The modernization of Bogotá between 1940 and 1970, captured in urban and architectural photographic reportages, has been documented in various books, magazines, and photobooks of the era, as well as in images from the city's public and private archives. All these shots reveal an intentional, and even critical, approach to how modern architecture reconfigured city centers and connected new buildings and urban spaces with the existing cityscape.
When analyzing the impact of photography from an architectural perspective, it is essential to discuss Paul Beer and Germán Téllez. Within their broad spectrum of subjects, these two photographers dedicated themselves specifically to architectural photography. They received commissions from the most prestigious architecture firms of the time, and their shots reveal different, complementary values, relationships, and aspects of modern architecture and the city.
