Lu Wenyu—co-founder of Amateur Architecture Studio with Pritzker laureate Wang Shu—has shaped many of the practice's most emblematic works across China, including the Ningbo History Museum and the Xiangshan Campus of the China Academy of Art in Hangzhou. Often working outside the spotlight, her leadership is unmistakable in the discipline of execution and the roles she has assumed: in 2003, together with Wang Shu, she established the Architecture Department at the China Academy of Art, where she also serves as Director of the Sustainable Construction Center. Her practice and teaching form a reciprocal loop: research conducted in studios at the China Academy of Art continually folds back into construction strategies on site, while lessons learned in the field return to the classroom as material intelligence rather than abstract theory.

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Once a Najdi settlement defined by mudbrick walls and courtyard houses, Riyadh has undergone one of the most radical urban transformations of the 20th and 21st centuries. The discovery of oil reserves, the consolidation of political power, and the rapid expansion of infrastructure reshaped the city from a regional capital into a sprawling metropolis almost within a single generation. As a result, Riyadh's urban fabric is marked by discontinuities, fragments of vernacular architecture coexist with mid-century institutional modernism, and a rapidly evolving contemporary skyline.

In recent decades, this layered condition has been further intensified by large-scale development strategies and cultural investment programs that position architecture as a tool for redefining national identity. International practices have played a decisive role in shaping key institutions, infrastructures, and landmarks, while local studios increasingly contribute projects that reinterpret climate, materiality, and social space within a contemporary framework.

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Zhu Pei is a Chinese architect born in 1962 in Beijing. He studied at Tsinghua University and UC Berkeley, and founded Studio Zhu Pei in 2005. The studio's experimental work and research focus on contemporary architecture, art, and cultural projects. With an artistic and exploratory approach, it investigates the relationship between the roots that anchor architecture in specific natural and cultural contexts and the innovation that drives architecture as a form of artistic revolution. In his interview with Louisiana Channel, Zhu Pei describes architecture as an artistic discipline that, like poetry, relies on openness, imagination, and the creation of new experiences. He argues that great architecture goes beyond functional problem-solving by generating a sense of wonder through its ability to "invent" and "create some new thing, new experience," positioning architectural practice as cultural and sensory exploration rather than purely technical production.

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Historic center renewal has become a recurring strategy in Central American cities seeking to reassert the symbolic, economic, and functional relevance of their traditional cores. These processes often combine physical rehabilitation, institutional investment, and stricter control over public space. San Salvador offers a recent and instructive case, which allows for understanding of how interventions in inherited civic spaces balance infrastructure improvement with heritage conservation and social regulation. It also enables the assessment of how these choices resonate within broader debates on urban transformation in the region.

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In the translation of three-dimensional reality onto a two-dimensional plane, axonometry stands as one of the graphic systems of representation that form the foundation of the language used by architecture and design professionals. Alongside plans, sections, and elevations, its exploded views often stand out for their ability to study the multiple layers that compose a project. Although axonometry is also employed in other disciplines such as engineering and urban planning, it consistently proves its capacity to function as more than a mere representational tool, strengthening the understanding not only of a project's construction processes, materials, and structural systems but also expanding the communication of the ideas and design processes that shape a project.

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From building codes to mobility restrictions and new diplomatic roles within city governments, climate policy is increasingly being shaped at the local level through a widening range of legislative and institutional tools. Cities as varied as Sydney, Boston, New York, Paris, Miami, and dozens across Latin America are adopting targeted strategies that reflect their distinct environmental pressures and governance structures. These initiatives range from all-electric and net-zero construction requirements, to traffic-control measures designed to curb the social costs of private vehicle use, to emerging forms of urban diplomacy that coordinate responses to rising temperatures and biodiversity loss. Together, these approaches illustrate how territorial management is evolving in response to the accelerating climate crisis, and how local governments are experimenting with regulation and collaboration to confront challenges that are at once global and deeply place-specific.

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Leisure spaces are often where different generations cross paths. Without formal programs or assigned roles, they allow people to move, pause, and remain together, each engaging space in their own way. In a built environment increasingly shaped by specialization and separation, these shared spatial grounds have become less common, giving leisure-oriented architecture a renewed relevance.

Discussions around public space have repeatedly pointed to the value of openness and flexibility in supporting collective life. As architect Herman Hertzberger has noted, "the more a space can be interpreted in different ways, the more people it can accommodate." Rather than attempting to create interaction, architecture shapes the conditions that make togetherness possible.

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The New Museum is the only museum in New York City dedicated exclusively to contemporary art. From its beginnings as a one-room office on Hudson Street to the inauguration of its first freestanding building on the Bowery, designed by SANAA in 2007, it has evolved into a center for exhibitions, research, and documentation on international living artists. In 2017, Shohei Shigematsu and Rem Koolhaas of OMA were selected to design the New Museum's expansion. The first design images were released in 2019. On January 13, the Museum announced that its 60,000-square-foot expansion, designed in collaboration with Cooper Robertson, will open on March 21, 2026, with an exhibition exploring the very definition of humanity.

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