The Museum of Copying, curated by British architect’s FAT, was one of my favorite exhibitions at the Venice Biennale. The subject of copy in architecture has always interested me, in relation to how the series of copies in the form of iterations are what make architecture evolve. The concept is explored in this exhibit with three installations, starting with Villa Rotunda Redux, the iconic Palladio building copied (or reinterpreted?) through history now digitally fabricated and casted.
