The World Architecture Festival have just announced the winners of 17 of the awards categories. The jury included Sir Peter Cook, Juergen Mayer H, Moshe Safdie, Willy Alsop, and many more, including our own David Basulto.
Architects: a.gor.a Architects Location: Mae Sot, Thailand Architect In Charge: Albert Company Olmo, Line Ramstad, Jan Glasmeier Project Year: 2012 Photographs: Franc Pallarés López
For the 13th Venice Biennale, Kenneth Frampton was invited to have his exhibit at the Arsenale, where the works of these five practices was presented on a series of videos, on a simple installation designed by Steven Holl.
While we don’t have the videos shown during the Biennale, we present you the full video of the seminar (almost 6 hours), made available online by the GSAPP.
More information about the “Five North American Architects as a Common Ground” videos shown at the Biennale:
Opening tonight in Los Angeles at the WUHO Gallery: Inside Marina City: A Project by Iker Gil and Andreas E.G. Larsson.
For more than two years, Iker Gil and Andreas E.G. Larsson documented the lives of residents in the non-Euclidean geometries of architect Bertrand Goldberg’s iconic Marina City (1959-67) in Chicago. Celebrating Goldberg’s original vision for affordable apartments in a central, high-density location, this revealing series of photographs provides a rare, behind-the-scenes tour of the diverse array of people and living spaces within these popular cylindrical residential towers.
The Museum of Copying, curated by British architect’s FAT, was one of my favorite exhibitions at the Venice Biennale. The subject of copy in architecture has always interested me, in relation to how the series of copies in the form of iterations are what make architecture evolve. The concept is explored in this exhibit with three installations, starting with Villa Rotunda Redux, the iconic Palladio building copied (or reinterpreted?) through history now digitally fabricated and casted.
During the Biennale we had the chance to talk with Sam Jacob (@anothersam) from FAT, who explains us more about the Museum of Copying on this video (full interview coming soon!).
More about the Museum of Copying from the architects after the break.
Architects: Espaço Cidade Arquitectos Location: Lisbon, Portugal Architect In Charge: João Silva Vieira Project Year: 2010 Photographs: Courtesy of Espaço Cidade Arquitectos
OMA has been selected from four competing international architectural practices to design the new École Centrale engineering school and its surrounding urban development in the research and innovation zone of Saclay, southwest of Paris.
Spearheaded by Clément Blanchet, director of OMA projects in France, the winning “lab city” concept contrasts the corridor linearity of the typical laboratory. The design proposes a low level, glass-roofed superblock that contains an interior open plan grid, where various activities can interact and be overlooked simultaneously. Continue after the break to learn more.
Curated by Alexander Ponomarev and Olilga Milentiy, the Ukraine Pavilion presents mobile museums projects under the concept of “Mirage Architecture”. The exhibition focuses on a conceptual design for a Museum of Contemporary Arts in the Antarctic.
“In order to build new Utopia, there is no need to raze the world. There are still places on Earth with clean, free spaces, offering room for cooperation and co-creation. On of these places is the Antarctic”, says Milentiy.
Learn the story behind the ukrainian pavilion after the break
Taking the place of the existing building complex that was built in the 70th century for the Soviet Military Headquarters of the Caucasus region, the TBC Bank Headquarters strives towards being an oasis, representing both a nourishing source but also a sense of rescue. Designed by Architects of Invention, their second prize winning proposal offers visitors an experience, a discovery of boundless resource within secure parameters. Visitors enter through the building’s opening, like a key entering a lock, and a lush and fertile oasis appears before them. More images and architects’ description after the break.
This post, by Maria Popova, first appeared on her excellent blog Brainpickings.
There’s something inescapably alluring about pocket-sized compendiums of quotes by great architects and designers — take, for instance, those of Charles Eames and Frank Lloyd Wright. Fittingly, The Architect Says: Quotes, Quips, and Words of Wisdom (public library) gathers timeless wisdom on design and architecture from more than 100 of history’s most vocal — and often dissenting — minds. What emerges, besides the fascinating tapas bar of ideas about the art and science of building, is the subtle but essential reminder that what lies at the heart of creative legacy aren’t universal formulas and unrelenting tents but perspective, conviction, and personality.
Unfortunately, the developer, John Hoffmann of 8081 Meridian, says that really doesn’t matter to him.
According to yesterday’s New York Times article by Michael Kimmelman, Pheonix city policy requires owner consent before designating any building for historic preservation. Since “8081 Meridian never gave its consent, and has no intention of doing so, Mr. Hoffman says he rejects the landmark process outright.”
Hoffman’s demolition permit has been voided by city officials, but he maintains that the permit is legal – it just expires today.
Frank Gehry continues to amaze us – we recently shared the octagenarian’s vision for Zuckerberg’s expanding Facebook campus, and now the architect will tackle a master plan for Miami’s iconic Bacardi Tower and annex. Designed by Enrique Gutierrez, a collaborator of Mies van der Rohe, with amazing tile work by Brazilian artist Francisco Brennand, the Latin-infused modernist tower served as the Bacardi headquarters for nearly 50 years. Just this morning, the National YoungArts Foundation announced that it is the proud new owner of the main 8-story tower, and the “Jewel-box” 1975 annex, designed by Igancio Carrera-Justiz, with glass mosaic walls based on designs by German artist Johannes Dietz. The organization acquired the property for a steal – the Miami Herald estimates the buildings’ $10 million price tag weighs in at less than half of its market value – and is excited to make a permanent home to expand their activities.
Gehry work will not involve either of the buildings’ exteriors, which will be completely preserved, but rather, the project will include transforming the site’s parking lot into a park that will connect with a Gehry-designed performance hall just north of the existing buildings.
Designed by Fernandes Arquitetos, the Nacala airport aims at better utilization of natural lighting and ventilation, reducing consumption of power associated with the use of artificial lighting and mechanical ventilation systems. It will have water intakes and sewage treatment for irrigation of green areas. The building proposed is basically on the ground floor, where the functional program that meets the operation and passengers is developed, like the check-in area and boarding and arrival rooms, which are located in the north and south wings. More images and architects’ description after the break.
Located in Trafalgar Square in London, the BE OPEN Sound Portal focuses on an experience that would be all about the sound. Designed by Arup, they thought it would be great if people could really concentrate on sound in Trafalgar Square, which would take people away form hustle and bustle into a space where they can concentrate and immerse themselves in sound. The original idea was that they would be able to take people away from London to another place, to hear the sound of a melting glacier or an acoustic model of the big bang. The plan is effectively two concentric circles: the inner circle for the sound and the outer circle forms the entrances. Both pieces mask the background noise. They are shells to shield the noise. More images and architects’ description after the break.
Installed on Parliament Square, London, the ‘House of Flags’ is a flexible, demountable, and totally reconfigurable architectural intallation conceived as a gigantic ‘house of cards’ in the Eames’ spirit. The project was designed by AY Architects after an invited international design competition initiated by the Greater London Authority for the Mayor of London’s ‘Wonder Series of Incredible Installations’. 206 panels depict the flag icons of the nations and combined create a collaged image of the world. All together they make up a large building jigsaw, a united ‘house’ of symbols, shimmering colors and perforations. More images and architects’ description after the break.
PAX.ARQ, in collaboration with Vazquez Junqueira Arquitetura, designed this concept for the CAD SP (Digital Arts Center of São Paulo) as a study for São Paulo’s secretary of culture. The transparent, prismatic cube arises from the concepts of inter-connectivity, transparency and respect to pre-existing architectural surroundings. Learn more after the break.
Since it launched 23 years ago (to the day, oddly enough), SimCity has been inspiring would-be urban planners to design, build (and, if the mood so calls for it, blow up) the cities of their dreams. The lasest edition of the game, coming out in February, is no exception – however, it does have a bit of a twist.
In the words of Fast Company reviewer Ariel Schwartz, the newest version ”retains most of the game’s previous elements (including its addictive quality) while bringing a whole new level of complexity to the tilt-shift inspired world. You might not even notice how Maxis is subtly teaching you about the pros and cons of renewable energy, preserving natural resources, and cooperating with neighboring cities. But it is.”
With over 180 million copies of Sim games sold worldwide, and players spanning ages, nationalities, and genders, SimCity could be a powerful way (and by far the funnest) to impart to the average citizen the simple fact that Urban Planners have known for years: Sustainable Design is the future.
Find out how SimCity makes Urban Planning and Sustainable Design fun, after the break…
Python is the most intuitive language we have found for both learning programming and developing powerful scripts. Beginning with a presentation on the main principles of scripting with Python, this webinar will incrementally unpack a diverse set of Programming techniques through a series of “live” exercises with Python and Grasshopper. With two instructors offering guided curriculum and continuous support it is our goal to provide you with an in-depth and personal learning experience. Additional topics covered will include: the basics of scripting with python, where to look for help and references, and when to script in Rhino3D vs Grasshopper.
This Webinar will last 2.5 hours including a 30 minute Q & A session. A video of the Webinar will be uploaded after the broadcast – all participants will have unlimited access to the webinar content and this video online. We look forward to your participation!
Topics, registration and more details after the break.
Foster + Partners is about to break the mold of New York’s static Park Avenue skyline, as they have been announced as winner of the highly publicized competition to replace the aging tower of 425 Park Avenue with a new world-class, sustainable office tower.
Lord Foster said: “I have a personal connection with New York, which has been a source of inspiration since my time at Yale, when the new towers on Park Avenue and its neighborhoods were a magnet for every young architect. Seeing first-hand the works of Mies van der Rohe, Gordon Bunshaft, Eero Saarinen and Philip Johnson was tremendously exciting then – I am delighted to have this very special opportunity to design a contemporary tower to stand alongside them. Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context – a tower that is for the City and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.”
Continue after the break to learn more about Foster’s winning proposal and to review the existing condition of 425 Park Ave.
With a 3-2 vote, Seattle’s Downtown Design Review Board has voted in favor of Amazon’s plans for a three-block, high-rise complex in the Denny Triangle. The board voted after conducting five, comprehensive meetings over the last six months to review Amazon’s evolving NBBJ-designed proposal. Although this design review approval is simply a recommendation to the city’s Department of Planning and Development, it is still a milestone for the ambitious project.
The five acre site, roughly located between Sixth Avenue, Blanchard Street and Westlake Avenue, is currently occupied by expansive parking lots, the Sixth Avenue Inn and the King Cat Theater. Continue after the break to learn more.