Architectural landmarks often cluster together. In Tokyo, the iconic Omotesando is a well-known stretch where global "starchitects" built flagship luxury retail spaces in the 2000s. Hong Kong has a lesser-known but equally powerful architectural agglomeration along Queensway—though historically more corporate and less publicly engaging. Beginning in the 1980s, this corridor became home to a series of landmark buildings by some of the world's most prominent architects: Norman Foster's HSBC Headquarters, I.M. Pei's Bank of China Tower, Paul Rudolph's Lippo Centre, and the nearby Murray Building by Ron Phillips—now revitalized as a hotel by Foster + Partners. The area is further enriched later on by Heatherwick Studio's renovation of Pacific Place and Tod Williams Billie Tsien Architects' Asia Society Hong Kong Center.
In response to today's environmental, political, economic, and social challenges, material experimentation in architecture invites us to recognize the importance of researching and analyzing the properties of construction elements, and to understand the role of spatial design and its immediate surroundings. While various textiles, plastics, and even waste from different sources are being recycled and given a new life, the debate around the use of salt as a building material encourages the development of more sustainable practices to reduce the industry’s impact on the environment, as well as to explore the renewed life of discarded minerals and mining waste for implementation in architecture.
Children Running in the school at Nebaj, Guatemala . Image Courtesy of Solis Colomer Arquitectos
Founded in 2002, Solis Colomer Arquitectos has established a strong reputation over the past two decades, designing and constructing projects with both social and commercial impact across Latin America. With over 200 completed works, the firm specializes in institutional architecture with social impact and user-centered commercial architecture. Its mission is clear: to use architecture as a tool to dignify the human experience, especially for those in greatest need.
Creating an educational setting is a specific and sensitive task. Merging children's safety and learning optimization requirements with an aesthetic appeal and solid concept can birth some of the most beautiful, unique projects around. One common configuration is the elliptical or circular school. A circular, more specifically ringlike educational setting can suggest a sense of protectiveness and safety with the construction of the embracing surrounding membrane. It is also a practical setup that envelopes multiple functions while linking them, consequently allowing interactive instances through the central courtyard.
CHYBIK + KRISTOF (CH+K) has unveiled new images of its multi-purpose arena in Jihlava, a progressive city in the heart of the Czech Republic. Designed as part of a winning competition proposal in 2019, the project is being developed for the local ice hockey team, HC Dukla, and is scheduled for completion in late 2025. The arena has recently reached a key milestone with the installation of its characteristic facade. Unlike many similar developments that relocate to the outskirts, the venue retains its central position, an intentional decision by the municipality to activate the city core, support local businesses, and ensure accessibility by public transport and on foot. The project aims to enhance public life while contributing to the city's long-term sustainable growth.
The European AHI Award recognizes architectural heritage interventions across Europe, highlighting their role as a forward-looking model for 21st-century architecture with tangible social, environmental, and economic benefits. In its seventh edition, the award honored six projects, four first prizes and two special mentions, during a ceremony held in early June at the Paranimf Ceremonial Hall of the Escola Industrial in Barcelona. A total of 238 projects from architecture studios in 24 European countries were submitted. The selected winners are located in Antwerp, Kortrijk, Olot, Ancient Corinth, and Milan.
Cities today are being reimagined as living, evolving organisms, combining digital intelligence, ecological systems, and new materials to shape radical futures. At Carlo Ratti's "Intelligens. Natural. Artificial. Collective." biennial, over 750 participants challenge established boundaries between architecture, landscape, and technology. Several conceptual projects showcased in the main exhibition challenge conventional boundaries between architecture, landscape, and technology. From bio-adaptive urban systems and Martian water-based settlements to immersive symphonies of satellite data, these works collectively envision new models for cohabitation, resilience, and planetary awareness.
This month's Unbuilt selection presents six speculative projects, presented as part of the 2025 Venice Architecture Biennale exhibition, as provocations for rethinking the future of cities and human settlement. While some proposals transform architecture into self-sustaining, living infrastructures, others explore how data and sensory interfaces can redefine our relationship with natural and urban environments. Together, they offer a cross-section of how architects and designers are using unbuilt work to imagine new possibilities for life on Earth and beyond.
Designed by Barozzi Veiga, the Musée des Beaux-Arts in Lausanne is equipped by Arbonia with fire-protection doors, flush-mounted wooden doors and soundproofing elements made of wood.
14 individual brands and two subsidiaries are represented under the Swiss brand Arbonia. Although the brand, which is now making its long-overdue public debut, maybe new, the list of realized projects certainly is not. A glance at the reference archive, which Arbonia presents prominently, shows this. These include construction projects for the healthcare sector as well as offices and administration, historical buildings, educational institutions, hospitality and residential developments. Three particular distinct highlights stand out, as they uniquely embody Arbonia's motto: 'open to aspiration'.
Teatro del Mondo, Venice 1979. Image by Antonio Martinelli
The first edition of the Venice Architecture Biennale took place in 1980, immediately revealing its role as a platform for images and ideas that would become essential references in contemporary architectural theory and practice. This disruptive character was embodied from the very beginning by the strangely familiar floating structure designed by Aldo Rossi, titled Teatro del Mondo. At once temporary and archetypal, the project introduced central themes that would shape Italian architectural discourse in the years that followed. To this day, it continues to inspire reflections on timelessness, imagination, and the memory embedded in cities.
The summer of 2025 has brought extreme heat across Europe and beyond, with record-breaking temperatures and widespread climate-related impacts. Red alert warnings have been issued in France, Italy, and Spain as temperatures exceeded 46°C in parts of the Iberian Peninsula. These conditions have led to school closures, restrictions on outdoor work, and pressure on urban infrastructure, including power grids and public transport systems. The heatwave has simultaneously intensified wildfire risk across the Mediterranean. In western Turkey, ferocious wildfires near Izmir forced the evacuation of over 50,000 people as high winds and low humidity fueled rapidly spreading flames. In Spain's Catalonia region, two people died in a wildfire that raced across farmland and old structures in Torrefeta on July 1. Similar disasters have occurred in Greece, France, and Italy, with evacuations throughout southern Europe as widespread heat‑induced drought exacerbates fire season intensity.
BIG, artist Doug Aitken Workshop, NIRAS, Volcano, and RWDI have won a competition to redesign three public spaces surrounding major music venues in Ørestad, Copenhagen. The initiative, titled Byens Scene ("The City's Stage"), aims to revitalize the areas around DR Koncerthuset, Bella Arena, and Royal Arena, transforming them into an interconnected landscape for everyday use and public performances.
For over five decades, Swiss photographer Thomas Mayer has developed a serene, emotional, and documentary language for architecture. His lens captures the random and memorable moments of our built environment - reflections in the rain, long blue hours in Nordic summers, and the quiet darkness of sacred spaces. Recognized by ArchDaily as one of the top architectural photographers, Mayer carries an abundant fascination for light and space.
Lighthouses have stood along the margins of continents and islands for centuries as points of light in vast maritime territories. Rising in solitude from rocky cliffs, reefs, and headlands, these towers were tools for navigation and instruments of spatial clarity, shaping coastlines and marking the boundary between land and sea. Built to guide, warn, and locate, they constituted a global network of visibility long before the advent of digital mapping. Yet as maritime technologies evolved, many of these structures lost their original purpose. The typology, once essential, now stands at the edge of obsolescence. What remains is not merely an architectural relic, but a powerful spatial form — resilient, symbolic, and increasingly open to reinterpretation.
The first photographs of the long-anticipated David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) have been unveiled, captured by architectural photographerIwan Baan. Designed by Pritzker Prize-winning architect Peter Zumthor, in collaboration with Skidmore, Owings & Merrill, the building marks the culmination of a process spanning more than two decades. The museum recently offered an exclusive preview of the building in its raw architectural state, ahead of the installation of artworks. Major construction was completed at the end of 2024, and portions of the lower levels are already accessible to visitors. The galleries are scheduled to officially open in April 2026, when they will house LACMA's permanent collection.
Studio Libeskind has released new images of the design for the transformation of the Boerentoren tower, one of Europe's earliest skyscrapers, located in the heart of Antwerp, Belgium. Developed in collaboration with Belgian architecture firm ELD, the project reimagines the 1932 Art Deco landmark as a new public cultural hub that will house The Phoebus Foundation's art collection. The design includes the addition of exhibition spaces, a panoramic viewing platform, a rooftop sculpture garden, and new restaurants and bars. According to the architects, the original architectural features will be preserved while introducing a new architectural feature, which they are calling the "Reimagined Crown." Initially announced in 2022, the project has now received preliminary approval from the Flemish Heritage Agency and the City of Antwerp.
At the Steirereck am Pogusch restaurant, architecture and gastronomy seem to speak the same language: that of the sensitive transformation of raw materials. Local ingredients, like leaves, roots, and flowers, are turned into surprising dishes, where simplicity is elevated to the extraordinary. Likewise, the building, far from being a static structure, offers a unique tactile and visual experience. One of the most intriguing elements is the use of stabilized foamed aluminum panels that, rather than evoking the coldness and rigidity often associated with metal, have been manipulated to transcend their conventional characteristics. They seem to breathe, with their porous, textured surfaces absorbing and reflecting light, creating a play of shadow and brightness that evokes the lightness and organic quality of natural materials.
How many software tools and platforms are involved today in developing a contemporary project? From designing a single-family house to a public library, relying on just one or two programs is no longer common. Instead, multiple tools combine, overlap, and interact throughout various stages, including analysis, design, rendering, coordination, and construction. This widespread use of software in the virtual world reflects not only the technical complexity of today's practice but also a more subtle yet equally significant shift: software has become less a specific tool and more an environment that accompanies and even challenges the process.
https://www.archdaily.com/1031629/architecture-in-the-age-of-platforms-what-role-does-software-play-in-practice-todayEnrique Tovar
In high-end architectural design, traditional access panel fasteners like visible screws and magnetic closures often disrupt aesthetics and functionality. These outdated methods can loosen over time, lack durability, or require visible frames, making them unsuitable for premium spaces. Whether you need to access electrical systems, HVAC components, or plumbing, choosing the right installation method is crucial for a seamless integration into your space.
Early hidden solutions like French cleats and Z-clips improved appearance but introduced new challenges. These systems require sequential panel removal and extra clearance, making maintenance difficult—especially in areas needing frequent access. The unavoidable gap that appears at the top of panels also compromises the aesthetic appeal, as well as cutting out sections of panel for wall sockets.
The NSW Independent Planning Commission has approved the public domain works for Sydney's Harbourside redevelopment, marking a significant milestone for the project designed by Snøhetta in collaboration with Hassell and Mirvac. First unveiled in December 2021 as the winning entry in an international design excellence competition, the scheme aims to transform Harbourside at Darling Harbour into a new, iconic destination at the heart of the city. The proposal reimagines the waterfront at Tumbalong / Darling Harbour with more than 11,200 square meters of renewed public space, featuring significant trees, planted areas, sculptural sandstone pathways, and integrated public artworks.
The Sharjah Architecture Triennial has announced the theme for its upcoming edition: Architecture Otherwise: Building Civic Infrastructure for Collective Futures. Scheduled for November 2026, the event will unfold across the city and the Emirate of Sharjah, UAE, through site-specific installations, exhibitions, performances, workshops, and public programs. Positioned as a platform for architectural and urban exploration across West Asia, South Asia, and the African continent, the Triennial will combine practical and theoretical approaches to contemporary urban life. Conceived by its curators, Vyjayanthi Rao and Tau Tavengwa, SAT03 aims to explore how architecture can shape collective life in regions undergoing rapid urban transformation. Consequently, selected participants will take part in month-long residencies, embedding their work within the social and cultural fabric of Sharjah.
Yale Art + Architecture Building. Image Courtesy of gwathmey siegel & associates architects
By the mid-nineteenth century, American universities began to distinguish architecture from civil engineering and the applied sciences formally. Architecture was emerging as a discipline defined by both technical competence and conceptual inquiry, spatial imagination, and cultural agency. As this disciplinary identity evolved in the postwar decades, its built expression coalesced into the emerging architectural language of Brutalism.
Based between Berlin and Vienna, Miwa Negoro brings a transcultural and transdisciplinary perspective to her role at ArchDaily, shaped by her architectural training and professional experiences across East Asia and Europe. Her work explores how built environments both reflect and challenge sociocultural contexts, positioning architecture as a dynamic dialogue between history, society, and future possibilities.
Miwa's curatorial approach emphasizes the interplay between regional context, design processes, and social relevance, alongside material and aesthetic considerations. She seeks projects that resonate beyond their immediate surroundings, offering insights that engage broader architectural discourse. By championing a diverse range of building types, scales, and geographic origins, Miwa actively works to broaden the scope of voices and narratives represented within the field.
Kampung Admiralty / Ramboll Studio Dreiseitl + WOHA. Image Courtesy of WOHA
Ebenezer Howard's verdant visions for cities have spread eastwards, far beyond his British roots. In the 1900s, city planning welcomed the Garden City Movement as a champion of good design - a response to Western industrial urbanization. Soon, Asian cities conceived their archetypes, juggling local constraints in climate and density. Designs and development, from colonial-era experiments to contemporary mega-projects, have embraced and reinvented Howard's vision well into the 21st century.
