Humans and pets have long shared a deep and inseparable bond—and today, how we live alongside them is becoming increasingly important. Beyond offering companionship, pets are now often regarded as life partners, providing powerful support for mental health and emotional well-being. Yet it is not only the emotional connection that matters: the way we design and curate spaces for cohabitation with them plays a critical role in shaping meaningful spatial relationships between humans and their animal companions.
Whether through custom-designed furniture or more seamlessly integrated solutions like wall cavities and built-in nooks, an increasing amount of attention is being paid to how we can better coexist with pets in our homes. This shift reflects more than just affluence or pet ownership; it signals a broader evolution of companionship—one rooted in mutual support, emotional health, and shared environments.
In most situations, architects navigate a complex web of construction codes, airspace regulations, and numerous other rules that dictate the form and execution of a project. However, cultural architecture often presents a unique opportunity for more daring and expressive designs. These projects frequently garner support from local governments, unlocking possibilities for formal explorations that might otherwise remain unrealized. In this regard, cultural architecture serves a dual purpose: enriching the community and establishing iconic landmarks that define the identity of their city or region. This ambition has certainly manifested in Taiwan. Situated in the heart of East Asia, this island nation boasts a remarkable array of formal explorations by both international and Taiwanese architects.
How is it possible to maximize livability in small spaces? What design decisions contribute to functionality and the fulfillment of the inhabitants' essential needs? Over the past decade, small-scale architecture has gained prominence in the quest to find new ways of living in connection with nature and in pursuit of relative self-sufficiency, among other reasons. From minimal homes or tree houses to fine carpentry solutions and sculptures, the Portuguese design studio Madeiguincho is dedicated to developing timber-based projects with the aim of promoting knowledge of wood craftsmanship as both a raw material and a building medium.
Zaha Hadid Architects has just revealed that the Shenzhen Science & Technology Museum, located in the Guangming District, has officially opened. Designed as a platform to highlight scientific research and technological innovation, the institution will explore the role of science in shaping the future. Adjacent to Guangming Station on Shenzhen's metro network, the design responds to its location as a solid, spherical volume facing the city, defining the southeast corner of the new Science Park. The museum aims to provide a space for public engagement with current developments in science and technology.
Uzbekistan has revealed the latest photographs of the pavilion for Expo 2025 in Osaka, Japan, after the recent opening. Designed by Atelier Brückner and realized by NUSSLI, the pavilion aims to showcase the country's vision for the future under the Expo's broader theme, "Designing the Future Society for Our Lives." Composed of modular, reusable wooden elements, the pavilion's architecture will later be reconstructed in Uzbekistan, serving as a studio, workshop, or school.
In recent weeks, cities around the world have introduced new policies, recovery efforts, and infrastructure projects that reflect growing pressure to adapt to climate realities. From Southern Europe to South America and the United States, these urban updates address both immediate challenges and long-term shifts in how the built environment is governed, designed, and inhabited. Some initiatives focus on regulation, tightening building codes in fire-prone areas or reforming aging safety systems, while others spotlight large-scale investments tied to global events such as COP30 and the Venice Architecture Biennale. This edition of Architecture Now gathers a selection of city-led actions and collaborative efforts that point toward a more resilient, responsive future for architecture and urban life.
In the past, AI-generated images often resembled psychedelic experiences—filled with strange, sometimes unsettling colors and forms. But recent advancements in artificial intelligence have transformed that landscape. Today, we are surrounded by images whose origins are often unknown. From playful mashups to portraits turned into works of art, it's undeniable that Artificial Inteligence has become a lasting part in our visual landscape. As Yuval Noah Harari noted in a 2023 interview with The Economist, "AI has gained some remarkable abilities to manipulate and generate language — whether through words, sounds, or images. It has, in effect, hacked the operating system of our civilization."
Architecture, naturally, has not been immune to this. Prompt-based image generators have flooded the virtual environment with renderings that span from surreal to hyper-realistic: futuristic cities, organic skyscrapers, and utopian cabins perched on idyllic cliffs. Most of these are created with general-purpose tools that prioritize visual novelty over design logic. But not all platforms follow this path. Gendo, for instance, was built specifically for architects and designers — offering finer control over parameters like scale, material, and spatial intent. Its goal isn't just to generate images, but to support design thinking. Still, these more intentional tools remain exceptions in a broader sea of generic, decontextualized imagery.
Huizhen High School by Approach Design Studio - Zhejiang University of Technology Engineering Design Group Co.,Ltd_Huizhen High School by Approach Design Studio. . Image Courtesy of WAF23
The World Architecture Festival (WAF) is set to host its 17th edition in Miami, marking the event's first appearance in the United States. This year's festival theme, announced as Hearts and Minds, will explore the intersection between rational design strategies and emotional resonance. Through a series of talks and panel discussions, speakers will examine how architecture operates both as an intellectual pursuit and a sensory experience, engaging perception, memory, and affect. Scheduled from November 12-14 at the Miami Beach Convention Center in Florida, the festival will gather architects and designers from around the globe for a three-day program featuring talks, awards, exhibitions, and fringe events. The event will highlight international practices, showcase new projects, and facilitate discussions on key issues shaping the built environment.
The Biennale promises to be a dynamic platform uniting over 750 participants from diverse backgrounds, including architects, engineers, mathematicians, climate scientists, and artists. Such a broad coalition of over 280 projects underlines the Exhibition's focus on inclusivity and interdisciplinary collaboration, an essential aspect for adaptation. The selection process proposed a bottom-up, open call approach through the Space for Ideas initiative, which ran between May and June 2024. It encouraged participation from global teams, from Pritzker Prize winners and Nobel laureates to emerging architects and scientists.
Theaters, concert halls, and opera houses are more than just venues — they are meticulously orchestrated environments where architecture, technology, and human emotion converge. Unlike conventional buildings, these spaces must accommodate a dynamic interplay between acoustics, sightlines, stage mechanics, and audience engagement, all while maintaining an architectural identity that resonates with performers and spectators alike. Whether it is the immersive embrace of a vineyard-style concert hall or the grandeur of a proscenium theater, every design decision shapes how performances are experienced and remembered.
Buildner, in partnership with Collective Action for Culture (C.A.C), the Municipality of Peja, and the Ministry of Culture of Kosovo, has released the results of the Peja Culture Pavilion competition – an international architecture competition inviting architects and designers to reimagine a historically significant site in the heart of Peja, Kosovo.
The competition sought innovative and respectful design proposals that would revitalize a neglected urban square centered around a 15th-century water fountain. Entrants were asked to integrate this cultural heritage element into a multifunctional pavilion that could serve as a space for performance, reflection, gathering, and celebration.
The Azerbaijan national pavilion, participating in the Venice Architecture Biennale for the first time, presents Equilibrium. Patterns of Azerbaijan. Curated by Nigar Gardashkhanova, the exhibition aligns with the overarching theme of this year's Biennale Intelligens. Natural. Artificial. Collective. Focusing on innovative design responses to the climate crisis, the pavilion emphasizes the principles of Regenerate. Innovate. Preserve. Featuring projects commissioned by Rashad Aslanov, the exhibition showcases contributions from the Azerbaijan Development Company (ADEC), Simmetrico Architettura, and Adalat Mammadov. Organized by the Heydar Aliyev Foundation and the Ministry of Culture of the Republic of Azerbaijan, with support from the Embassy of Azerbaijan in Italy, the exhibition will run from May 10 to November 23, 2025, at Castello 2127/A, near the Arsenale.
The 19th International Architecture Exhibition of La Biennale di Venezia opens in less than two weeks, on May 10, 2025, and will remain open to the public until November 23. On the day of the opening, the official Awards Ceremony will take place, during which a selected international jury will confer several official prizes, including the Golden Lion for Best National Participation. The recently announced jury includes South African architect, lecturer, and curator Mpho Matsipa; Italian curator Paola Antonelli, Senior Curator and Director of the Department of Architecture and Design at the Museum of Modern Art (MoMA) in New York; and Swiss curator, critic, and art historian Hans Ulrich Obrist, Artistic Director of the Serpentine in London, who will serve as President of the Jury.
At the dawn of Modernism, in the fervent search for innovative, efficient, and cost-effective building systems, the idea of modular construction offered the promise of exactly that: an industrialized system comprised of ready-to-assemble elements, easily configured, cost-effective, and quality-controlled. While the idea did not gain as much traction as was initially expected, it has remained an attractive premise for architects and designers. Now, new developments in the field have led to a renewed interest in the matter, as modular housing emerges as an effective measure in various fields, from affordable housing to emergency shelters, or even as platforms for interdisciplinary collaboration, participation, and co-design. The following article explores this promise of accessibility, creativity, and affordability that has become an integral part of the debate around modular architecture.
BoConcept’s modular solutions transform the space into a positive, diverse experience, enhancing the workplace environment
What is the meaning of architectural space if it is not used and enjoyed? This big picture question drills down to the essential purpose and sustainability of building architecture in the first place. It's a question that is perhaps most relevant today for offices that risk lying empty in an era of remote and hybrid work. An important challenge for design today is therefore to enhance the workplace environment to encourage attendance.
What makes a building architecture? The eternal debate over what distinguishes architecture from mere utilitarian construction has often included affordable and social housing as an influential topic, sparking different points of view. This question is particularly significant in the Latin American context, where unique conditions go beyond cost concerns, whether imposed or unavoidable. Limited access to financing, the prevalence of self-construction, and the spread of informal settlements are interconnected factors shaping the built environment. These dynamics foster an aesthetic that, for some, challenges notions of good architecture, manifesting in urban landscapes where exposed materials become a defining feature.
https://www.archdaily.com/1024259/unpolished-narratives-exposed-materials-in-latin-american-affordable-housingEnrique Tovar & José Tomás Franco
Enel, a global leader in renewable energy, launched "WinDesign", an international contest where talented professionals and students, in the domain of engineering, architecture and design, are invited to imagine and design new wind turbines. The goal is to develop turbines projects that blend more seamlessly into the landscapes that host them, thereby supporting a wider role for them in the energy transition.
DROPCITY is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by Andrea Caputo in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During Milan Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.
The internal environment is the focus of this second article about designing for noise to improve well-being. According to several recent studies, noise in cities has become an increasing hazard to health. Environmental noise, that is, noise from traffic, industrial activities, or amplified music, which reaches internal spaces, is not merely an annoyance. It has been linked to cardiovascular disease, diabetes, dementia, and mental health issues. As the world urbanizes, more people are exposed to excessive levels of noise. In medium- and high-density housing, in office buildings, and in schools, noise pollution can emanate from internal as well as external sources.
Concrete towers dominate the skylines of Asian and African cities - looming edifices embodying development. With access to the tools and materials of industrial modernity, the Global South steps onto the world stage showcasing its bounty. Yet, at the depths of rising ambitions, the construction material speaks to colonial legacies and extractive economics that result in power imbalances in the geopolitical sphere. A climate crisis on the horizon only intensifies the complicated relationship between building materials, sustainability demands, and sovereignty of many countries.
As the first postgraduate institute in architectural education born from connections with some of the most influential figures in contemporary design, Yacademy offers everyone who steps through its doors the chance to grow—both professionally and personally. Here, young architects experience a comprehensive journey designed to enhance their skills, sharpen their sensitivity, and foster meaningful relationships. A cornerstone of this journey is the construction workshop.
The 2025 iteration of the Time Space Existence exhibition is set to attract audiences from May 10 to November 23. Organized by the European Cultural Centre (ECC) in Venice's renowned venues—Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens—this seventh edition brings together a diverse cohort of 207 architects, designers, artists, and researchers from over 52 countries. All contributions are curated under the theme of "Repair, Regenerate, and Reuse" as an exploration of architecture's capacity to engage with critical environmental, social, and cultural challenges. Highlights of the Special Projects section include ArchDaily's inaugural exhibition, presenting six architecture offices previously recognized as Best New Practices as emerging voices in the field of architectural innovations.
The Municipality of Venice has unveiled plans for a new 18,500-capacity stadium designed by Populous. The stadium will be built in the Bosco dello Sport in Tessera and is intended for football, Serie A rugby, and other events such as concerts. Maffeis Engineering and Populous have been commissioned for the design and engineering work by a consortium composed of Costruzioni Bordignon, Fincantieri Infrastrutture, and Ranzato Impianti, which was awarded the contract in March 2024. Soil Engineering, Seingim, and Gae Engineering are also collaborating on the project.
