Courtesy of SITELAB urban studio and Field Operations
SITELAB urban studio and Field Operations have revealed a design proposal to reimagine San Francisco’s iconic Powell Street. The street used to be one of the busiest pedestrian corridors in its district and a popular tourist attraction, with cable cars running up and down the street and connecting Union Square and Hallidie Plaza. Across the most popular three-block stretch, the storefronts have become mostly vacant. According to the San Francisco Chronicle, one of the reasons was the Covid pandemic, which led to a further decrease in tourism and in commercial activities. Now a new project led by designers SITELAB urban studio and Field Operations aims to revive the now underutilized transit corridor and to catalyze a renewed interest in the area.
Brutalist buildings are a significant component of Washington, D.C.’s architectural identity. In the National Building Museum’s new exhibition, Capital Brutalism, this identity is explored further. Co-organized with the Southern Utah Museum of Art (SUMA), Capital Brutalism is a comprehensive exhibition of Brutalist architecture in Washington, D.C., to date, running until February 17th, 2025.
The history of the use of lime in the construction industry dates back thousands of years, spanning cultures and communities worldwide. In fact, around 4000 B.C., the ancient Egyptians used quicklime mixed with water as a building material for their pyramids. Although lime has multiple applications in the food and agricultural industries, as well as in chemical, mining, and steel industries, in architecture it is one of the main construction materials due to its versatility, adhesion, waterproofing, workability, performance, setting, and durability, which allow for the creation of masonry mortars, interior or exterior plasters, among other functions.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by Deborah Riley, Production Designer of Game of Thrones and Three Body Problem to discuss her background; why she studied architecture; career transition into set design; progressing from set designer to production designer; becoming a production designer on Game of Thrones; her responsibilities as a production designer; navigating physical sets versus digital or CGI sets; the challenge of working on different projects; and more.
https://www.archdaily.com/1017740/the-second-studio-podcast-deborah-riley-production-designer-of-game-of-thrones-and-3-body-problemThe Second Studio Podcast
Thermal mass is the ability of a material to absorb, store, and release heat. Used to moderate building temperatures by reducing fluctuations, the concept is crucial in improving energy efficiency. Materials with relatively high thermal mass, such as stone, concrete, rammed earth, and brick, can absorb significant heat during the day and release it slowly when temperatures drop at night, reducing the need for heating and cooling systems. Properties like heat capacity, thermal conductivity, and density are all considered when assessing the thermal mass property of a material.
A holistic approach to design and architecture becomes apparent when we delve into the work of NO ARCHITECTURE, an architectural practice based in New York, founded by Andrew Heid in 2014. The firm's portfolio and research showcase an integrative way of building, with projects demonstrating a close connection between the built environment and their immediate surroundings, whether in natural landscapes or urban contexts. Their programs emphasize flexibility, possibilities, and inclusion, prioritizing human well-being above all.
3XN GXN has revealed its design for Mahler 1, a 15-storey mixed-use office building. The structure, developed in collaboration with Victory Group, Icon Real Estate, and Erik Dhont Landscape Architects, features a hybrid-timber construction system that creates a stepped volume, breaking down the building’s mass. At the street level, the development offers a wide variety of public amenities, striving to become an active hub for both residents and office workers. The project is expected to begin construction in the first half of 2025 and conclude in late 2027.
Located in the heart of Beijing’s Central Business District, the Z6 tower, designed by Foster + Partners, has become China's first high-rise office building to achieve “Net Zero Carbon Outstanding” certification. The project received this recognition by passing the “Net Zero Carbon Building Evaluation System,” which was developed by the British Research Establishment (BRE) and TÜV Rheinland Greater China, based on BREEAM standards.
In London, where I live, there are 23 universities. Those universities make up an institutional population of nearly half a million people. In a city with almost 10 million residents, 5% may seem a small number, but it’s a significant one, roughly the population of Atlanta. Shrink the city, and the proportion can increase dramatically. In our neighbouring cities of Oxford (population 150,000), 40% of the population is institutional; in Cambridge (population 125,000), it’s 33%. Campus and city are so intertwined in those places that a plan for one is almost necessarily a plan for the other.
Although the sensory approach in the built environment is often based primarily on visual aspects, such as color and light, as we delve deeper into the relationship of architecture with the senses other essential elements emerge, such as aromas, textures, sounds, and even flavors. These components are fundamental to creating a profound experience between the user and the environment in which it takes place, demonstrating that design and sensory experience are intrinsically connected.
Thus, sensory design offers an immersive atmosphere for a full spectrum of senses where its perception extends beyond physical boundaries. An example of this is the Vertical Panorama Pavilion, located in a region of California (USA) with a strong identity linked to the wine tradition. This structure, with a glass canopy of Color PVB interlayers, serves as a shelter for hospitality. Inspired by nature, the pavilion’s canopy engages all the senses: from the texture of the gravel on the walking path to the wind currents in the area and the characteristic aromas of the region.
https://www.archdaily.com/1017382/a-multicolored-glass-canopy-for-senses-shelter-and-hospitality-the-vertical-panorama-pavilionEnrique Tovar
Although an architectural project comes to life with palpable materials, it is also defined by intangible qualities that give it richness, dynamism, and liveliness. Among them, the interplay of light and shadow can transform environments and affect their perception, determining the user's spatial experience. Besides providing natural ventilation, privacy, and thermal comfort, lattices allow this duality by filtering the entry of sunlight while projecting repetitive figures on the surface. In this way, perforated walls and ceilings can create multiple geometric patterns of light and shadow that become design elements capable of generating unique atmospheres.
Within this scope, much is said about the different vernacular techniques employed in architecture, whether it is the production of adobe bricks, thatched roofs, woven bamboo walls, among many others. However, while vernacular technique focuses on specific actions or skills, its meaning differs from vernacular technologies.
Heatherwick Studio has unveiled the design of a new large-scale glass canopy to become one of the main attractions of Olympia, an ambitious regeneration project aimed at transforming the 138-year-old exhibition halls in London into a global culture and entertainment destination. Originally designed by Sir Henry Edward Coe, Olympia is set to offer visitors a wide range of venues and activities, including two hotels, over 30 restaurants, bars and eateries, a 4,400-capacity live music hall, a theater, and spaces for the Wetherby Performing Arts School, in addition to over 2.5 acres of accessible public spaces. The revival project is co-designed by Heatherwick Studio and SPPARC.
via Flickr user jeanbaptisteparis licensed under CC BY-SA 2.0 | Fumihiko Maki at MIT Media Lab, 2010.
Esteemed Japanese architect and Pritzker Prize laureateFumihiko Maki passed away at his Tokyo home last Thursday at the age of 95. Celebrated for his modernist approach, Maki was responsible for significant works, including the 4 World Trade Center, a skyscraper at the site of the former World Trade Center in New York. Maki was recognized in the architecture industry various times, including receiving the Pritzker Prize and becoming the 67th AIA Gold Medalist. His influence in inventing a unique modernist style of Japanese origin cannot be underscored.
Beyond serving as mere backdrops for fashion shows, architecture often influences fashion collections, contributing spatially to their storytelling, offering material inspiration, and showcasing the connection between structure and shape. As both disciplines revolve around form, structure, and the human experience, architecture, and fashion share a strong connection, one often explored by creators in both fields. From meticulous tailoring and structural designs that mimic architectural lines, contours, and volumes, to architecture taking cues from how fashion works with the human shape, this interplay can create multidimensional experiences for the enthusiasts of both high fashion and architecture.
This is your final call to showcase your talents in the Enscape 4 All Real-Time Rendering Awards! students and professionals are invited to submit their work for free until June 15th. Don't miss this opportunity to gain recognition and celebrate your creative achievements. Submit your entries today and join a global community of innovative minds pushing the boundaries of real-time rendering.
British-Nigerian multi-disciplinary artist and designer Yinka Ilori MBE has designed a pavilion as part of Haus der Kulturen der Welt’s (HKW) festival in Berlin. The festival, titled Ballet of the Masses - On Football and Catharsis, initiated an annual pavilion in 2023, and this year’s pavilion dresses intricate questions of coexistence through its materiality and form. Part of the Shaped to the Measure of the People’s Songs architectural series, Yinka Illori’s pavilion crafts a spatial proposition that explores complex themes of racism in sports and personal accountability.
Metropolitan cityscapes come with the appeal of sophistication, luxury, and exclusivity. Their glittering skylines and vibrant energy attract thousands of tourists and residents seeking luxurious experiences every year. Catering to this market, several renowned brands and real estate firms have teamed up to offer "branded residences" – a modern typology that elevates hotel-like living into a daily delight.
The concept of branded residences can be traced back nearly a century to 1927 when New York City's Sherry-Netherland Hotel and Apartments joined forces with the famous Sherry's restaurant. Over the past decade, the trend has witnessed a 230% growth with over 580 developments from 133 brands equating to nearly 100,000 residential units established worldwide. The drive for this demand goes beyond aesthetics and architectural grandeur. World-class services and amenities such as spas, fitness centers, private cinemas, and concierge services offered by luxury housing developments build on a sense of indulgence.
Gazeley Regional Distribution Centre. Image Courtesy of Kingspan
Insulation plays an essential role in today’s buildings—whether it is to provide thermal efficiency to reduce energy demand and cut carbon emissions, or to reduce noise transmission to provide acoustic comfort. Every building has different requirements for the type of insulation needed in floors, roofs, ceilings and walls, and to meet these varying demands Kingspan has developed a range of holistic insulation solutions fit for the future of the built environment.
From lower embodied carbon products to bio-based materials, reducing environmental impact is an area of increasing importance. Meanwhile, the pressing need to upgrade the thermal efficiency of existing buildings often demands insulation technologies that can work with existing structures without requiring excessive thickness. For cladding systems, reaction to fire can be every bit as important as thermal conductivity, and for acoustic panels that form part of the internal décor, aesthetics is as crucial as sound absorption.
Stefano Boeri Architetti has been declared the winner of the international competition for the redevelopment of a former industrial site in downtown Bratislava. The project includes the transformation of one of the largest abandoned areas in the Slovak capital, with the aim of creating an active new central hub for the city, complete with parks and public spaces, residential units, and a variety of amenities. Stefano Boeri Architetti’s master plan proposal, titled “Urban Oasis,” has been appreciated by the jury for integrating familiar typologies, creating a “European matrix” of medium-density developments organized around accessible public spaces.
Today, the first cornerstone has been laid at Zaha Hadid Architects' new terminal, marking the start of construction works for the Ülemiste Passenger Terminal in Tallinn, Estonia. Zaha Hadid Architects won the competition in 2019 to design this transport hub, serving as a multi-modal transport hub for city commuters, international rail passengers, and air travelers using the adjacent Tallinn Airport. Set to open in 2028, the hub has been designed to unite various districts of the city, currently divided by railway tracks, and will act as a connecting bridge for the city.
Do Lab Stage at Coachella Valley Music and Arts Festival / Do Lab. Image Courtesy of Do Lab
Music consumption has historically been closely connected to the environments in which it is enjoyed. Before the advent of music recordings, listening to music was a social activity tied to collective rituals in physical spaces, such as concerts or smaller communal gatherings. With the development of music records and now with the current availability of virtually any kind of music at our fingertips, experiencing music has become a more solitary and routine endeavor. However, returning to the roots of communal musical experiences may unlock numerous benefits much needed in our isolating digital age. These collective musical events have the potential to significantly enhance a community's social cohesion and improve their mental health through memorable shared experiences.
The physical aspect of these is not to be underestimated. It's where innovative design and architecture step in, transforming mere spaces into catalysts for curiosity, transcendence, and collective joy. By harnessing emerging technology and fostering interdisciplinary collaboration, designers and architects can create environments that elevate concerts and music rituals into transformative and grounding moments.
In the early 2000s, an abandoned rail line in Manhattan sat decaying - a memory from a time when freight trains traveled straight through the city. To most citizens, it was a site destined for demolition. However, a few visionary residents saw an opportunity in this neglected space and advocated to transform it into a public green space for the community. The success of the project seemed to spark a "High Line Effect", inspiring other American cities to pursue civic infrastructure on outdated railways, roadways, and industrial sites.
