Architect, researcher, and editor based in Istanbul with a master’s degree in Alternative Architectural Practices. Pursuing a second bachelor’s degree in Sociology to further explore the evolving relationship between cities and their inhabitants.
Left to right, top to bottom: AAU Anastas, heneghan peng architects, Níall McLaughlin Architects, Studio Anne Holtrop, Tatiana Bilbao ESTUDIO, Toshiko Mori Architect, Trahan Architects. Image Courtesy of The teams and Malcolm Reading Consultants
This week's architectural developments highlighted how design operates as a form of social and culturalinfrastructure, linking care, community, and context across scales. From London's reinterpretation of the almshouse model to the transformation of urban gateways in Phnom Penh and Tirana, architecture reflected a shared interest in spaces that foster connection and adaptability. Parallel to these urban and infrastructural works, new cultural projects in Paris and Hanoi explored how museums and performance spaces can renew public institutions through material experimentation and spatial flexibility.
The Busan Slope Housing project by OMA addresses urban redevelopment on the steep hillsides of Busan, South Korea, drawing on the city's topographical complexity and historical settlement patterns. Developed in collaboration with the BusanArchitecture Festival and the Department of Housing and Architecture, the project explores strategies to rethink hillside neighborhoods while responding to both contemporaryhousing needs and the social and spatial legacies of these areas. Rather than replacing these areas with conventional high-rise estates, OMA envisions a flexible, context-responsive framework that integrates contemporaryhousing typologies with the site's inherited structure.
Foster + Partners has completed the Techo International Airport in Phnom Penh, Cambodia, marking a new chapter in the nation's vision for sustainable growth and improved regional connectivity. Situated 20 kilometers south of the city center, the airport's terminal building spans 235,500 square meters and forms the centerpiece of a 24-square-kilometer master plan. Drawing inspiration from Cambodia's vernacular architecture and tropical landscape, the design integrates cultural references and environmental responsiveness to create a contemporary yet contextually rooted gateway for internationaltravel. The first phase, including the head house and northern pier, opened to the public in 2025, while the southern pier is scheduled for completion by 2030.
In addition to photographing the studios, Goodwin asked each practice the same question: "What makes for a good office space and office culture for you?" Their responses accompany the images, offering insight into how architects define the atmosphere of their workplaces. Studio Okami describes its workplace as a "home office away from home," while Brut highlights the role of shared meals and greenery in softening their penthouse space.
Cobe has revealed the design for Museum Wegner in Tønder, Denmark, a new cultural institution dedicated to the life and work of renowned Danish designer Hans J. Wegner. The museum will be located at Hestholm, a historicfarm dating back to 1445, and will combine the adaptive reuse of existing structures with a contemporaryextension. Selected as the project architect in February 2024 following a competitive interview process, Cobe is now moving the design toward realization with strong local and national support.
Bahrain's architectural participations in the international exhibitions have gained increasing global recognition, marked most recently by major awards at Expo 2025 Osaka and the Venice Architecture Biennale. These milestones reflect a broader trajectory in which the country's design culture, rooted in climatic intelligence and cultural continuity, has become a prominent voice in international conversations on context-driven architecture.
This growing visibility builds upon a deep architectural lineage. Bahrain's identity has long been shaped by its position as a maritime crossroads of the Arabian Gulf, where the legacy of pearling settlements and the compact urban fabric of Muharraq and Manama reveal a dialogue between local traditions and global exchange. Today, that dialogue evolves through practices that merge preservation with experimentation, translating heritage into a contemporary architectural language that is both place-specific and forward-looking.
Dutch artist Madelon Vriesendorp has been named the recipient of the 2025 Soane Medal, becoming the first UK-based female artist to receive the award since its launch in 2017. A co-founder of Office for Metropolitan Architecture (OMA), Vriesendorp is widely recognized for her surrealist and humorous visual language that has shaped how modern and postmodernarchitecture is represented and understood. Her work, which blends playfulness with critical thought, has provided architecture with vivid, memorable imagery that continues to influence generations of architects.
Gothenburg's New Arena Quarter. Image Courtesy of White Arkitekter
This week, architectural conversations were shaped by themes of resilience, equity, and cultural relevance, brought into focus by World Architecture Day. Across global contexts, the discipline continues to expand its understanding of strength, not only as structural endurance but as a framework for inclusive, adaptable, and environmentally conscious design. From strategies for gender-equitable public space to new commissions grounded in memory and reconciliation, recent developments reflect how architecture is increasingly positioned as a tool for social engagement and long-term stewardship in the face of ongoing global challenges.
Uzbekistan's architectural and artistic heritage reflects a layered history shaped by centuries of cultural exchange along the Silk Road. From the monumental ensembles of Samarkand and Bukhara to the scientific and educational institutions of the Timurid era, architecture has long been a vessel of identity and knowledge across the region. In the twentieth century, Tashkent emerged as a new urban laboratory, where modernist ideals met local craft traditions and environmental pragmatism. The city's reconstruction following the 1966 earthquake became a defining moment, fusing Soviet urbanism with regional aesthetics to produce a distinctly Central Asian expression of modernity, one that translated cultural continuity into concrete, glass, and light.
