Encompassing a Buckminster Fuller–designed geodesic dome and an Alexander Calder sculpture, the intervention shows how the city is rethinking its world’s fair treasures.
The contemporary urban fabric of Montreal, perhaps more than any other Canadian city, was shaped by a single event in its modern history: the 1967 International and Universal Exposition, popularly known as Expo 67. With its record-breaking number of visitors, it was the most successful world’s fair of the 20th century and fueled a construction boom in the city that stretched into the late 1970s.
India’s uprising from a dependent to an independent governance altered the way it was perceived by the world. The country’s evolution left architects and urban developers with important questions: How can they solve the economic and environmental disparities in India, and how can they implement an understanding in people about the potential of what they can achieve with their country’s culture and resources.
In a new extensive video interview by Louisiana Channel, Indian Pritzker Prize-winner Balkrishna Doshi narrates how he became an award-winning architect, his traditional Hindu beliefs and culture, and India’s juxtaposition of having nothing to keeping up with a world that is creating everything.
Helen Taylor of Woods Bagot and Rachel Cooper of Arup Associates team up to explore how deep basements may be the future of the city as density and population growth result in the need to dig deep as well as build high. Using their current joint project as a case study, they share their experience of building the deepest habitable basement in London and among the deepest in the world. Set to open in 2020, The Londoner will offer 350 rooms, multiple restaurants and lounges, a rooftop bar and underground spa with swimming pool, Odeon cinema, and a 1,000-capacity ballroom. At over 35 meters deep and containing a large percentage of the FOH floor area, the basement presented several challenges that required innovative architectural and engineering solutions from both teams, which are presented in the following interviews with Helen and Rachel.
Architecture theorist, historian, and curator Beatriz Colomina talks about our discipline and its difficulty to accept the work as the result of a collaborative effort. When asked about sexism and gender issues within architecture, Colomina broadens the discussion and tackles the historical myth of architecture as the product of one single, brilliant - and always masculine - mind. A fiction that has obscured the role of a number of women, and whole teams, committed to the design process.
Opening in December in Shenzhen, China, the Bi-City Biennale of Urbanism and Architecture (UABB), organized by the cities of Shenzhen and Hong Kong, will discuss the theme of “Urban Interactions”. First to use Facial Recognition and Artificial Intelligence, the public exhibition will test new grounds to reflect on the impact of digital technologies on the urban environment.
Courtesy of Sandra Donner, The Irwin S. Chanin School of Architecture
The Cooper Union’s Irwin S. Chanin School of Architecture has created a new digital archive of student work in a comprehensive online database. As one of the few online collections of a school of architecture's student work, the database represents over eight decades of work, dating from the 1930’s through the present.
Building Information Modeling (BIM) is an increasingly common acronym among architects. Most offices and professionals are already migrating or planning to switch to this system, which represents digitally the physical and functional characteristics of a building, integrating various information about all components present in a project. Through BIM software it is possible to digitally create one or more accurate virtual models of a building, which provides greater cost control and efficiency in the work. It is also possible to simulate the building, understanding its behavior before the start of construction and supporting the project throughout its phases, including after construction or dismantling and demolition.
SNKH studio from Yerevan has been selected to design the Garage Screen summer cinema for the Garage Museum of Contemporary Art in Moscow, Russia. The museum invited promising architecture firms to present their vision of temporary architecture and expanded the geographical reach of the competition to include Russia, Armenia, Belarus, Kazakhstan, and Kirgizstan.
Lantern- WERK, Snøhetta and Oluf Jørgensen A / S. Image Courtesy of MIR
WERK and Snøhetta have been selected as the winners of the maritime center competition on the harbor of Esbjerg, in Denmark. The proposal puts in place a glowing building entitled Lanternen or the Lantern, a new addition that will gather communal activities.
Wherever there is a center, there is by necessity a periphery. This in itself should not generate any headlines; we live in a world of centers, and peripheries that continually stretch those centers, whether it be politics, countries, or societal norms. It also applies to architectural practice. In a complex, interconnected world, members of the architectural profession around the world are constantly expanding into new peripheries, generating new visions for how practice should operate, influenced by technological, political, cultural, and environmental changes.
Heatherwick Studio has released their latest images for the 1,000 Trees Development in Shanghai. Dating back to August 2019, the images showcase the construction progress of the 300,000-square-meter project, with the near completion of one of two mountains, set to open in 2020.
Airbnb is changing the way we experience buildings and cities. Founded in 2008, the digital platform utilizes technology to enable real-world experiences, and in turn, aims to create a world where you can feel at home anywhere. With its own in-house design teams like Samara and Airbnb Environments, the company has begun shaping the future of how we live and work.
In recent years, people started to regain interest in a movement that dates back to the last century; a movement, first introduced during the 1940s and 1950s, through the works of Le Corbusier and Alison and Peter Smithson. With monolithic structures, modular shapes, and impressive massing, Brutalism highlights architectural integrity. This movement is highly characterized by rough, raw, and pure surfaces that underline the essence of the substances in question. Spread across the globe, architects have adopted and developed their own vision of this modern movement, creating contextual variations.
In the midst of all the chaos currently taking place in the city of Beirut, we look back on the Lebanese capital’s hidden Brutalist gems. To shed the light on a movement that's often neglected and forgotten, Architect Hadi Mroue created a series of images that highlight the Lebanese Brutalism movement as well as its evolution as an important part of the Lebanese modern heritage.
The Portico - CityLife Milan. Image Courtesy of lucianR
Bjarke Ingels Group have unveiled their design for The Portico, a 53,500-square-meter development on the last two remaining plots of the CityLife masterplan in Milan, Italy. CityLife presented the proposal with two individual buildings connected by a 140m long hanging roof structure to form a generous urban-scale entrance to the city.
4 Hudson Square is Walt Disney’s new headquarters in the Big Apple, designed by Skidmore, Owings & Merrill LLP (SOM). Located in the Lower Manhattan district, in the neighborhood of Hudson Square, the project will create a space for the company’s New York operations.
The Future Architecture Platform has issued its 5th Call for Ideas asking multi-disciplinary creatives who work on transformative projects and ideas for the future of architecture to apply for participation in the 2020 European Architecture Program. The Future Architecture Platform acts as a platform for exchange and networking for European architecture and integrates some of Europe’s most important architectural events.
Wood is a very easy-to-work material, allowing professional and amateur builders to manufacture simple objects and structures without major problems. However, when thinking about larger-scale housing or buildings, it's important to take certain precautions that ensure good quality and good construction behavior. To this end, it's essential to evaluate every project and analyze which connection system best suits its structural and aesthetic needs.
We spoke with the experts of Simpson Strong Tie, a leading company in structural connectors, anchors, and fastening systems, to learn more about these topics. Here are six important lessons and tips for building safer and more resistant wooden houses and buildings.
The highest outdoor observation deck in the western hemisphere is set to open in March of 2020 in New York City. Designed by Kohn Pedersen Fox (KPF), the Edge cantilevers 80 feet from the 100th floor of 30 Hudson Yards. At a record-setting height of 1,131 feet, Edge will reveal never-before-seen views of The City, Western New Jersey and New York State spanning up to 80 miles.
Throughout November 2019, Venice has been inundated with the city's worst floods in half a century. Photographs and videos spread across the world showing the city’s iconic St Mark’s Square underwater, with a 2-meter-high surge threatening irreparable damage to historic sites such as Saint Mark’s Basilica. While the city has been battling rising water levels since the 5th century, the recent floods, set against the context of climate change, have spurred debate about how coastal cities are vulnerable to rising sea levels, and how the damage can be mitigated against.
Glued Laminated Wood (Glulam) is a structural material manufactured through the union of individual wood segments. When glued with industrial adhesives (usually Melamine or Polyurethane resin adhesives), this type of wood is highly durable and moisture resistant, capable of generating large pieces and unique shapes.
OMA / Iyad Alsaka have unveiled their design for a major educational masterplan in Dubai. Designed for the Government of Dubai Knowledge Fund, on a site located in the centre of Dubai International Academic City (DIAC), the scheme aims to be the world’s largest free zone dedicated to higher education.
https://www.archdaily.com/928700/oma-unveil-major-education-masterplan-in-dubaiNiall Patrick Walsh
Luxembourg is set to become the world's first country to make all of its public transportation free. The newly re-elected prime minister Xavier Bettel and the coalition government have announced that they will lift all fares on trains, trams and buses next summer. Taking aim at long commutes and the country’s carbon footprint, the new move hopes to alleviate some of the worst traffic congestion in the world.
This year, the Bahá’í Temple of South America in Santiago, Chile, designed by Hariri Pontarini Architects of Toronto was selected as the winner of the 2019 RAIC International Prize, by the Royal Architectural Institute of Canada (RAIC). The prize celebrates a “single work of architecture that is judged to be transformative within its societal context and expressive of the humanistic values of justice, respect, equality, and inclusiveness”.
Anton Markus Pasing, ‘City in a box: paradox memories’, overall winner of the 2019 Architecture Drawing Prize
The overall winner of the third annual Architecture Drawing Prize is Anton Markus Pasing with his work entitled ‘City in a box: paradox memories’.
Working in the fields of experimental architecture, prototype design and fine arts, German architect Anton Markus Pasing has been awarded the prize for best digital drawing as well as being crowned the overall winner of The Architecture Drawing Prize. ‘City in a box: paradox memories’ represents an unknown city full of stories, closed in a large box. Until the box is opened, the city is in an ‘intermediate state’, it is both real and non-existent at the same time. The artist added: “I prefer the digital method for creating my work, because it allows me to achieve complex representations as well as being able to illustrate narrative aspects more clearly. I don’t aim to generate answers with my images, but to use them to ask questions or tell simple stories.”