3D Modelling: The Latest Architecture and News

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ArchDaily by ArchDaily on Sketchfab

In response to one of their most frequent user requests, browser-based 3D model platform Sketchfab has now partnered with Hubs, the world's largest 3D printer network, to introduce a 3D print ordering feature that works directly from its viewing window. With a globally-distributed network of 15,000 print hubs in their network (250 of which support full-color printing), Sketchfab CEO Alban Denoyel says that 3D Hubs is the "closest to achieving this vision" of locally-based manufacture that bypasses transport costs - which he believes is "one of the most important promises of 3D printing."

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The pivotal turning point in the late Frei Otto’s career – capped by last month’s Pritzker announcement – came nearly fifty years ago at the Expo ’67 World’s Fair in Montreal, Quebec. In collaboration with architect Rolf Gutbrod, Otto was responsible for the exhibition pavilion of the Federal Republic of Germany, a tensile canopy structure that brought his experiments in lightweight architecture to the international stage for the first time. Together with Fuller’s Biosphere and Safdie’s Habitat 67, the German Pavilion was part of the Expo’s late-modern demonstration of the potential of technology, pre-fabrication, and mass production to generate a new humanitarian direction for architecture. This remarkable collection at the Expo was both the zenith of modern meliorism and its tragic swan song; never since has the world seen such a singularly hopeful display of innovative architecture.

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No architect played a greater role in shaping the twentieth century Manhattan skyline than Ralph Thomas Walker, winner of the 1957 AIA Centennial Gold Medal and a man once dubbed “Architect of the Century” by the New York Times. [1] But a late-career ethics scandal involving allegations of stolen contracts by a member of his firm precipitated his retreat from the architecture establishment and his descent into relative obscurity. Only recently has his prolific career been popularly reexamined, spurred by a new monograph and a high-profile exhibit of his work at the eponymous Walker Tower in New York in 2012.

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