In fire design, large timber members can be engineered to char at a predictable rate, allowing the structural core to remain protected for a defined period when detailed appropriately.

The Museum of Furniture Studies was founded in 2017 in Stockholm, showcasing a collection of more than 1,300 furniture pieces by over 44 international designers. The museum's physical location closed in 2022, maintaining its visibility through its Digital Archive for Design Furniture until it was acquired by IKEA in 2024. This week, Danish architecture studio Cobe announced the transformation of a former IKEA warehouse in Älmhult, Sweden, into a new home for the museum. The project involves converting a closed storage facility into an open and accessible space for design while preserving its industrial structure. The building is scheduled to open in early February 2027.

Cultural centers continue to serve as a productive ground for unbuilt architectural exploration, reflecting how architects are rethinking the role of public institutions in relation to landscape, experience, and program hybridity. In this Unbuilt edition, submitted by the ArchDaily community, the selected projects bring together a range of proposals that expand the definition of the cultural center beyond a singular building. These works position architecture as a spatial framework that mediates between research, exhibition, retreat, and public life, often embedded within or distributed across natural and urban contexts.

As cities continue to expand upward, the office tower remains one of the most visible symbols of architectural ambition and urban evolution. No longer defined solely by efficiency or corporate image, contemporary workplace architecture is being reimagined as a hybrid ecosystem, one that balances density with daylight, productivity with well-being, and technology with material and spatial integrity. The following unbuilt projects, submitted by the ArchDaily community, reveal how architects across continents are rethinking the typology of the tower, turning verticality into an opportunity for connection, adaptability, and sustainability.

Henning Larsen has been selected to design Gothenburg's new Centralbadet, a public swimming and sports facility intended to strengthen the city's network of community and health-oriented spaces. The winning team includes Winell & Jern Architects, Ramboll, and John Dohlsten, Sports Science Lecturer at the University of Gothenburg. Organized by the City of Gothenburg, the competition included teams such as BIG and Wingårdh Arkitektkontor. The new center is planned as a multifunctional public facility that supports both everyday recreation and organized sport for residents of all ages.

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Between August 19 and 20, 2025, thousands of spectators watched as one of Sweden's largest wooden buildings was lifted onto beams and wheeled across town. The Kiruna Church, constructed between 1909 and 1912, was designed to echo the form of a Sámi hut in Sweden's far northern region, within the Arctic Circle. The building was designed by architect Gustaf Wickman, who served as the church's architect at the time, and combines elements of Gothic Revival with an Art Nouveau altar. The building, one of the city's main tourist attractions, was moved to a new location between the cemetery and the new city center to prevent damage caused by the expansion of the local mine.

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The Nordic countries' display at the 19th International Architecture Exhibition of La Biennale di Venezia is housed in Sverre Fehn's celebrated 1962 Nordic Pavilion, a landmark of architectural modernism representing Sweden, Norway, and Finland. This year, the Nordic countries present an exhibition that blends architecture, performance, and art installation, treating the built environment as a stage for the sociopolitical norms of fossil-based culture. Curated by Kaisa Karvinen for the Architecture & Design Museum Helsinki, the exhibition, titled Industry Muscle: Five Scores for Architecture, explores modern architecture through the lens of the trans body, featuring the work of Finnish artist Teo Ala-Ruona, who combines performance art, theatre, and choreography.

From forest-inspired offices in Sweden to jungle-nest clubhouses in Tulum, mixed-use architecture continues to evolve as a tool for integrated living. As cities grow and our expectations of public, private, and commercial space shift, designers are increasingly rethinking how different functions including work, play, rest, learning, can coexist in a single architectural language. These projects suggest that buildings and projects no longer need to silo activities, but rather choreograph them to reflect the rhythms of everyday life.

Despite their whimsical appearance, treehouses offer a unique platform for structural innovations and design explorations. Traditional treehouses rely on the trunks of trees for structural support, but, in order to ease the load supported by the tree, contemporary projects often introduce additional systems, such as stilts to maintain the image while offering additional support. One of the key advantages of elevating them in this way is the reduced environmental footprint. Treehouses can be designed to leave the forest floor untouched, preserving small-scale ecosystems. By freeing up the ground below, they minimize disruptions to native flora and fauna, allowing nature to thrive undisturbed. Similarly, many architects use the local topography to create seamless connections, incorporating ramps, stairs, or bridges that integrate with the landscape. These solutions not only improve accessibility but also enhance the overall experience creating an architectural promenade that moves between the treehouse and its surroundings.

Opened in October 2024, the Järva Cemetery offers everyone, regardless of faith or beliefs, a space for remembrance, continuing Stockholm's long tradition of funeral history. After overcoming significant planning obstacles, the site, designed by Kristine Jensen Tegnestue and Poul Ingemann, was created to accommodate burials and funeral ceremonies, with options for coffins, urns, ash groves, and a commemorative forest. During the last edition of Open House Stockholm, visitors could explore its surrounding natural landscapes and connect with the space.