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The choice of Lacaton & Vassal to receive the 2021 Pritzker Prize was, above all, emblematic. Under the mantra “never demolish, never remove or replace, always add, transform and reuse”, the French duo built a career focused on renovating buildings, providing them with spatial quality, efficiency and new programs. Their approach contrasts with most of the architecture we are used to honoring: iconic, imposing and grandiose works. It also contrasts with the notion of the tabula rasa, of building and rebuilding from scratch, so well represented in Le Corbusier's Ville Radieuse, and which has fascinated architects and urban planners ever since.
Whether because of the sustainability demands currently in vogue, or simply because there are already enough buildings around the world, the task of rehabilitating spaces and buildings has been seen as an important driver of change. The focus is generally to center efforts on interior spaces, paying special attention to the environmental quality and comfort of the inhabitants, in addition to adapting the uses to contemporary demands. The main question revolves around how to update (and even automate) the buildings of the past to adapt to new needs for efficiency, sustainability and well-being.

Creating a compelling visualization that communicates your design intent and gets stakeholders on board is no easy feat. While designers have plenty of visualization tools to deploy— from powerful rendering engines to the simplicity of pen and paper — there’s no one-size-fits-all approach to visualization. As your design evolves, you may need multiple renderings at various levels of detail.
According to Jim Kessler, Director of the Visual Media Group at Jacobs, "When a design is in flux and conversations with the clients are taking place, a photorealistic rendering signals completion of the project and that design changes are no longer possible. Whereas, a non-photorealistic rendering visual suggests a sense of flux and has a huge artistic element to it, which architects gravitate towards."

Peruvian architectural firm leonmarcial arquitectos has been invited to take part of the 17th Venice Architecture Biennale with an installation at the Arsenale as part of the "As New Households” exhibition space. Titled Interwoven, the installation encourages the action of sharing and celebrates the exchange between homes and their environments through architecture.

For the 2021 Milan Design Week, Kengo Kuma Associates designed a bamboo installation that merges form, materiality and music, creating a multisensory experience. Created in collaboration with smart device manufacturer OPPO, Bamboo (竹) Ring :|| Weaving a Symphony of Lightness and Form answers the "Creative Connections" theme by merging architecture and music, as well as craftsmanship and technology.

Meals have always been bonding and bringing people together to eat. Sitting around a table or preparing food becomes even more enjoyable in spaces that focus on comfort and well-being. Moreover, cooking with different techniques can add a unique flavor to the experience, especially when it comes to wood-burning stoves, barbecue grills, and wood-fired pizza ovens.

Last year, architect Danish Kurani completed a new tech lab in New York City in partnership with Black Girls Code. As a place where young women from all over New York can come together to learn about technology, the revamp project includes 3,900 square feet of space at Google’s New York offices that were turned into a tech exploration lab.

Spanish architect and engineer Santiago Calatrava has unveiled the design of the UAE Pavilion at Expo 2020 in Dubai, UAE. The 15,000 square meters pavilion stands as a "symbolic interpretation of the flow of movement", designed with carefully curated lines and spaces that blend with its surroundings of greenery, shaded arcades, and cantilevered wings. The national monument is set to create an immersive, multisensory experience for visitors from both an architectural standpoint, as well as integrated cinematic features, introducing them to the history, culture, and futuristic innovations of the UAE.

Kengo Kuma's EDA office building revitalizes an abandoned site in Paris, creating a new urban landmark and signalling the renewal of the Issy-les-Moulineaux neighbourhood. Through its horizontality, the large scale project sitting at the confluence of three traffic rouets mediates the urban discontinuities of the surroundings while reflecting the context's dynamic of movement and flows. Defined as "a dense network of tree-lined terraces and hanging gardens", the design features a wood structure and a double-skin façade whose sunscreen elements create the architectural image.

Guerrero is a state in the southwest corner of Mexico that shares land borders with the State of Mexico, Morelos, Puebla, Oaxaca, and Michoacán and a coastline with the Pacific Ocean. With over 64,281 km² of territory, it is the twelfth most populated state in Mexico. It's capital city is Chilpancingo de Juárez and it's most populated city is Acapulco de Juárez.

This week’s curated selection of Best Unbuilt Architecture highlights museum projects submitted by the ArchDaily community. Through examples from all around the world, the article explores how these spaces of knowledge and discovery are designed to inspire and inform.
Featuring a vertically developed art museum in Finland, a structure that merges with the landscape in China, or a maritime museum shaped by the conditions of the shoreline in Brazil, the round-up spans various kinds of museums and art spaces, as well as different attitudes towards the built or natural environment. The following projects reveal the ideas that shape museums in different contexts, illustrating diverse approaches towards what constitutes an institution of learning.

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Phyllis Lambert, an architect, the Planning Director of the Seagram Headquarters, and the Founding Director Emeritus of the Canadian Centre for Architecture in Montréal.

This year’s Exhibit Columbus explores the conditions of middle places as interconnections between ecosystems and the built environment through 13 temporary installations that highlight various aspects that make up the identity of the Mississippi watershed. Now at its third edition, the event builds on the Modernist cultural legacy of the Indiana city through a series of artistic and architectural explorations that activate public spaces and engage the community of Columbus.

In architecture, ‘span’ is the term given to the length of a structural component that extends between two supports, or the continuous space created between two pillars of a building structure, and when we think of this element, one cannot help recalling classics such as Lina Bo Bardi's MASP, Álvaro Siza's Expo'98 Portuguese National Pavilion, and the Roman Pantheon. However, there are several other buildings with this feature, and recent projects have been using innovative and bold structures to create even more unexpected designs.

This article was originally published on Common Edge.
Architecture 2030 is calling on all architects, engineers, planners, and individuals involved in the building sector worldwide to design all new projects, renovations, landscapes, cityscapes, and infrastructure to be zero carbon starting now.

J. Mayer H. has won a competition to design the new façade of Cologne Main Station on Breslauer Platz in Germany. The design proposal frames the sides of the rail station with an all-around façade that offers an innovative use of space by making the best of the site's circulation and natural resources. The intervention will feature rooftop landscaping with local flowers and greenery, rainwater collection, protection from rain, wind, and sunlight, and a visual emphasis on the station's points of access.

OMA / Shohei Shigematsu has completed its Audrey Irmas Pavilion at Wilshire Boulevard Temple, the firm’s first commission from a religious institution and first cultural building in California. Expected to open in January 2022, “the new 55,000 square foot Pavilion is a response to the Wilshire Boulevard Temple’s vision for its campus to create a much-needed space to convene”.