FUTURE is launching an international ideas competition to identify the best design concepts with the challenge to develop visionary urban proposals with the intention of stimulating contemporary cities, in this case 4 different locations: Hangzhou, Nanjing, Madrid and Barcelona.
5 (student) Projects: is a group of projects completed at Yale University’s School of Architecture by 5 young architects during their graduate education. Each of the 5 projects are sited in New Haven on or adjacent to Yale’s campus. Each project focused on an institutional building, loosely defined by program, type and context. These commonalities became a framework for discussion that illuminated individual polemics and debate about experimentation in today’s architectural landscape. Despite the initial appearance of diversity within the set, each architect sought to address a common set of ideas emerging at Yale and perhaps within the discourse of architecture at large.
Primarily addressing the legacy of Postmodernism (in its various guises and forms), each sought an architecture that engaged historical memory, local context and an renewed concern for communication and legibility. Each was interested in an operable or speculative way to use history and its associated culturally established values, meanings and forms to produce new bodies of work. In that sense, each sought a contemporary way to learn from the past that would have particular resonance in today’s social, political, and cultural milieu.
The identity of the group of 5 is meant as a provocation towards two related issues: the desire for individuality and expression by today’s younger generation of architects inculcated by media and secondly, the desire for consensus within discourse on what counts today as critical & theoretical concerns for architecture. The aspiration behind the interviews and feature is to reveal an internal discussion which demonstrates an effort to clarify and identify a set of ideas that underpin contemporary architectural production. The feature and interviews were organized and conducted by Alexander Maymind.
For our 7th selection, we have five great libraries featured between August and October 2010. Check them all after the break.
New Queens Library at Hunters Point / Steven Holl Architects New York will be the recipient of another Steven Holl project – a new library at the Queens West Development at Hunters Point. Envisioned as a contemporary “urban forum”, the project will shape public space and create new connections across the Queens West Development, Hunter Points South, and the existing neighborhood of Hunters Point (read more…)
5 (student) Projects: is a group of projects completed at Yale University’s School of Architecture by 5 young architects during their graduate education. Each of the 5 projects are sited in New Haven on or adjacent to Yale’s campus. Each project focused on an institutional building, loosely defined by program, type and context. These commonalities became a framework for discussion that illuminated individual polemics and debate about experimentation in today’s architectural landscape. Despite the initial appearance of diversity within the set, each architect sought to address a common set of ideas emerging at Yale and perhaps within the discourse of architecture at large.
Primarily addressing the legacy of Postmodernism (in its various guises and forms), each sought an architecture that engaged historical memory, local context and an renewed concern for communication and legibility. Each was interested in an operable or speculative way to use history and its associated culturally established values, meanings and forms to produce new bodies of work. In that sense, each sought a contemporary way to learn from the past that would have particular resonance in today’s social, political, and cultural milieu.
The identity of the group of 5 is meant as a provocation towards two related issues: the desire for individuality and expression by today’s younger generation of architects inculcated by media and secondly, the desire for consensus within discourse on what counts today as critical & theoretical concerns for architecture. The aspiration behind the interviews and feature is to reveal an internal discussion which demonstrates an effort to clarify and identify a set of ideas that underpin contemporary architectural production. The feature and interviews were organized and conducted by Alexander Maymind.
We featured the first interview yesterday. Read the second one after the break.
Have you been away lately? Check our selection of the best from last week! Five posts after the break.
Container Guest House / Poteet Architects The Container Guest House is the first of several projects by Poteet Architects we will be featuring. As a national award-winning firm, Poteet Architects is best known for their sensitive adaptive reuse of existing buildings and a fresh, rigorous approach to modern interior design. This project originated from Poteet Architects’s client’s wish to experiment with shipping containers (read more…)
Paris-based Ateliers O-S architectes shared with us their project for the Museum of Polish History in Warsaw. More images and architect’s description after the break.
5 (student) Projects: is a group of projects completed at Yale University’s School of Architecture by 5 young architects during their graduate education. Each of the 5 projects are sited in New Haven on or adjacent to Yale’s campus. Each project focused on an institutional building, loosely defined by program, type and context. These commonalities became a framework for discussion that illuminated individual polemics and debate about experimentation in today’s architectural landscape. Despite the initial appearance of diversity within the set, each architect sought to address a common set of ideas emerging at Yale and perhaps within the discourse of architecture at large.
Primarily addressing the legacy of Postmodernism (in its various guises and forms), each sought an architecture that engaged historical memory, local context and an renewed concern for communication and legibility. Each was interested in an operable or speculative way to use history and its associated culturally established values, meanings and forms to produce new bodies of work. In that sense, each sought a contemporary way to learn from the past that would have particular resonance in today’s social, political, and cultural milieu.
The identity of the group of 5 is meant as a provocation towards two related issues: the desire for individuality and expression by today’s younger generation of architects inculcated by media and secondly, the desire for consensus within discourse on what counts today as critical & theoretical concerns for architecture. The aspiration behind the interviews and feature is to reveal an internal discussion which demonstrates an effort to clarify and identify a set of ideas that underpin contemporary architectural production. The feature and interviews were organized and conducted by Alexander Maymind.
We will be featuring the five interviews this week, one per day. Read the first one after the break.
The paradigmatic Praça de Lisboa, at the core of Porto Historical Centre, seems to be of greater relevance to launch a first debate about interventions in public space, promoting, simultaneously, a global reflection about the process of city’s rehabilitation and about our participation as citizens in that process. Launching an Ideas Competition to Praça de Lisboa, under the name NO RULES, GREAT SPOT: WANTED, IDEAS FOR PRAÇA DE LISBOA (No rules, great spot, is a sentence written on a wall of this space) seems, in this sense, a fundamental action, able to provoke an in-tensive and ex-tensive debate around urban rehabilitation as a shared and informed, participated and discussed city project.
The eme3 guideline, a festival that questions and confronts differents points of view on architecture and its relationship to society, will be maintained this year wanting to provide concrete answers to global solutions presented and discussed in the last edition 2010. Thus, among other topics, the questionings will revolve around the contradictions between sustainable development and “greenwashing”, around the appropriateness of the use of technology resources compared to “low cost”, aroud the urban impasses in cities, or the micro -urban policies that affect citizens in their daily lives.
Last year we featured many great museums. Like Alberto Campo Baeza’s Museum of Memory in Andalucia. Or Tampa’s Museum of Art designed by Stanley Saitowitz. Check five amazing museums from 2010 after the break.
Tampa Museum of Art / Stanley Saitowitz | Natoma Architects Museums began in ancient times as Temples, dedicated to the muses, where the privileged went to be amused, to witness beauty, and to learn. After the Renaissance museums went public with palatial structures where the idea of the gallery arose, a space to display paintings and sculpture (read more…)
The Intergrain Timber Vision Awards are back in 2011, inviting architects, landscapers and designers nationwide to showcase their visionary use of timber in residential and commercial design projects. With the chance to showcase your work in front of a prestigious industry audience, the awards now cover five categories including: Residential Interior, Residential Exterior, Commercial Interior, Commercial Exterior and Young Architects (under 30 years of age).
Croatian architects 3LHD shared with us their project Green Pavilion Restaurant, for which they received first prize in an invited competition during last year. More images and architect’s description after the break.
Architects Matias del Campo and Sandra Manninger, former recipients of MAK-Schindler Scholarships for the Artists and Architects-in-Residence Program in Los Angeles, teamed up in 2003 to found the Viennese studio SPAN, which designed the Austrian Pavilion for Expo 2010 in Shanghai together with Zeytinoglu ZT. The team conceives of architecture as a process and works in the field of applied architectural theory, i.e. at the interface with research. Their projects are centered on future-oriented strategies of designing. These employ medial technologies and involve the development of architectural models from organic systems which are then placed in relation to each other via dynamic spatial programs.
For the MAK Gallery, SPAN planned a spatial intervention transferred into a black box. “Formations” will unfold its meaning in various scenarios consisting of models, animations and architectonic elements, providing the observer with novel insights into a laboratory of contemporary architectural production. The individual stations and levels of the exhibition, based on organic patterns of movement, refer to one another and oscillate between abstract, dynamic forms and hybrid structures.
Images and more information on the exhibition after the break.
Five amazing offices we published in 2009 for our seventh selection of previously featured projects. Check them all after the break.
Patio Alameda Building / Baixas del Rio Arquitectos This Building is the first stage of an ensemble of buildings belonging to the Universidad Católica called “Patio Alameda “, which is part of the Central Campus of the university placed on the Alameda Avenue in Santiago’s downtown. Alameda is the city’s main avenue and runs East – West. This group of buildings was designed to form a “fourth patio” related to the three patio traditional building of the university (read more…)
Participation is open to all graduates of architecture and engineering faculties coming from all over the world. The theses, made individually or in groups, must have been discussed in the period between January 1, 2009 and October 31, 2011.
French architects a/LTA shared with us their renovation and extension project for an existing Aquatic Center in Ernée, France. More images and architect’s description after the break.