Lithuanian Airports has announced Zaha Hadid Architects as the winner of the international competition to design the new arrivals terminal at Vilnius Airport. Conceived as an integral part of the airport's evolving infrastructure, the new terminal will complement the recently completed departure terminal, enabling Vilnius Airport to accommodate up to 10.6 million passengers annually. The project marks a significant step in the airport's long-term development strategy, addressing future growth in passenger demand while enhancing Lithuania's role as a key gateway in the Baltic region.
The Lithuanian Pavilion at the 2025 Venice Architecture Biennale presents Archi / Tree / tecture, a project by the National Architects Association. Commissioned by Juratė Tutlyte and curated by architect Gintaras Balčytis, the exhibition invites architects, students, communities, and visitors to reflect on the deep connections between architecture and urban nature. It positions the discipline as an interpretive medium that reveals the layered relationships shaping our cities, which in turn reflect these dynamic interactions. The proposal evokes an urban memory rooted in landscapes where fields and trees once stood, introducing the dimension of time into discussions on city ecosystems, sustainability, and resilience. The exhibition, an indoor installation designed by architects Paulius Vaitiekūnas, Andrius Pukis, and Vika Pranaitytė, will be set within the Church of Santa Maria dei Derelitti. The audiovisual and light installation in the pavilion was designed by the interdisciplinary art duo Lina Pranaitytė and Urtė Pakers, while the sculptural component of the installation was created by Kęstutis Lanauskas.
Throughout 2024, ArchDaily, in collaboration with the Open House Europe architecture event, brought inspiring projects and stories to light. These true architectural gems were unveiled through visits, and their widely shared narratives enriched the architectural discourse. It is an invitation to explore the stories behind buildings that, although part of citizens' daily lives, often go unnoticed amidst the routine automation of everyday life.
Standing out among the array of cultural programs, the opera and theater typology is often understood as encompassing the luxurious and elitist spirit of a bourgeois society focused on entertainment. Across the Soviet Union, this represented the opposite of the principles to be promoted. However, despite the opposition of the political class, the program remained widely popular. As the historical structures, symbols of the previous regime could no longer be promoted, the search began for a new image of the Opera House, one aligned with Socialist ideals and the concept of "art belonging to the masses."
Contemporary architecture in UNESCO World Heritage contexts presents a unique challenge: revitalizing historically significant sites while adhering to strict preservation guidelines. From urban centers to natural landscapes and intangible cultural traditions, these projects demonstrate the delicate balance between innovation and heritage conservation. Whether working in a mega city, a protected landscape, or a culturally rich rural area, architects are tasked with reimagining these spaces without compromising their historical value. Each project offers a fresh perspective on how heritage sites can evolve and remain relevant in modern times.
Lithuania's architectural narrative is a mosaic of diverse influences and styles, representing its historical evolution, cultural heritage, and resilience through changing times. Despite a focus on traditional craftsmanship, functional minimalism, and sustainable materials, the country's design language has been profoundly influenced by its geopolitical position and historical events, resulting in a blend of styles from different periods. A key factor that cuts across all expressions, however, is Lithuanian architecture's seamless connection with its natural surroundings.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the Lithuanian Pavilion will present an exhibition titled “Children’s Forest Pavilion”, curated by Jurga Daubaraitė, Egija Inzule, and Jonas Žukauskas. The intervention aims to become a playscape, acknowledging the unique perspectives through which children observe and interact with their environment. The project strives to explain the ecosystem of the forest, bringing together works and findings developed in parallel to outdoor activities held with children in the woodlands of Lithuania and Finland. Environmental educators, activists, architects and foresters will discuss the idea of forests as negotiated spaces where all actors play an important role. The Pavilion will be open from May 20th until November 26th, 2023.
The Zaha Hadid-designed Business Stadium Central has been granted approval by the City of Vilnius. In collaboration with Lithuanian developer Hanner, the project seeks to become a new gathering place for the city, creating a variety of new public spaces and amenities with flexible workplaces as well as health and wellness facilities for everyone in Vilnius. Construction is scheduled for the second quarter of this year.
Tagh Behesht Business Center in Tehran, Iran. Image Courtesy of Rvad Architecture and Design Studio
This week's curated selection of Best Unbuilt Architecture highlights office spaces submitted by the ArchDaily community. From a TV station in Vietnam to a bazaar-inspired business center in Iran, this round-up of unbuilt projects showcases how architects structure corporative spaces to serve as a model for sustainable, innovative, and future-oriented workplaces.
Architecture practice Rogers Stirk Harbour + Partners (RSHP) has won the international competition to design a new nearly net zero operational carbon business center in the city of Vilnius, Lithuania. The competition, organized by the Lithuanian Union of Architects and the Right Bank Development Fund, requested the design of a 19,200-square meters office space in the Central Business District of the city. One of the key ambitions of the project was the reduction of embodies carbon, achieved through a number of strategies, including the use of cross-laminated timber floor planks and locally sourced materials.
