Swedish Architecture

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Between August 19 and 20, 2025, thousands of spectators watched as one of Sweden's largest wooden buildings was lifted onto beams and wheeled across town. The Kiruna Church, constructed between 1909 and 1912, was designed to echo the form of a Sámi hut in Sweden's far northern region, within the Arctic Circle. The building was designed by architect Gustaf Wickman, who served as the church's architect at the time, and combines elements of Gothic Revival with an Art Nouveau altar. The building, one of the city's main tourist attractions, was moved to a new location between the cemetery and the new city center to prevent damage caused by the expansion of the local mine.

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The Nordic countries' display at the 19th International Architecture Exhibition of La Biennale di Venezia is housed in Sverre Fehn's celebrated 1962 Nordic Pavilion, a landmark of architectural modernism representing Sweden, Norway, and Finland. This year, the Nordic countries present an exhibition that blends architecture, performance, and art installation, treating the built environment as a stage for the sociopolitical norms of fossil-based culture. Curated by Kaisa Karvinen for the Architecture & Design Museum Helsinki, the exhibition, titled Industry Muscle: Five Scores for Architecture, explores modern architecture through the lens of the trans body, featuring the work of Finnish artist Teo Ala-Ruona, who combines performance art, theatre, and choreography.

From forest-inspired offices in Sweden to jungle-nest clubhouses in Tulum, mixed-use architecture continues to evolve as a tool for integrated living. As cities grow and our expectations of public, private, and commercial space shift, designers are increasingly rethinking how different functions including work, play, rest, learning, can coexist in a single architectural language. These projects suggest that buildings and projects no longer need to silo activities, but rather choreograph them to reflect the rhythms of everyday life.

Despite their whimsical appearance, treehouses offer a unique platform for structural innovations and design explorations. Traditional treehouses rely on the trunks of trees for structural support, but, in order to ease the load supported by the tree, contemporary projects often introduce additional systems, such as stilts to maintain the image while offering additional support. One of the key advantages of elevating them in this way is the reduced environmental footprint. Treehouses can be designed to leave the forest floor untouched, preserving small-scale ecosystems. By freeing up the ground below, they minimize disruptions to native flora and fauna, allowing nature to thrive undisturbed. Similarly, many architects use the local topography to create seamless connections, incorporating ramps, stairs, or bridges that integrate with the landscape. These solutions not only improve accessibility but also enhance the overall experience creating an architectural promenade that moves between the treehouse and its surroundings.

Opened in October 2024, the Järva Cemetery offers everyone, regardless of faith or beliefs, a space for remembrance, continuing Stockholm's long tradition of funeral history. After overcoming significant planning obstacles, the site, designed by Kristine Jensen Tegnestue and Poul Ingemann, was created to accommodate burials and funeral ceremonies, with options for coffins, urns, ash groves, and a commemorative forest. During the last edition of Open House Stockholm, visitors could explore its surrounding natural landscapes and connect with the space.

The winners of the "Europe 40under40®" program for 2023-2024 have been announced, celebrating promising talents in architecture and design. This recognition highlights projects from emerging professionals under the age of 40, including architects, landscape architects, urban planners, and industrial designers. The program, initiated by The European Centre, aims to showcase a new generation of designers who are poised to impact the future of living and working environments, cities, and rural areas.

ACAN Sweden, in collaboration with Differ Agency, has launched "Embodied Carbon Declared," an online platform that actively reveals CO2 emissions data from new construction projects across Sweden. The platform categorizes and presents emissions data in four key areas: Projects, Municipalities, Developers, and Building Types. It provides detailed measurements both in total and per square meter, offering an advanced level of transparency in the construction industry.

C.F. Møller Architects has just been declared the winner of the urban competition to develop the Luna District in Södertälje, Sweden. Their proposal, “The Sky is Our Roof” outlines the transformation of the Luna District, known as Lunagallerian, representing one of the most extensive urban development projects in Södertälje’s history. Set to be reimagined into several open urban districts, the project was selected out of 35 architectural firms.

Tinnerbäcksbadet, a leisure center established in 1965 on the shores of a lake in Linköping, Sweden, was showing signs of aging. To revitalize the area and meet the ever-changing demands, the city launched an international architectural competition for a new facility. The winning design, conceived by the Danish firm 3XN, blends modernity and functionality. This integration into the surrounding urban landscape, with the new structure serving as a focal point in a newly reimagined neighborhood square, was crucial to the project's success.

This article was originally published on Common Edge.