Like the armadillo from which the studio takes its name, Tatú Arquitectura is based in the southern reaches of Latin America. From there, the Montevideo-based group quickly launched its practice, receiving an award in the competition organized by the Universidad de la República for the RIFA 2014 house. Their work has expanded through a steady, persistent presence in architectural competitions and their first private commissions. The studio's exploration presents itself as an unyielding dialogue with the landscape, regardless of the scale of the commission.

ArchDaily presents the following interview, where the young Uruguayan firm shares details about their projects, motivations, challenges, and ways of working.

The 12th Ibero-American Biennial of Architecture and Urbanism (BIAU) announced today on its website the winners of its four categories: Works, Actions on the Margin, Publications, and Academic Programs.

A total of 9 works and 20 projects were named winners in this edition of the BIAU, an event organized by the Government of Spain through the Ministry of Transport, Mobility, and Urban Agenda (MITMA) via the General Directorate of Urban Agenda and Architecture. The biennial will take place within the framework of the MEXTRÓPOLI Architecture and City Festival in Mexico City from September 21 to 25.

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As another year comes to a close, the ArchDaily team looks back at the year's architectural highlights, compiling a selection of projects to review the content featured in 2022. As part of this retrospective, our curation team presents one of our readers' favorite categories—residential architecture—bringing together the projects that represent the very best of a vast year of architectural production, as chosen by our audience.

At a time marked by anticipation for the future of architecture, yet also by reflection on what has been accomplished over the past year, we present the 50 most-visited houses on ArchDaily in Spanish in 2022. In doing so, we continue our ongoing mission to provide tools, inspiration, and knowledge to everyone working toward a better built environment.

Graphics, even before language and writing, were the first means of communication and significance for humanity. Drawing is the act of replacing reality with representation, that is, replacing objects with images encoded in each of the graphic representation systems.

In architecture, graphics stimulate the imagination and are the basis of project thinking since they do not only constitute our code of communication but configure our ability to express ourselves in disciplinary terms. In fact, at first, the drawing is constructed in the mind of the architect, before it looks for support from any type of instrument.

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The technical needs of the construction of bridges many times guide the development of the design itself. However, architecture is never put aside, rather the opposite. The aesthetics of bridges that we collect in this article are the result of an intense, demanding, and stimulating dialogue between architecture and engineering, where the search for solutions only ends when both disciplines are fully satisfied.

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