Swimmable Cities is an alliance of 153 signatory organizations across 59 cities in 22 countries, supporting the global movement for swimmable urban waterways. In the context of increasing urbanization, climate change, and biodiversity loss, the initiative aims to reclaim rivers and harbors as public spaces for communities to enjoy and benefit from bathing. It advocates for urban waterways to be made safe, healthy, and accessible for both swimmers and wildlife, calling for cross-border collaboration to develop improvement strategies and collect data to evaluate "swimmability." This call becomes especially relevant amid rising global temperatures and growing inequalities in access to public infrastructure in major cities. The movement's 10-point charter begins with the affirmation of "the right to swim," celebrating urban swimming culture and recognizing the historical significance of water.
One notable example is Tai Hang, among the earlier settlements established by the Hakka people in Hong Kong. Originally located along a water channel that flowed from the nearby mountains to the sea, the area was once a vital washing site for villagers—hence its name, which literally means "Big Drainage." Before extensive land reclamation, Tai Hang sat quite close to the shoreline. Today, it lies nearly 700 meters inland.
Scandinavian design has long been admired for its minimalist aesthetic and functionality, which places value in the simple things, deeply rooted in the concept of Hygge. This reverence goes beyond interior design and extends also to the natural world, resulting in high-quality architecture and landscape installation design that enhances human connection to untouched environments. Rather than imposing grand structures upon the environment, the Scandinavian approach is one of subtle and precise intervention. These projects are not meant to dominate but to enter into a dialogue with the existing landscape, using thoughtful design to potentiate its inherent shape, color, and texture. The goal is to complement and enhance, creating spaces that serve a functional purpose while simultaneously deepening the visitor's connection to their surroundings.
Christele Harrouk's path into architecture was shaped by the complex and ever-changing environment of her Lebanese upbringing—a place marked by contradictions, transformation, and resilience. Although her entry into architecture wasn't planned, the discipline quickly became a profound lens through which she understands the world and its complexities. Combining her passion for writing with her architectural and urban design expertise, Christele discovered a unique voice at the intersection of these fields, embracing editorial work as a powerful platform to influence discourse and amplify diverse narratives.
As Editor-in-Chief of ArchDaily, Christele is deeply committed to shaping architectural discourse through thoughtful curation. She looks for projects and stories that engage profoundly with context, culture, and social realities—seeking those that do more than present architecture as mere form or function. For her, the value lies in content that challenges prevailing narratives, amplifies marginalized voices, and fosters critical conversations across global communities.
Seeking to create a fluid dialogue between architecture and its surrounding landscape, the study of topography embodies an awareness and exploration of the use of materials, self-sufficient strategies, low-maintenance solutions, and landscape designs that integrate into the natural environment and minimize the environmental impact of projects. Beyond recording variations in elevation, sun orientation, prevailing winds, or drainage slopes of the terrain, several architects in Argentina demonstrate a strong interest in developing architectural solutions capable of adapting to natural geographies and restoring the bond between nature and the human being.
Located on a farm in southern India, the Rice Museum occupies the upper floor of Syed Ghani's home, nestled in the verdant agricultural landscape of Mandya — a region shaped by brick structures, expansive greenery, and ancestral farming knowledge. Syed Ghani, a farmer, historian, and museologist, has dedicated himself to preserving indigenous rice varieties through seed conservation, proliferation, and educational initiatives. With the support of local farmers, he has helped recover more than 1,000 native paddy (rice) varieties, safeguarding an essential part of India's agricultural heritage.
Every year, World Population Day is observed on July 11th, aiming to increase people's awareness of various population issues, such as the importance of urbanization, genderequality, poverty, health, and human rights. In 2025, under the theme "Empowering Youth to Build the Families They Want," the United Nations draws attention to the largest generation of young people in history, many of whom are coming of age in rapidly urbanizing contexts. Urban centers remain key to understanding these demographic patterns, as cities continue to attract populations seeking opportunity, stability, and access to essential services. Today, more than half of the global population resides in urban areas, a share projected to increase to 66% by 2050.
The Royal Institute of British Architects (RIBA) has announced the 20 winners of the 2025 RIBA National Awards, recognising the most significant contributions to architecture across the UK. Presented annually since 1966, the awards celebrate design excellence and provide a valuable snapshot of evolving architectural, cultural, and social trends. This year's winning projects span the length and breadth of the country, from the Isle of Wight to Scotland and Northern Ireland, and represent a wide range of typologies and scales, from major institutional buildings to small-scale residential and community-focused interventions.
As cities worldwide navigate evolving social, environmental, and cultural priorities, recent project announcements showcase how architecture is increasingly conceived as both civic infrastructure and a catalyst for collective identity. From Populous' new stadium design in Thessaloniki that blurs the lines between sport and urban life, to HENN's transparent cultural stage in Augsburg that invites community participation, these projects illustrate architecture's expanding role beyond its immediate function. In Luxembourg, Schmidt Hammer Lassen's work for the European Investment Bank reimagines institutional spaces through sustainability and heritage, while SLA and GHD's new island community in Toronto pushes forward nature-based, climate-adaptive urbanism. This edition ofArchitecture Now brings together diverse yet interconnected efforts to shape how architecture can support long-term ecological, cultural, and civic impact.
NDSM Lusthof / Studio Ossidiana. Image Courtesy of Studio Ossidiana, Riccardo de Vecchi
As climate instability reshapes design priorities, architecture is increasingly drawn into ecological debates not as a spectator but as a participant. Among the concepts gaining traction is rewilding, a practice rooted in the restoration of self-sustaining ecosystems through the reintroduction of biodiversity, the removal of barriers, and the rebalancing of human presence in the landscape. Though often associated with conservation biology, rewilding also opens up new spatial and architectural imaginaries — ones that challenge conventional notions of permanence, authorship, and use.
OMA has completed the JOMOO Headquarters in Xiamen, marking the first office campus for China's largest sanitaryware company. Situated at the edge of the city's central business district, the building reflects JOMOO's ongoing transformation into a global brand. The project was led by OMA Partner Chris van Duijn, alongside project architects Lingxiao Zhang and Chen Lu. According to Chris van Duijn, the headquarters is part of a broader trajectory in OMA's work across rapidly developing Chinesecities such as Hangzhou, Xiamen, and Shenzhen, where the office continues to explore new relationships between tower architecture and its urban context.
Studio Gang is an architecture and urban design practice founded in 1997 by Jeanne Gang and based in Chicago, with additional offices in New York, San Francisco, and Paris. Comprised of over 100 professionals, including architects, designers, and planners, the studio is known for its research-driven approach to design. On Friday, July 11, the Aedes Architecture Forum in Berlin will inaugurate an exhibition on Studio Gang's work, organized in collaboration with AW Architektur & Wohnen magazine. Titled Studio Gang: The Art of Architectural Grafting, the exhibition explores the studio's design methodology through six recent projects.
Destinations like ecological reserves, national parks, and historic sites rank among the most visited places worldwide. Motivated by different desires — from aesthetic appreciation to a longing for connection with nature — visitors are drawn to locations marked by historical importance, scenic beauty, or architectural significance. In this context, it becomes essential for the institutions responsible for preserving and managing these sites to adopt thoughtful mediation strategies — both in terms of communication and spatial design. One such strategy is the creation of visitor centers: architectural structures that not only receive guests but also educate and guide them. These buildings act as interfaces between the site and its audience, translating the ecological, historical, and cultural values of the place into architectural form.
Enel, a global leader in renewable energy, launched "WinDesign", an international contest where talented professionals and students, in the domain of engineering, architecture and design, are invited to imagine and design new wind turbines. The goal is to develop turbines projects that blend more seamlessly into the landscapes that host them, thereby supporting a wider role for them in the energy transition.
Henning Larsen, in collaboration with Kampala-based Siimi Design Studio, has revealed the design for a new modular campus for El Cambio Academy, a youth football and education institution located in Masaka, Uganda. The project is being developed using rammed earth construction, with bricks produced on site from locally excavated soil. Currently under construction, the first phase includes a boys' dormitory and is expected to be completed by summer 2025. The 1,280-square-meter campus is designed to accommodate 60 children between the ages of 9 and 16, providing facilities for both academic education and athletic training.
Jonas Salk Institute for Biological Sciences (1959-65). Image Courtesy of Form Portfolios
In the history of modern architecture, Louis I. Kahn is regarded as the undisputed master of monumentality in the United States. At the height of his career, Kahn managed to create a unique type of architecture, often awe-inspiring, but avoiding overdone grandiosity, expressing its constructive system, yet avoiding structural exhibitionism, steeped in history but developed with a new language and system of forms. His interest in light as a functional element and the specific qualities of materials extended beyond his buildings, in all the objects he created to populate them following their intrinsic spirit. To celebrate this legacy, Form Portfolios has now launched "Monumental Modernism," the first collection of lighting, objects, and furniture modeled after those discovered in Louis I. Kahn's buildings.
Neither a passing trend nor a permanent threat: the initial alarm is fading. Artificial intelligence is increasingly being adopted as a strategic tool which, when integrated responsibly, can be highly valuable—especially in participatory urban design processes focused on children and youth.
To explore this intersection of technology, cities, and new generations, we spoke with Dolores Victoria Ruiz Garrido, architect and founder of Little Architects, a program she created over a decade ago at the Architectural Association (AA) in London. With more than 15 years of experience in participatory urbanism, she emphasizes that AI can be a powerful tool when used ethically and purposefully—particularly to enrich education and community-focused design processes. But she warns: "The city cannot be understood from the screen—it must be grasped through the body, the walk, and wonder. Before generating stunning or visually beautiful images to transform the city, we must teach how to read it: to observe, understand, and emotionally connect with it."
The trajectory of glass in architecture reflects the technological evolution of humankind. For centuries, it was a fragile, opaque material, restricted to small openings in churches or aristocratic residences, limited in size, with uneven transparency and a largely secondary role. With the Industrial Revolution and advances in manufacturing processes, this condition changed dramatically. From artisanal and imperfect stained glass, we now have a wide range of architectural applications, from fully glazed skyscraper facades to translucent pedestrian bridges, lightweight roofs, smart partitions, and movable elements. One of the most surprising uses, once thought to be impractical, is the direct interaction of glass with large volumes of water. Today, we see pools with transparent walls or floors that project out from buildings, float above streets, or visually merge with their surroundings, creating striking sensory experiences. A remarkable feat, especially considering that for a long time, glass was considered too fragile for submerged environments.
The Polish Pavilion at the 2025 Venice Architecture Biennale presents Lares and Penates: On Building a Sense of Security in Architecture, an exhibition that explores how architecture continues to function as a form of protection in an age marked by uncertainty. Framed as an anthropological investigation, the project examines the emotional and rational dimensions of building practices. The exhibition is developed by a multidisciplinary team including curator and art historian Aleksandra Kędziorek, architect Maciej Siuda, and artists Krzysztof Maniak and Katarzyna Przezwańska. Rather than focusing on architecture from the designer's perspective, the team investigates how individuals inhabit space and construct a sense of safety, responding to deep-seated fears, desires, and needs.
In early 2025, photographer Paul Clemence documented Kö-Bogen II, a commercial and office complex designed by ingenhoven architects in Düsseldorf, Germany. The photo series focuses on the building's signature feature: its vast green façade, considered one of the largest in Europe. Referred to as a "green heart" and an "urban mountain," the building has become a landmark in the city due to its sloping surfaces wrapped in over 30,000 hornbeam plants. For Clemence, this was an unforeseen encounter during his first visit to Düsseldorf, which he describes as an unexpected meeting with a "stunning green pyramid."
The colorful houses of Aswan in the south of modern-day Egypt attract tourists who venture that far up the River Nile. Accessed by small river boats, islands like Suheil West are the homes of Nubian communities, some of whom had had to relocate after the building of the Aswan High Dam in the 1960s. Behind the picturesque views of plastered walls covered in murals and motifs, perched on rocky hills overlooking the Nile, is a construction technique used locally for centuries. It uses locally sourced materials, conserves nature, and regulates internal temperatures against the heat in the day and the cold at night.
Buildings are physical, static, and permanent. To imagine them otherwise often requires some creative thinking. The industry has operated with this strong association between structures and permanence, unknowingly constraining perspectives on building life cycles. Innovations in building materials have opened up avenues for cirular design that challenge the long-held notion that buildings must endure indefinitely. Emerging approaches promote architecture that ebbs and flows with nature.
The World Architecture Festival (WAF) has announced the shortlist for its 2025 edition, highlighting notable examples of completed buildings, future projects, interiors, and urban landscaping from around the world. The announcement comes ahead of WAF's first event in the United States, which will take place at the Miami Beach Convention Center from November 12 to 14, 2025. Finalists will present their projects within their categories during the first two days of the festival. Selected from more than 780 entries, this year's shortlist features over 460 projects that span a broad range of categories, including Creative Re-Use, Housing, Education, Hotel, Sports, and Culture.
