
The exhibition Wellbeing in the City, at the Casa de la Arquitectura and curated by Izaskun Chinchilla, is conceived as a critical device that reconsiders the foundations upon which urban wellbeing has historically been constructed. Rather than defining wellbeing as a set of indicators (life expectancy, obesity or diabetes rates) or the provision of services, the exhibition approaches it as a relational condition, dependent on the quality of interactions between bodies, communities, and environments. At the core of its conceptual framework lies the Quechua term Sumak Kawsay — Buen Vivir or Good Living — which integrates material, biological, social, and ecological dimensions within a single plane.













