Adelaide-based practice Intro Architecture has designed a sweeping tower for the Oscar Seppeltsfield hotel in the Barossa Valley of Australia. Rising twelve stories with around 70 rooms, the hotel's shape was derived from the art of barrel-making, particularly the process of the curvature and manipulation of the stave. The tower was formed to seemingly grow from the vineyard, with its "staves" emerging then twisting to create the curving form.

As the world's healthcare systems struggle to meet the exponential surge in demands from COVID-19, architects and designers are generating a variety of responses and proposals, from large field hospitals to 3D printed clinical masks. In Italy, where the coronavirus outbreak has been among the world's most damaging, a collaborative team led by architect and MIT professor Carlo Ratti has unveiled CURA, a modular intensive care unit made from repurposed shipping containers. CURA, whose name stands for Connected Units for Respiratory Ailments (and also “cure” in Latin), can be quickly deployed in cities around the world and replicated through an open-source design, promptly responding to the shortage of ICU space in hospitals and the spread of the disease.

When you live in a small New England town, a cemetery is never far away. If I take an hour’s walk through local streets, I will easily pass by or through two or three. They’ve long been places of solace, peace, tranquility—even ironic hubris.

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Since March 20, the Argentine government has taken drastic measures to protect the public and curb the spread of COVID-19, including mandatory social isolation. Under these measures, residents and anyone visiting the country must remain indoors and abstain from visiting public spaces until the March 31.

Perhaps nowhere are the effects of the quarantine more notable than on the streets. All cultural, recreational, athletic, and religious events have been cancelled. Public areas like plazas and parks are ghost towns. With the streets closed, balconies have become the new platforms for everything from social interactions and celebrations to protests.  

Do architects today live on in the expressions of the buildings they design? If a “car to inhabit” tests the possibilities allowed by duplicity in architecture, a look at today’s design process of the architecture offices pushes us to consider the potential of creative thinking, and break away from the structure that defines it. It seems today that the attitude of moving away from uniqueness,  belongs not only to engineering and technical offices, but often also to young design offices with strong design sensibility.

The diffusion of office structure over the last several years, attempts to take a distance from the vision of a single Big Architect of the Universe can be appreciated in a “non-authorial” approach. This approach takes on the idea of anonymity which is already interpreted first in literature and in art, and then in a "no-logo" design. This new form of democracy in creativity seems not only to be a way of adapting to the shortage of resources, but first and foremost a useful tool to experiment with new hypotheses in architecture. Today, a great number of the buildings being fabricated on the planet are realized by big Companies: design structures organised in a way that puts architects, engineers, economists, designers and other professionals together. The world of “pure” architectural practice often tends to distance itself, from such situations. However, the approach of young firms without a single leader pushes us to inspect “plurality” as the land from which to trace fragments of the future. 

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Gathering the best-unbuilt architecture from our readers' submissions, this curated collection features conventional, original and innovative functions. With projects from all over the world, this roundup is a conceptual discovery of different architectural approaches.

Art takes center stage in this week’s article with a different kind of museum for Burning Man, a futuristic art center in Slovakia, a museum dedicated to writing, and the Chinimachin Museum, inspired by the urban fabric of the city of Bayburt in Turkey. Moreover, the editorial showcases integrated houses, a redevelopment of a city block in London and mixed-use projects in Ukraine and Poland. New highlighted functions include a concrete lighthouse in Greece, a retirement complex in the Rocky Mountains of Lebanon, and a thermal hotel and spa in Cappadocia.

As hospitals in the United States are starting to hit capacity due to the COVID-19 pandemic, the American Institute of Architects has released a new design guide from their COVID-19 Task Force. The “Preparedness Assessment Tool” is intended to assist non-healthcare design professionals with identifying alternate sites suitable for patient care. The task force developed the tool using established healthcare design best practices and standards in combination with federal documents issued during the crisis.

The COVID-19 pandemic has transformed how we work. As designers are quickly rethinking traditional workflows to stay connected, in San Francisco, Studio BBA is adjusting the way they work to make sure client needs are delivered. Advocating for architecture that inspires human connection, they are creating spaces and places from the alchemy of inspiration, site, materials, vision and form.

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New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.

New Generations has launched a fresh new media platform, offering a unique space where emerging architects can meet, exchange ideas, get inspired, and collaborate. Recent projects, job opportunities, insights, news, and profiles will be published every day. The section ‘profiles’ provides a space to those who would like to join the network of emerging practices, and present themselves to the wide community of studios involved in the cultural agenda developed by New Generations.

ArchDaily and New Generations join forces! From this month, ArchDaily publishes a selection of studio profiles chosen from the platform of New Generations.

Postcards from Quarantine is a series of illustrations by Alvaro Palma y Alvaro Bernis inspired by touristic postcards that analyze the purpose of travelling and the desire to share the experience--a topic that has been brought to the forefront in times of quarantine during the COVID-19 outbreak.

The public art depot for the Museum Boijmans van Beuningen, designed by MVRDV is nearing completion in Rotterdam. Scheduled for opening in September 2021, recent images showcase the installation of the first of 75 trees on the roof garden.

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Blank Space, the online platform has announced the winners of its annual ‘Fairy Tales’ competition. The seventh edition of the contest selected top entries that offer tales of warning and hope during uncertain times.

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Design practice WEISS/MANFREDI has won the 2020 Thomas Jefferson Foundation Medal in Architecture. Presented by the University of Virginia and the Thomas Jefferson Foundation at Monticello, the award is one of four honors recognizing achievements in architecture, citizen leaderships, global innovation, and law. The Thomas Jefferson Foundation Medals recognize the exemplary contributions of recipients to the endeavors in which Jefferson excelled and held in high regard.

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In Mexico, 40 million used tires are thrown away each year and only 12% are recycled. Tires are a difficult waste product to address, due to the sheer volume produced as well as their durability and the components within tires that are bad for the environment. According to specialists, in Mexico about 5 million tires are recycled in organic products and in the cement industry. 

From the famous Kitchen Debate between Nikita Khrushchev and Richard Nixon to the popularity of Henry Ford within the USSR, the hundreds of factories designed by Detroit engineer Albert Kahn for Soviet Russia, and skyscrapers erected in Moscow, the Cold War had a peculiar side to it, that is the Russian fascination with American culture and technology.

Miami’s tallest luxury condominium, the recently completed Brickell Flatiron tower is designed by architect Luis Revuelta, with interiors created by Italian design architect Massimo Iosa Ghini. Standing tall at 736-feet-high, the residential building is the newest icon of Brickell's Financial District

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Harvard GSD is presenting during the month of April 2020, an online series of talks and webinars via Zoom, where attendees can interact and submit questions. Accessible for everyone who registers, the events are also streamed live to the GSD's YouTube page.

The new Twist Museum by Bjarke Ingels Group is open in Norway. Traversing the winding Randselva river, the inhabitable bridge is torqued at its center, forming a new journey and art piece within the Kistefos Sculpture Park in Jevnaker. The project was recently captured through a series of images by photographer Jacob Due. The photos explore the museum's formal approach and place the design in its larger natural context.

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Kisho Kurokawa (April 8th 1934 – October 12th 2007) was one of Japan's leading architects of the 20th century, perhaps most well-known as one of the founders of the Metabolist movement of the 1960s. Throughout the course of his career, Kurokawa advocated a philosophical approach to understanding architecture that was manifest in his completed projects throughout his life.

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Though Modernism is sometimes criticized for imposing universal rules on different people and areas, it was Richard J. Neutra's (April 8, 1892 – April 16, 1970) intense client focus that won him acclaim. His personalized and flexible version of modernism created a series of private homes that were—and still are—highly sought after, making him one of the United States' most significant mid-century modernists. His architecture of simple geometry and airy steel and glass became the subject of the iconic photographs of Julius Schulman, and came to stand for an entire era of American design.

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A figure whose work blurred the line between the mathematical and the aesthetic, French industrial designer, architect, and engineer Jean Prouvé (8 April 1901 – 23 March 1984) is perhaps best remembered for his solid yet nimble furniture designs, as well as his role in the nascent pre-fabricated housing movement. His prowess in metal fabrication inspired the Structural Expressionist movement and helped to usher in the careers of British High-Tech architects Richard Rogers and Norman Foster.