Cement that can generate light? Concrete for building on Mars? Translucent wood? Biodegradable furniture? Pollution absorbing bricks? At first, it sounds crazy but these are only some of the research projects taking place around the world in order to take the construction industry to the next level.
Continue reading below for more information about the motivations behind these projects and how these "experiments" that have already begun large-scale testing are being carried out.
Over the past ten years the development of intelligent construction models, closely tied to energy efficiency, has introduced new materials that have one or more properties modified, in a controlled and partial way, by external stimuli such as radiation, temperature, pH, humidity, wind, and other environmental factors.
This article is part of our new series "Material in Focus", where we ask architects to share with us their creative process through the choice of materials that define important parts of the construction of their buildings.
Pneumatic Vacuum Elevators, LLC has created a series of air-powered, space-saving, “plug & play” elevators designed to be easily installed into home environments.
Helical staircases are often designed to be show-stoppers, focal points of architectural spaces that are intended to impress. But even compared to its eye-catching peers, this staircase developed by Webb Yates Engineers and The Stonemasonry Company is unusually audacious. Developed for a residential design by RAL Architects in Formby, UK, each step of the two-story, 4.6-meter diameter helical staircase is composed of an individual block of stone, giving an impression of weightlessness as the structure circles its way up through the building's atrium towards the glazed roof above. For their efforts, Webb Yates recently won the Award for Small Projects at the Institution of Structural Engineers' 2016 Structural Awards, whose judges said that they were "amazed by the grace and audacity" of the design. Read on to find out how Webb Yates achieved this feat of engineering.
At the Rio 2016 Olympics, Studio GTM Cenografia developed a temporary installation for Nike. The space, inspired by containers and industrial sheds, occupies a total area of 600 square meters and was built in a metallic structure and wrapped in galvanized trapezoidal tiles. The cube used in the project is an installation from Brazilian artist and designer Muti Randolph, one of the pioneers of digital illustration in Brazil.
Studio Ossidiana, founded by Alessandra Covini and Tomas Dirrix, investigates architectural materials through experimental research projects. Their recent work "Petrified Carpets" explores the "ideal garden" found in Persian carpets and will be showcased at the Dutch Design Festival of 2016 along with other exhibitions.
A metal microlattice developed by Boeing and HRL Laboratories has just been awarded the Guinness World Record for lightest metal.
Young tech team (Bar Smith, Hannah Teagle, and Tom Beckett) has launched a Kickstarter campaign for Maslow, a four-by-eight-foot at home CNC cutting machine made to assist construction efforts by cutting user-specified shapes out of wood or any other flat material. Designed to be affordable—at under $500—easy to use, inclusive, and powerful, the project aims to share designs digitally so that you can build on the work of others or create your own from scratch.
Using concrete and bricks made of raw mud, architects Solanito Benitez, Solano Benitez, Gloria Cabral, Maria Rovea and Ricardo Sargiotti built a wall able to be constructed by the two materials working in tandem. Once the concrete dries, the bricks are washed away, returning the mud back to its natural state, leaving spaces in the lines of concrete, like a kind of negative.
Mangroves are vital for stabilizing shorelines, but their recent depletion presents impending doom for coastal habitats.
Update: We've added a video of the process to the article!
This article is part of our new "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get a building constructed.
The wide range in which pieces of masonry can be arranged allows for multiple spatial configurations. Born in a furnace, the brick adorns and reinforces, protects and—to various degrees—brings natural light into spaces that need slight, natural illumination.
This article is part of our "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get projects actually built.
In this edition of Section D, Monocle 24's weekly review of design, architecture and craft, the show explores how wood is being used creatively at every scale by designers and architects today. From the "timber terrazzo" of London-based designer Conor Taylor, to the four protected (yet threatened) wooden escalators at Sydney's Wynyard Railway Station, the episode questions how innovative designers are, or need to be, with this age-old tried and tested material. Finally, the show visits Folkhem in Sweden – a construction company who believe wood "to be superior to conventional alternatives in almost every respect, from construction time to acoustic properties."
Peddle Thorp Architects have submitted their proposal for the Moray Street Residential Tower in Melbourne for approval. At 1173.5 square meters, Sol Invictus is wrapped entirely in solar panels, attaining 10 times more solar surface area than a traditional roof covering. The facade can achieve up to 5000 square meters of solar panel array and is connected to a battery storage system.
181 Fremont—which will become the third tallest structure in San Francisco and the most resilient tall building on the West Coast of the U.S.—has been awarded the REDi™ Gold Rating, a new earthquake resilience rating. The building was designed by San Francisco-based Heller Manus Architects.