Barcelona is a city where architecture has long served as a laboratory of urban experimentation, each era leaving its mark on the city's fabric. From the dense streets of the Gothic Quarter to the ornate interiors of the Palau de la Música Catalana, the city expanded outward through Ildefons Cerdà's Eixample, a stage where Gaudí and his contemporaries challenged the rules of form, scale, and ornamentation. These experiments defined a local identity and culminated in the Sagrada Família, a vision that continues into the 21st century through the integration of advanced technology.

The city's twentieth-century transformation forged an architectural language with global influence. The principles of International Modernism are embodied in Mies van der Rohe's Barcelona Pavilion, while later developments—from Bofill's explorations in collective housing to the urban interventions of the 1992 Olympics—reshaped the skyline and the city's relationship to its waterfront. Subsequent contemporary projects continue to negotiate form, landscape, and urban scale, contributing to a layered and evolving city.

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Located in southern Spain, Seville unfolds as a layered city shaped by centuries of cultural intersections. As the former capital of Al-Andalus and a central port during the Spanish Empire's expansion, its built environment reflects a deep historical complexity. From Roman foundations to Islamic geometries, from Renaissance palaces to contemporary interventions, Seville presents a unique spatial narrative in which architecture directly reflects its political, religious, and social transformations.

The city's architectural heritage is inseparable from its climate and geography. Narrow shaded streets, inner courtyards, and water as spatial elements reveal a deep knowledge of environmental adaptation that still informs how public and private spaces are articulated today. While monumental landmarks such as the Alcázar, the Giralda, or the Cathedral preserve and reinterpret historic legacies, modern projects have begun introducing new materials, programs, and spatial typologies, challenging conventional forms and proposing alternative ways to inhabit the city.

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The gas station is an architectural typology that has undergone significant transformations since its inception. Initially, these structures were simple roadside refueling points designed for functionality rather than aesthetics. As automobile culture expanded, gas stations evolved to accommodate new technologies, shifting urban landscapes and changing consumer behaviors. Over time, they became more than just utilitarian stops — they developed into service hubs, integrating restaurants, motels, and leisure spaces, responding to contemporary transportation increasing demands.

By the late 20th century, however, the widespread standardization of gas stations led them to be perceived as "non-places", a concept defined by anthropologist Marc Augé to describe transient spaces that lack social or cultural significance. With uniform designs and a focus on efficiency, gas stations became interchangeable, reinforcing their role as purely functional infrastructure rather than meaningful architectural interventions. This standardization also departed from the era when fuel stations served as recognizable landmarks, contributing to a homogenized landscape devoid of local identity.

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Nowadays bicycles are not only used for sports or as a recreational activity, as more and more people are choosing bicycles as their main means of transportation. Architecture plays a fundamental role in promoting the use of bicycles, as a properly equipped city with safe bicycle lanes, plentiful bicycle parking spots, and open areas to ride freely will encourage people to use their cars much less.

Cities are now positioning themselves as a key promoter of sustainable mobility, and Denmark and the Netherlands are currently the leading countries in the field of architecture for bikes. They are considered a cyclist's paradise because of their excellent infrastructure and architecture, making them a worldwide reference.

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Fundació Mies van der Rohe and the European Commission have selected the winners for its 2024 edition of the EU Prize for Contemporary Architecture / Mies van der Rohe Awards, from a pool of 362 nominated works. The 2024 Winner of the Architecture Prize is the Study Pavilion on the campus of the Technical University of Braunschweig, Germany, by architects Gustav Düsing and Max Hacke, both with studios in Berlin. The 2024 Winner of the Emerging Architecture Prize is the Gabriel García Márquez Library in Barcelona by SUMA Arquitectura founded by Elena Orte and Guillermo Sevillano in Madrid.

“The 2024 Prize jury emphasizes the significance of architecture that explores the potential to shift mindsets and policies, as well as the importance of fostering inclusivity”, explains the official announcement. The Awards Ceremony will take place at the Mies van der Rohe Pavilion in Barcelona, in the context of the EUmies Awards Day, on the 14th of May 2024, launching the Barcelona Architecture Weeks.

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The European Commission and the Fundació Mies van der Rohe just revealed the 7 finalists for the 2024 European Union Prize for Contemporary Architecture – Mies van der Rohe Awards. There are 5 finalists in the Architecture category and 2 in the Emerging category. In March, the jury will visit these architectural works and will decide on the winning projects that will be announced on April 25th at the CIVA in Brussels.

Selected by the jury comprising 7 members: Frédéric Druot, Martin Braathen, Pippo Ciorra, Tinatin Gurgenidze, Adriana Krnáčová, Sala Makumbundu, and Hrvoje Njiric, from a list of 362 nominees, the "7 finalist works promote local policy references and can become global European models since all of them create inclusive and high-quality living environments."

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Stabilized Aluminum Foam is a unique looking material that combines the aesthetics of aluminum (its texture, shades and brightness) with a spongy, porous appearance. It is produced by injecting air into a cast aluminum alloy with stabilizing agents, which after curing, creates a porous and lightweight, yet highly resistant and rigid cellular structure. Because of its mechanical and thermal properties, it is particularly useful in applications in various industries, such as automotive, aerospace and marine, especially for energy absorption, thermal insulation, and sound dampening.

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The European Centre for Architecture Art Design and Urban Studies and The Chicago Athenaeum: Museum of Architecture and Design have announced the winners of the "Europe 40 under 40" program for 2021-2022. The selection gathers emerging architectural and design talents spread across Europe from Albania, Austria, France, Greece, Ireland, Italy, Poland, Portugal, Russia, Spain, The Netherlands, and Turkey.

“During these challenging times, it is crucial to keep insightful visions alive. Presenting Europe’s most hopeful personalities in the fields of architecture and design is what gives us hope for a better tomorrow”, explains the official brief. Providing an insight into the architectural scene in Europe, the program initiated by The European Centre highlights the next generation of young architects, landscape architects, urban planners, and industrial designers currently under the age of 40, who will impact future living and working environments, cities, and rural areas.

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