Taking place September 30-March 3 at the Arp Museum Bahnhof Rolandseck in Remagen, Germany, the ‘Richard Meier. Building as Art‘ exhibition illustrates Richard Meier’s complex design process using prominent buildings and projects from his entire work history. The main focus will be on his museum buildings, as well as on the residential projects created at the start of his career in the USA. The works on display included in the exhibition explore the concept of an architecturally composed space on the basis of five aspects: site, proportion, light, route and color. The exhibition includes a selection of models, original sketches, renderings and photographs. More information after the break.
Open to all young creative minds from all parts of the world from the ages of 18-33, the Fenn Young Designers Award competition is seeking creative, innovative proposals that explore the interpretation of Organic” using the following mediums: Architecture, Interior design, Product design, Fashion design, Photography, and Painting. How do you interpret “Organic” if you are designing a building, a piece of furniture, a fabric, a dress, a painting or any other form of art? Submissions are due no later than October 17. To register and for more information, please visit here.
The mixed-used masterplan of YueHaiWanJia commercial district aims at combining shops, restaurants, leisure, museum, bars, KTV, cinema, hotels and children amusement together in the same place. Designed by SURE Architecture, they were able to create a new amusement and attraction place for all kinds of people. With the idea of the European City context, overlapped with the Stamp of Xi Xia, which has a historic influence for this city, the result is an interesting layout and space to enjoy for people of all ages. More images and architects’ description after the break.
With a world plagued by the current economic crisis, David Chipperfield fears that the architects’ role is shrinking and the professions ability to influence the shape of our cities is diminishing.
Since the inauguration of this year’s Venice Biennale, Chipperfield has been amidst of a few heated debates, most notably debunking the harsh criticism of Coop Himmelb(lau)’s Wolf Prix – who claimed the “hollow” event was “no longer about lively discussion and criticism of topics in contemporary architecture” – by affirming Prix “hadn’t even visited Venice”.
Interestingly, Chipperfield has now initiated a debate, using similar rhetoric as Prix, that calls attention to the dwindling role of the architect and the impotence of contemporary architecture. The catch? He blames politicians.
It’s hard to imagine Le Corbusier – the bespectacled legend of 20th century Modernism, known for his ultra-clean aesthetics – as living in the everyday, messy world that we all inhabit. Which is why the Fondation le Corbusier‘s decision to display rare color photographs of Le Corbusier is such a treat for us all.
The photographs were taken for the magazine Paris Match in 1953 by Willy Rizzo, a fashion photographer better known for his shots of 1950s stars and starlets. The images depict the then 66-year-old Corbusier in various spots about Paris: the Musée National d’Art Moderne, his apartment, in front of a blackboard (sporting a sketch of Unité d’Habitation).
In her Fast Company article, Kelsey Campbell-Dollaghan explains that these images give us a glimpse of the man behind the myth: “Even the way we talk about him now, as Le Corbusier, refers to an idea as much as a person. Captured 12 years before he drowned in the Mediterranean at his beloved summer home, Rizzo’s photographs give us a glimpse of the pre-sainted man–aka Charles-Édouard Jeanneret.”
The American Institute of Architects (AIA) has announced a ten-year commitment to develop design and technology solutions for cities that address challenges faced on public health, sustainability, and resiliency to natural disasters. AIA EVP and Chief Executive Officer Robert Ivy, FAIA, announced the Commitment to Action at the Clinton Global Initiative (CGI) Annual Meeting, where more than 1,000 global leaders are gathering to address the theme, “Designing for Impact.”
“This commitment by the AIA represents an all-out effort to demonstrate the link between building design and the health of building occupants,” said Ivy. “And it will enable us to bring the force of design to bear in the public health arena and debate.”
The Winnipeg Art Gallery has selected six architectural teams to be shortlisted for the design of its new Inuit Art and Learning Center (IALC). The Center will house the WAG’s celebrated collection of contemporary Inuit art, the largest of its kind in the world, and the Studio Art and Learning programs.
Selected from 64 international submissions, the six shortlisted teams are:
What makes a good architecture school? Clearly there is no single factor that comprises a good, or even a great, architecture school. Different aspects are important to different people. Students often cite access to well-known faculty members—otherwise known as “starchitects”—as an important feature. Professors and instructors mention their school’s outreach programs, pioneering studios, technologically innovative labs, and exchange programs. All of these are valid and important.
Of course, these factors must be weighed against practical considerations that include tuition, the cost of housing, and other expenses. Why? Because in Western Europe and North America, tuition can be measured in the tens of thousands. What’s more, in the U.S., student loans aren’t forgivable which means your survivors can inherit up to US $90,000 worth of debt. And if the current economy has taught us one thing, it is that it’s cyclic.
So before investing all that money, it’s important to determine how a school will help you succeed. What are the practical and critical skills the school’s curriculum will impart to ensure a) your professional success, and b) your personal success (that means your overall quality of life). Because upon graduation, the goal is to gain skills to support yourself well while doing what you enjoy.
Kickstarter, a site based on the seductive idea of “crowdfunding” – in which consumers collectively invest in a product in order for it to become reality – has taken on a life of its own. From straightforward consumer products (like a cool watch) to creative projects (Roman Mars’ radio show) and even to large-scale Urbanism projects (including an entire riverwater pool), Kickstarter has evolved to finance ever more complex, ambitious, and risky endeavors.
But are there limits? Can you harness the purchasing power of the public to “crowdfund” anything? To, say, design/build a city?
Well, if Colombia’s BD Bacatá building, the first ever crowdfunded skyscraper, is anything to go by – the answer would seem to be yes.
More images of the first ever crowdfunded skyscraper, BD Bacatá, after the break…
Designed by OOIIO Architecture, the Patchwork City Masterplan focuses on organizing the future growth of Linkoping, a city in southern Sweden with 100,000 inhabitants. The architects were challenged to experiment and explore new ways of designing cities, with all the complexities, sustainable construction systems and social cohesion aspects that a XXI st century city needs. The result is a contemporary city where the inhabitants colonize and personalize their own structure as they wish, crocheting their own city piece to generate a large patchwork all together. More images and architects’ description after the break.
ASAR Consulting Engineers shared with us their winning proposal in the competition to design the JAY mixed-use complex in Tehran, Iran. With the aim of a long-term plan to create a vibrant urban complex in a 54 hectare area site, their proposed response to these challenges begins with a public garden which improves the existing green spaces and plays a role as an urban structure to integrate the 4 different zones of the project. The program includes about 173 hectares of commercial, recreational and administrative activities. More images and architects’ description after the break.
DawnTown, a non-profit organization dedicated to promoting architecture in Miami, is announcing an open call for portfolios for their Design Build competition. Now in its fifth year, Dawntown seeks the talents of a designer or design team to create a low cost, innovative, and temporary installation in Miami. The competition is open to architects, artists, and all creative professionals. Designers can work individually or collaboratively in teams, with the requirement that at least one team member is located in the United States. Dawntown Design Build is made possible by the generous grant of the John S and James L Knight Foundation and The Miami Downtown Development Authority. Don’t miss out on a chance to be a part of this inaugural architectural event for Miami! Entries will be collected from September 17th 2012 to October 31st 2012, with finalists being announced on November 15th 2012. To register and for more details, please visit here.
Design: Jason Kelly Johnson & Nataly Gattegno at Future Cities Lab Team: Ripon DeLeon (lead), Osma Dossani, Jonathan Izen, assisted by David Spittler Client: ZERO1, San Jose Public Art Program, National Endowment for the Arts Consultant: Elliot Larson created the Twitter trends [xml link] Technology: Text to Speech Module by TextSpeak, Arduino Mega and Uno, WiFly Shield by Sparkfun, Verizon Mifi, LCD panels by Sparkfun, LEDS by superbrightleds.com, IR sensors by Sharp Photography: Peter Prato
As we announced earlier, Pritzker Prize Laureate Wang Shu of Amateur Architecture (China), Rahul Mehrotra of RMA architects (India) and Francine Houben of Mecanoo (The Netherlands) participated in GREENHOUSE TALK at the 2012 Venice Biennale. The informal discussion focused on the current reality of design culture in the great countries of Eastern Asia and Europe.
The video begins with an introduction (in Italian) by architect and Senior curator of MAXXI Roma, Pippo Ciorra, which then leads into some fascinating commentary (in English, with Italian subtitles) by the highlighted protagonists.
The GREENHOUSE TALK event was promoted by the Embassy of the Kingdom of the Netherlands in Rome, in collaboration with MAXXI and NAi.
This week we propose a classic from the ’80s by Terry Gillian. Brazil is a film where he shows his vision of the future generated by societies’ bureaucracy and organisation entities. In many ways, it depicts some, nowadays, facts of rigid urban spaces that do not allow individuality or any kind of freedom.
What do you think about architecture representing or being the result of social organisations? Let us know your ideas about this subject, as always, we’re waiting for your comments and suggestions.
ArchDaily’s Architecture App Guide will introduce you to web and mobile apps that can help you as an architect: productivity, inspiration, drafting, and more.
Today we introduce you Morpholio Trace, an intuitive drafting tool that brings one of the most frequent tools from our desk to a mobile touch device: the tracing paper. The app, developed by our friends from The Morpholio Project, lets you draw on top of images (imported from your iPad camera or other sources) as if you were using tracing paper. A collapsible menu provides you basic set of tools (add more layers, choose from two colours, three widths, save) that enable you to to draft, sketch and review. No fancy fatures, just what you need. Functional minimalism that is not often found in many apps, related to the architectural background of Trace’s creators.
Trace, essential to any design or creative process, allows users to instantly draw on top of imported images or background templates, layering comments or ideas to generate immediate, intelligent sketches that are easy to circulate.
I tested the app, which is available at the App Store, and it was very intuitive to use. I used it with both my fingers and with a my Pogo Sketch pen, and it was very easy to grab a photo, put a tracing paper on top of it, start sketching on different layers and send it via email.
The app won’t replace the good old tracing paper we have in our boards, but will rather extend its functions and make it more collaborative.
