ESPARTAL Pavilion / ELE Arkitektura, GA Estudio, Florencia Galecio, and Juan Gubbins. Image Courtesy of TAC! Festival de Arquitectura Urbana
The TAC! Urban Architecture Festival is held annually in Spain with the aim of bringing contemporary architecture closer to the public through installations in various cities, including Granada, San Sebastián, Valencia, Vigo, and San Fernando. Organized by the Ministry of Housing and Urban Agenda in collaboration with Fundación Arquia, the festival seeks to promote experimentation in architecture by constructing temporary pavilions for cultural events and gatherings. The 2025 edition of the festival will take place in two locations: Casa Mediterráneo in Alicante and Plaza Stagno in Las Palmas de Gran Canaria. The pavilions are selected each year through an open call for young architects up to 45 years old. This year's winners have already been announced: the ESPARTAL project by ELE Arkitektura, GA Estudio, Florencia Galecio, and Juan Gubbins; and DE ROCA MADRE by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García, and Andrea Molina Cuadro.
Inside Out, Downside Up Pavilion / Slaatto Morsbøl. Image Courtesy of Copenhagen Architecture Forum Copenhagen Architecture Forum (CAFx)
The first edition of the Copenhagen Architecture Biennial will take place from 18 September to 19 October 2025. Organized by CAFx (Copenhagen Architecture Forum), the event marks a transition from the previous annual Copenhagen Architecture Festival to a more expansive platform for architectural exploration. The theme of the inaugural edition, "Slow Down," invites participants to reflect on how the rapid pace of modern life affects the built environment. According to the organizers, this thematic shift encourages the envisioning of spaces that promote sustainability, longevity, and mindful engagement with our surroundings. In line with this vision, the organization launched an open call earlier this year for pavilion proposals that embody principles of circular design while serving as hubs for public programming during the event. Two winning proposals, modular structures by Slaatto Morsbøl and Tom Svilans x THISS Studio, were selected, each offering an approach to architectural deceleration.
The exhibition "Nosso Barco Tambor Terra" by Brazilian artist Ernesto Neto, held at the recently renovated Grand Palais in Paris from June 6 to July 25, 2025, is a large-scale, immersive installation that invites visitors to reconnect with nature and community through sensory experience. Drawing inspiration from Brazilian and Indigenous cultures, Neto uses textiles, scents, and organic materials to create a space for reflection and interaction. The textile installation was recently captured by photographer Paul Clemence, who sought to portray its architectural qualities.
The residential project Villa San Luis, originally named Villa Compañero Ministro Carlos Cortés, was built between 1971 and 1972 on land that today lies in one of the highest-income areas of Santiago, Chile. Initially designed as an urban center for 60,000 middle-income residents, with staggered buildings and a civic center covering 3.4 of its 50 hectares, the project was redefined in the 1970s to accommodate the unhoused population in the eastern sector of the Chilean capital. The process was not without conflict. During the dictatorship, the new residents of the complex were evicted, and the land was acquired by the military. From then on, the complex entered a process of reappropriation and resignification that now appears to be reaching a new milestone: the conversion of one of its buildings into a memorial site and museum, through a project by UMWELT and Plan Común.
"Out of the Box" tower exterior render. Image Courtesy of MVRDV
MVRDV has released images of "Out of the Box", a 12,025 sqm residential tower in Tianmu, one of Taipei's northernmost neighborhoods. Designed for Win Sing Development Company, the project began in 2019 and was developed using a system of standardized elements digitally distributed based on criteria such as habitability, efficiency, and access to community services. These elements are expressed in the tower's irregular, gridded façade, which features a layered marble cladding.
The installation and exhibition representing Estonia at the 19th International Architecture Exhibition of La Biennale di Venezia is curated by architects Keiti Lige, Elina Liiva, and Helena Männa. Titled Let Me Warm You, the national exhibition explores different dimensions of sustainability by questioning whether insulation-driven renovations in Estonia are simply compliance measures to meet European energy targets or whether they can also serve as opportunities to enhance the spatial and social quality of mass housing districts. To make this point, the Estonian installation covers the façade of a Venetian building with insulation panels, replicating how they are commonly installed in Estonia for mass housing renovations.
The proposed mixed-use tower at 175 Third Street is the fifth building planned across four sites within the Gowanus Wharf development in Brooklyn, New York. With views toward Manhattan and the Statue of Liberty, the 1,080,000 sq ft proposal includes affordable housing, retail and artist spaces, fitness areas, social and entertainment spaces, culminating in a rooftop with lounging zones and an outdoor pool. The project also envisions a 28,000-sq-ft public waterfront esplanade designed by Field Operations, intended to contribute to the ecological rehabilitation of the Gowanus Canal, continuing the broader transformation of this industrial neighborhood. Other project collaborators include dencityworks | architecture, AKRF, bucharest.studio, DeSimone, Ettinger Engineering Associates, Fried Frank, Hatfield Group, Impact Environmental, and Jenkins and Huntington.
Campus sidewalk. Render. Image Courtesy of stantec
Stantec, an architecture, engineering, and environmental consulting firm, has been selected as the winner of an international competition organized by the State Tax University (STU) to redesign its Main Campus building. The building was partially destroyed in 2022 during the early stages of the war. The international call for redesign proposals was launched in November 2024, free of charge and "open to all design bureaus, architectural firms, and individual architects from every corner of the globe." The goal of the competition was to develop a 21st-century educational building described as a "progressive and comfortable place for learning, research, and student leisure based on innovative educational standards," as stated in the competition announcement.
Founded in 2022 by art advisor Filipe Assis, ABERTO is an exhibition platform celebrating the convergence of art, design, and architecture in Brazil and beyond. Staging exhibitions in private and public modernist spaces, its past editions have highlighted the global connections forged by Brazilians from the 20th century onwards. Following three exhibitions in São Paulo, "ABERTO 4 – Brazil After Le Corbusier" marks its first international edition, taking place at Le Corbusier's Maison La Roche in Paris, from 14 May to 8 June 2025. The exhibition presents around 35 design and art pieces by Brazilian artists, spotlighting Le Corbusier's seminal connection to Brazilian modernist architecture and exploring his influence on contemporary Brazilian creatives. Previous editions of ABERTO have featured over 100 artists from Brazil and abroad in houses designed by Oscar Niemeyer (2022), Vilanova Artigas (2023), and Ruy Ohtake and Chu Ming Silveira (2024).
Søren Pihlmann is the curator of the Danish Pavilion at the 2025 Venice Architecture Biennale. The exhibition, commissioned by the Danish Architecture Center, is titled Build of Site, and focuses on exploring sustainable architectural practices through the lens of reuse and resourcefulness. Pihlmann's proposal transforms the existing Danish Pavilion, located within a historic building complex in the Biennale's Giardini, into an active exhibition space for material experimentation. The installation highlights techniques that incorporate recycled and bio-based elements. The Pavilion offers visitors the opportunity to observe ongoing experimental processes, witnessing how building resources are creatively reimagined for new uses. In this on-site interview, ArchDaily editors spoke with the curator about the ideas behind the project and the challenges its execution represents.
The Serbian Pavilion at the 19th Venice Architecture Biennale consists of an immersive installation made of wool. The exhibition, titled Unraveling: New Spaces, was curated by architect Slobodan Jović and designed by an interdisciplinary team composed of Davor Ereš, Jelena Mitrović, Igor Pantić, Sonja Krstić, Ivana Najdanović, and Petar Laušević. The interior space of the Pavilion, located in the Biennale's Giardini, is occupied by an ephemeral installation that follows the principles of circular design, effectively producing no waste. The installation consists of a broad woven wool fabric that gradually unknits according to a guided choreography of algorithmic precision, completely disassembling by the end of the Biennale's exhibition.
Scaenae view render. Image Courtesy of David Chipperfield Architects
The preliminary design for the architectural restoration and functional redevelopment of the Roman Theatre was presented on Tuesday, April 8, 2025, at the Auditorium of the Santa Giulia Museum in Brescia. The project was developed by the Milan office of David Chipperfield Architects, commissioned by the Fondazione Brescia Musei in collaboration with the Municipality of Brescia and the Brescia Chamber of Commerce, Industry, Handicraft, and Agriculture. Chipperfield was tasked with identifying the essential architectural elements to guide future design phases, leading to the drafting of the Technical-Economic Feasibility Project (PFTE) and the final project, including the necessary authorizations. This initiative is financially supported by the Italian Chamber of Commerce under a 2019 ministerial decree prioritizing cultural heritage, especially where it enhances tourism.
Architecture firm Populous was chosen to design a new multi-use, climate-neutral event arena in Munich, Germany. The structure aims to create a "compact, efficient, and visually stunning" venue that will be instantly recognizable and reflective of the character and culture of the Bavarian metropolitan area, serving as a new landmark. The 20,000 capacity venue draws upon Bavarian heritage through a support structure that pays homage to the lozenge shape used in the Bavarian state flag. Populous developed the design with general planners HENN from Munich and landscape architects Latz+Partner from Freising.
2025 Creatives For Our Future - AllSpace Modular Home. Image Courtesy of Swarovski Foundation
Nigerian-born architect Blossom Eromosele has developed AllSpace, a modular housing design inspired by traditional African architecture. The design was created as part of the Swarovski Foundation's fourth edition of the Creatives for Our Future global mentorship and grant program, developed in collaboration with the United Nations Office for Partnerships. Among the six selected projects, AllSpace seeks to respond to the current Nigerian refugee crisis with a low-cost, solar-powered housing solution for camps.
The existing podium, located outside the Secretariat Building in Freetown, commemorates soldiers of the First World War and later incorporated servicemen from the Second World War by removing a small mention of the men of the Carrier Corps, a removal this project seeks to address. Studio founder Tosin Oshinowo is the first woman and the first West African architect to design a memorial for the CWGC.