
Architects: 3.14 GA Location: Rueda, Valladolid, Spain Project Year: 2012 Photographs: Jara Varela
Architects: 3.14 GA Location: Rueda, Valladolid, Spain Project Year: 2012 Photographs: Jara Varela
Building on a previous piece entitled “Suspension Bridge, the passage”, Olivier Grossetête’s ‘Pont de Singe’ in the UK is a model of floating bridge attached to helium balloons, thus taking literally the term “suspension bridge “. The object aims to connect two mobile spaces, questioning its usefulness. This bridge becomes a floating symbol of all relationships, and embodies the space surrounding its slight movements caused by our air movement. More images and architects’ description after the break.
Proposed by Talmon Biran Architecture Studio, the Yad Le’Banim building is located within an existing grove at the local council of Ramat Yishay, Israel, which provides a unique opportunity to integrate landscape with the architectural design. This setting doesn’t only add a visual values for the building, but also adds and symbolic aspect – the trees which are seen from all the building’s façades create an image that expresses the relation between life and death, between growth and loss. This relation is inherent in the definition of the Yad Le’Banim buildings as cultural and educational centers on the one hand, and as a memorials on the other hand. More images and architects’ description after the break.
Last week I asked how architecture can ramp up its efforts to do all it can to help limit climate change. Sandy is a turning point. It will take action on the part of the profession and its members to make this turning point meaningful. Turning points are easily forgotten after the panels have been convened and the articles written. The vicarious thrill of crisis abates and everyone returns to business as usual, feeling better for having contributed to the discussion. If we listen to the scientists, we must not lose that sense of crisis and we must do more.
Toshiko Horiuchi MacAdam is known for her massive, colorful architectural sculptures/playgrounds. The most famous example of her work is the expansive net-structure inside the "Woods of Net" Pavilion at the Hakone Open Air Museum in Japan - which Horiuchi MacAdam knitted, entirely by hand, over the span of a year.
We took a moment to speak with Ms. Horiuchi MacAdam about the Pavilion and her other works, how they bridge the worlds of art and architecture, and how they irresistibly invite the world to play. You can read our interview, and see more images of her fascinating work, after the break...
With locally grown and organic food becoming more popular in the Czech Republic, EDIT! was asked to design a market stall for a new concept of Green Markets. Through a reconfiguration of the typical retailing method, the architects create a unique response to the importance of enabling a personal interaction between the farmers and market visitors. From this, the farmer can relate to the visitors through their produce, and the relationships formed may contribute to the character of the market as a whole. More images and architects’ description after the break.
Kohn Pedersen Fox Associates were recently selected to design a giant office building the landlord hopes to build next to Grand Central Terminal. Selected by SL Green Realty Corp., the architects’ design would be one of the largest Midtown towers on the East Side in a generation. While building in New York is a challenge, SL Green is moving ahead full steam with planning. The company is in discussions with the Metropolitan Transportation Authority to obtain additional development rights by building pedestrian improvements including underground connectors to Grand Central, according to executives informed of the planning. More information after the break.
This week’s film isn’t actually a movie in itself, but rather a lot of little films merged into one: “Paris, I Love You”. Twenty shorts, each representing the 20 arrondissements – districts – of Paris were filmed to show the French capital in its multiple identities (in the end, only eighteen made the cut). The work is an interesting attempt to use film to represent the many facets of a metropolitan urban area; it is also an exploration of the different ways we can see a city, depending on our perceptions and experiences within it.
Have you ever walked through Parisian streets? Does “Paris I Love You” capture your experiences of Paris’ districts? Let us know in the comments below.
Located in Nikola Lenivets Park in Kaluga, Russia, this proposal for the Artist Residence, which was shortlisted in the design competition, suggests the typology of a campus, a condensed layout providing the facilities for all of the artist residence community– living, learning and creating. Designed by Talmon Biran Architecture Studio, in collaboration with architect Ana Leschinsky, the proposed scheme is open ended, allowing flexibility and future growth while integrating the buildings within the landscape. More images and architects’ description after the break.
For the exhibition, “FLUXUS – Art for Everyone!” at Museum Ostwall in the Dortmunder U, modulorbeat was commissioned to develop an exhibition architecture. Their ‘Fluxus Module’ project uses 300 items from the years 1958 to 2007 that critically address the events of their times to offer a new and playful look at the everyday. The exhibition architecture works with a modular plywood element that was especially developed for this Fluxus exhibition. More images and architects’ description after the break.
Architects: Altamirano Armanet Arquitectos, Carlos Bisbal Location: Valparaiso, Chile Project Year: 2008 Photographs: Francisca Domínguez
Recognizing one exceptional artist every two years whose work transverses the boundaries between art and architecture, Andrea Zittel came out as this year’s winner for the prestigious Frederick Kiesler Prize. Accepting the award just this month at the New Museum of New York, one criterion for the award is that the artist be under-recognized. While fun and playful in nature, Zittel’s works are also illuminating studies of how we attribute significance to things, including the structure we live in and what we actually need in order to exist in comfort without being surrounded by accumulated belongings. Her ‘Indy-Island’ and ‘A-Z Wagon Stations’ projects can be seen in the images after the break.
If there is one characteristic that defines “architecture” it is innovation. And if by innovative, you think responsive, then Domus Academy certainly qualifies. It was started by Maria Grazia Mazzocchi, daughter of Domus Magazine founder, Gianni Mazzocchi after people kept writing letters asking her to start a design school. And in 1983, she did just that.
For the basics, the school is very clear. Your accreditation comes from an affiliation with the University of Wales, in Cardiff, UK, which is awarded upon completing 180 Master’s level credits. And you also receive a Diploma Supplement from them which proves that you have a degree that is equivalent to major universities across the globe. And it’s sited in Milan, which if one is interested in Italian design, is an ideal locale. It’s a one year program, so it doesn’t require the extensive 2- and 3-year commitments that many programs across the world demand. It will cost a similar amount, however, at €23,790 Euro. But the best aspect of that admittedly large tuition fee is that it is for a single year—11 months to be exact. That means one can immediately begin searching for a job to pay off what is, after all is said and done, a relatively small student loan compared to average ones that are three times that size. There are also unrestricted scholarships available that defray costs from between 20%-50%. And in case you’re wondering, classes are taught in English.
Continue reading after the break
Yesterday's article "Forget the Rankings, the Best US Architecture Schools Are..." argued that students should judge architecture schools for their strength in areas that are relevant to the profession today (not for their rankings). Today, we bring you an Editorial from Architecture Professor at the University of Melbourne, Stanislav Roudavski, who takes that argument one step further - suggesting that architecture students should look for education opportunities that embrace the architectural world of the future.
Those who look to the future understand architecture as a dynamic system of relationships. These relationships blur the distinctions between digital and physical, natural and artificial, simulated and observable in the wild. Such an interpretation calls for broader collaborations and a commitment to explorations outside established “comfort zones.” But the life outside disciplinary comforts can be harsh. With old certainties left behind and new potentials not yet discovered, one can feel overwhelmed by the richness and complexity of available information and practices. In the contemporary condition of constant and accelerating change, what should an architect know and be able to do? From where should this knowledge be acquired and updated, from whom and in which way?
Innovation (and the learning of the new, needed for innovation to occur) can be encouraged through various strategies. [...] Innovation can also be augmented outside existing professional territories via other types of critical, open-ended learning that is deliberately oriented towards uncertain futures. In striving to address unknown demands, such learning is necessarily speculative and risky. What strategies can be adopted to benefit from such risk-taking?
More on the future of Architectural Education, after the break...
Designed by J. Mayer H. Architects, the new, modern college seminar building for FOM Hochschule für Oekonomie & Management University of Applied Sciences gGmbH will include approximately 1,400 student seats, office units, underground parking and a spacious, green campus. The innovative building also features an extraordinary exterior façade with curved cantilevered balconies. More images and architects’ description after the break.
As an update to the article we posted several months ago regarding the disputed ‘hot spot’ in Dallas between Renzo Piano‘s Nasher Sculpture Center and the adjacent residential tower, the controversy is still a hot issue. The reflection caused by the sculpture center is still something they have not been able to solve. Any solution will be costly and difficult. The Nasher people have recommended louvers covering the tower’s south face. The tower people say that this will require a computer-generated engine for every window, about two years to study, even more time to install. And it may not work. More information after the break.
Designed for the market square cover competition, the ‘flying carpet’ proposal by Michael Labory & Bertrand Schippan is a modular and sustainable cover with the goal for the efficient arrangement of the functional facilities. This is attained by putting them along the site border thus maximizing the space to be used for market. They revive the dull facade of the neighboring building by bringing the volume of the facilities into the shape of its skyline. Among all other things, it contributes to the increase in urban density as windowless facade becomes a part of lively market place. More images and architects’ description after the break.
Located where two rivers come together, the Confederación Hidrográfica Miño and Sil office building will be protected by the official use the building serves. Designed by VAUMM + Taperstudio, their compact and geometrically absolute design aims to turn the new equipment into a reference able to articulate that piece of city. Its pyramidal shape is due to programmatic, functional and corporation itself requirements. More images and architects’ description after the break.
One of the centers of cultural and civic life, the 1111 Lincoln Road project by Herzog & de Meuron is featured in the video above, made by Elizabeth Priore. This project was chosen as it has changed people’s perception about what a utilitarian structure can be; and has ignited conversations worldwide about its design and use. This garage has reshaped the urban fabric of the city and people are going there to get married, relax, and enjoy a cocktail. The video is a Semifinalist in the $200,000 FOCUS FORWARD Filmmaker Competition and is in the running to become the $100,000 Grand Prize Winner. More information after the break.
The Louvre Abu Dhabi Museum, designed by Ateliers Jean Nouvel, aims at creating a welcoming world which associates lights and shadows as well as shimmers and calm places in a serene atmosphere. Its objective is to belong to its country, to its history, to its geography, avoiding being either a dull translation of this reality or a pleonasm meaning boredom and convention. It also aims at emphasizing the fascination generated by rare encounters. More images and architects’ description after the break.
Lafayette Park, an affordable middle-class residential area in downtown Detroit, is home to the largest collection of buildings designed by Ludwig Mies van der Rohe in the world. Today, it is one of Detroit’s most racially integrated and economically stable neighborhoods, although it is surrounded by evidence of a city in financial distress. Through interviews with and essays by residents; reproductions of archival material; and new photographs by Karin Jobst, Vasco Roma, and Corine Vermeulen, and previously unpublished photographs by documentary filmmaker Janine Debanné, Thanks for the View, Mr. Mies examines the way that Lafayette Park residents confront and interact with this unique modernist environment.
Every year, when DesignIntelligence’s latest rankings of the Best US Architecture Schools comes out, most of the anticipation is centered around one question: who’s number 1?
But despite our laser-focus on the rankings, the report is actually much more. It is also a survey of hundreds of design educators and professionals, an invaluable insight into the current state of architecture and architecture education today.
So with this in mind, and with the rankings aside, which universities are really producing students best equipped (and most marketable, in this competitive market) for the architecture profession today? When you look at the data, only two Universities stand out from the pack.
Read more to find out which two Universities are best preparing students in 2013, after the break...
Peter VonDeLinde, Marc Ofsthun, and Christian Korab, an architectural film studio team based out of Minneapolis, recently created an amazing short film on Frank Gehry‘s newly expanded Weisman Art Museum. Gehry’s 11,000 sq.ft. expansion showcases his sculptural talent featuring its stainless steel facade curving out from the entrance. This video was produced in conjunction with the Weisman featured in the January/February 2012 issue of Architecture Minnesota magazine.