C+S Architects‘ contribution, Facecity, for the 2012 Venice Biennale, gives form to the idea of the curator, Fulvio Irace, of continuity in architecture. The exhibition reconsiders the architecture of Milan in the 50s and 60s, where architects, belonging to different generations and with different positions, built the identity of the city without giving up their personal poetics.
The central topic of this thought is the facade, commented by Alberto Savinio in Ascolto il tuo cuore città, 1945: ” …On the facade of buildings is not only written their date of birth, but also written the moods, the manners, the most secret thoughts of their time…, together with the flat window, theorized by Gio Ponti as the way to shape modernity.”
Álvaro Siza. Viagem sem Programa, on display at the Fondazione Querini Stampalia through the duration of the Venice Biennale, narrates the most personal aspects of Álvaro Siza’s work in architecture and his concept of life. In response to Siza being announced as the recipient of the 2012 Golden Lion for Lifetime Achievement, curators Greta Ruffino and Raul Betti, along with organizer MedicinaMentis Cultural Association, began to work closely with the Portuguese master to put together this one-of-a-kind retrospective.
The exhibition features an exclusive collection of 53 works, personally selected by the architect himself, that were developed from travel notes and sketches, along with a 38-minute video interview.
Continue after the break for more images of Álvaro Siza. Viagem sem Programa and check out our previous coverage for more information.
In continuation of their exhibition program on architectural photography taking place in New Delhi, Photoink is currently presenting Chandigarh: Portrait of a City by French photographer, Manuel Bougot until October 27th. Bougot’s interest in Le Corbusier’s architecture began in the 1980s when he worked on Caroline Maniaque’s thesis in architecture–on the Jaoul Houses built in 1954 in Neuilly, France. Since 2006, Bougot renewed his interest in Le Corbusier, attending talks on Chandigarh and photographed the only building the architect ever built for himself – a cabanon (a summer cabin) in Roquebrune-Cap-Martin. Photographing Chandigarh was therefore necessary to further any understanding of Le Corbusier, the urban designer and his philosophy about architecture and modernism. More images and information on the exhibition after the break.
Speculating on the potential and possibilities to develop culture in the Gold Coast, professor Sir Peter Cook and Gavin Robotham, directors of CRAB Studio, investigated this idea through the making of a large hanging sculptural piece: The WRAP, and a set of drawings and watercolors. The result is a public art exhibition, ‘Speculator’ in collaboration with Bond University, in Contemporary Temporary Gold Coast Arts Gallery, Surfers Paradise, Australia. The ‘WRAP’ aims to inspire that architecture can be the catalyst for transformation. More images and architects’ description after the break.
Inspired by a reaction to the tsunami, the proposal for the Istanbul Disaster Prevention and Education Center is symbolically and practically rising above the streams. Designed by CRAB, the studio of Sir Peter Cook and Gavin Robotham, the building sits with its blades resting into the ground, ready to divide the streams of water if and when they come. Organized as a series of five clusters, it meanders along the site as a chain of events and somewhat in the manner of a chain of flowers. More images and architects’ description after the break.
The Netherlands Architecture Institute (NAI) will host the exhibition Louis Kahn, The Power of Architecture from September 8 to January 6, 2012. Louis Kahn is known to be one of the most influential architects of the 20th century and has inspired generations with his masterful use of space, light and material.
Storefront for Art and Architecture is opening up its fall exhibition season starting September 25th with ‘Past Futures, Present, Futures’. The exhibition, which will be up until November 17th, presents 101 unrealized proposals for New York City, with 101 reenactments by invited artists, architects, writers, and policy-makers to create alternative visions for the present and future of the city. The exhibition is curated by Eva Franch and designed by Leong Leong. An opening reception will take place on September 25, 2012 from 7pm to 9pm. For more information, please visit here.
This year’s Croatian pavilion at the 13th International Venice Architecture Exhibition presents different struggles currently taking place in various Croatian cities. The exhibition, Unmediated Democracy demands Unmediated Space, interprets the topic of common ground by directly asking the protagonists of those collective conflicts how they imagine a common future across and beyond market or state, private or public mediation. The “desires, constrains and potentials expressed in these sites of conflict” are a part of the wider wave of international protests that are demanding a real direct and unmediated democracy. The demands, gathered on the ground through a series of investigative interviews, form the basis for a possible planning strategy, while their resistance tactics become patterns that could shape a common territory.
The Croatian pavilion focuses on how these demands could allow us to imagine the configuration of possible unmediated spaces. It is organized around three sections: Context, Map and Devices.
Invited by David Chipperfield, director of the 2012 Venice Architecture Biennale, FAT has contributed an exhibition to the Arsenale titled The Museum of Copying. Responding to the curator’s theme of “Common Ground”, The Museum of Copying explores the idea of the copy in architecture as an important, positive and often surreal phenomenon. The exhibit will be centered around FAT’s installation, “The Villa Rotunda Redux” – a five meter high facsimile of Palladio’s Villa Rotunda that explores the Villa as both a subject and object of architectural copying.
Sam Jacob, a director of FAT said: “There is a history of copies of the Villa Rotunda that have been important staging posts for architectural culture. We hope to extend this history and explore how copying something is, strangely, a way of inventing new forms of architecture. It also seems sweet to return a bastardised form of the Villa to its original home in the Venito.”
Alongside this, the London-based practice will also present San Rocco’s “The Book of Copies”, an investigative look into four architectural doppelgängers (remember this fake Austrian village in China?) , and Ines Weizman’s “Repeat Yourself”. Continue after the break to learn more.
The Estonian exhibition for the 2012 Venice Architecture Biennale investigates the relationship between time and space by discovering how venues once important have been abandoned and how these tendencies may carry on today and in the future. The exhibition poses a question as its title: “How long is the life of a building?”. The answer is sought based on the example of Linnahall – a dignified Modernist legacy in the heart of Tallinn that only a few decades ago was a renowned and requisite construction, yet is closed today. What’s happening to Linnahall speaks volumes in a more general context as well – similar tendencies are becoming prominent everywhere in the world where multitudes of architectural masterpieces less than 50 years old stand unused.
Join the authors and editors of Lars Müller Publishers for a rare book signing opportunity with architects Wang Shu, Sou Fujimoto, and Steven Hollon August 28th at the 2012 Venice Architecture Biennale! This event will kick off the exhibition Lars Müller Publishers – Book Fever, which will feature sixty publications – new releases, bestsellers, milestones from the past, and rare treasures – for the public to explore.
Founded thirty years ago, Lars Müller Publishers’ carefully edited and designed publications on architecture, design, and contemporary art has lead them to become a renowned international publisher. One milestone you may remember was their release of Peter Zumthor’s Works (1998), which was the first survey of the oeuvre of the architect now known worldwide that set new standards for the monograph as a book genre.
Continue after the break for more details on the book signing and exhibition.
The Greek pavilion for the 2012 Venice Biennale will focus on the particular dynamics of Athens during a period of economic meltdown by addressing the deterioration of Athenian urban space, plummeting standards of living, and the need to redefine the priorities of architectural design. Architects and creative groups have already begun to shape a new “common ground” within Athens. With the exhibition “Made in Athens”, the Greek pavilion aims highlight these positive forces emerging during this crucial present moment in an effort to foreshadow a better future for the city and its architecture.
Continue after the break to learn more about “Made in Athens”.
By invitation of Director David Chipperfield, MVRDV and The Why Factorywill participate in the 2012 Venice Biennale. The main contribution consists of the collaborative project ‘Freeland’ forming part of the single exhibition in the Central Pavilion at the Giardini. Further contribution is made by Winy Maas and The Why Factory with ‘Porous City’ to the EU CITY Program, initiated by the European Forum for Architectural Policies (EFAP) representing Europe for the first time at the Venice Architecture Biennale.
More details on the two exhibitions after the break.
The Danish Pavilion for the 2012 Venice Biennale will feature a collaboration between Greenlandic and Danish Architects called “Possible Greenland”. The exhibition will address the current development of the Arctic Region as Greenland undergoes a shift towards political independence and business development in the midst of dramatic climate changes. “Possible Greenland” attempts to look optimistically at the climate changes that are causing ice melts throughout Greenland. The shifting planes result in the exposure of vast mineral resources that can kickstart new industries and allow new urban cultures to emerge. The team of architects that designed “Possible Greenland” were led by internationally renowned Professor in geology at the University of Copenhagen, Minik Rosing and the young Danish architect firm NORD Architectsof Copenhagen.
Explore the possibilities with us after the break.
Inspired by the great potential of advanced information technology providing architectural solutions, the Russian pavilion of the 2012 Venice Biennale will feature the innovation city of Skolkovo. Skolkovo is one of the largest, most innovative Russian projects of today and has been worked on by many international architects, including Biennale director David Chipperfield. The exhibition will allow visitors to enter into the world of innovation city and use the newest IT-technologies to contribute to the research. Over the Biennale’s three month period, participants will be able to watch the exhibit’s virtual city of Skolkovo evolve as each international visitor leaves their mark.
The Poland Pavilion at the 2012 Venice Biennale will feature a design exploration into the interaction between sound and architecture in creating our environment. The project, by Katarzyna Krakowiak, is a sound sculpture that presents architecture as a primary system of listening. The sculpture collaborates with neighboring pavilions and echos the sounds that reach the Polish Pavilion, highlighting its acoustic qualities. The exhibit will be on view from August 29th through November 29th.
Opening up September 4 at 5pm with a lecture by 2012 Pritzker Prize Winner, architect Wang Shu, the exhibition of projects of Chinese architects focuses on the theoretical research on architecture and design as well as building practice currently found fertile ground in any contemporary China but particularly in the city of Shanghai. Organized by La Triennale of Milan and the Degree Course in Engineering/Architecture from the University of Pavia, yhe center of the debate will be on urban development and architecture thanks to the cultural milieu linked to Tongji University. More information on the exhibition after the break.
R 20th Century is pleased to present AFTER, curated by Kelly Behun and Alex P. White of kelly behun|STUDIO. AFTER, which is on view September 19-October 27, will feature works from kelly behun|STUDIO, one of the most innovative, experimental design studios working today, and R 20th Century, one of the leading galleries for the exhibition of historic and contemporary design.
Designs in the exhibition draw inspiration from methods of sampling, appropriation, and deconstruction and how these ideas relate to postmodern notions of authorship. AFTER acknowledges “reference” in ways that are alternately direct, irreverent, poetic and oblique. More information on the exhibition after the break.
