Unique among architecture prizes with its focus on early-career architects, the Wheelwright Prize, recently launched by Harvard Graduate School of Design, is a $100,000 traveling fellowship awarded annually for exceptional itineraries in research and discovery. Recognizing the importance of field research to professional development, the prize reinforces the school’s dedication to fostering investigative approaches to contemporary design. Applications are currently being accepted until February 28. For more information, please visit here.
Jonas Eliasson, Director of the Centre for Transport Studies at Sweden’s Royal Institute of Technology (KTH), takes a stab at one of the largest problems in big cities: traffic congestion. In this TEDx, Eliasson discusses techniques that urban planners and policy makers can use to help mediate the problems caused by rush hour commutes by car. Contrary to most other suggestions we see, Eliasson’s solution does not involve any plans to widen sidewalks, encourage public transportation and create bike lanes; rather, this suggestion is more policy oriented.
With plans to become the world’s tallest building at about 3645 feet, the Azerbaijan Tower is being built on a series of artificial islands, the Khazar Islands, in the Caspian Sea 16 miles south of Baku, Azerbaijan. Avesta Group, the company behind the project, is expecting to have the skyscraper completed by 2019 at an estimated cost of $2 billion. With 189 floors, it is expected to surpass the the Burj Khalifa Tower in Dubai and Saudi Arabia’s proposed 3280 foot Kingdom Tower. More images can be viewed after the break.
Located on the former site on an old outdoor amphitheatre in Bratislava, Slovakia, the proposal for the housing and mixed use development, which won the first prize in the Parkhill competition, offers spectacular views and close proximity to one of the city’s oldest parks. Designed by Nice Architects, their challenge on the 52,000 m2 site was to create intensive residential development with public services located in the lower part of the site. The final composition of the buildings becomes a small reminiscence of the former amphitheatre. More images and architects’ description after the break.
CEBRA has gained the support of The Danish Foundation for Culture and Sport Facilities (LOA) for the realization of a new home for Denmark’s Sport Fishing Association in Vingsted, Denmark. The 5,489 sq.ft. project will accommodate the association’s administration as well as an activity center for sports fishermen and other visitors to the beautiful surroundings in the Vejle brook valley. More images and architects’ description after the break.
With the city of Zhangjiagang, China lacking their own identity, Gras Arquitectos aims to create a presence and scale with their Tangram Theatre, which won the second prize in the international competition. This mutual need can enable the creation of a new urban icon, an item that addresses a new identity to the city. Historically, the icon of Chinese cities is the pagoda: from the forbidden city to the unknown monument in rural China. The architects intend to create a theatre that becomes a sort of pagoda, icon for the city. More images and architects’ description after the break.
Situ Studio has been selected from eight competitors as winner of the fifth annual Times Square Valentine Heart Design, cosponsored by Times Square Arts, the public art program of the Times Square Alliance, along with Design Trust for Public Space. The young, Brooklyn-based practice won the jury over with their Heartwalk proposal made of New York and New Jersey boardwalk boards that were salvaged from the aftermath of Hurricane Sandy.
The installation will be unveiled on Tuesday, February 12, 2013, and remain on view until March 8, 2013.
Learn more about Situ Studio’s winning proposal after the break.
After a intensive, 14-year preservation battle, the fate of Richard Neutra‘s mid-century Cyclorama Center in Pennsylvania’s Gettysburg National Military Park has been sealed. Yesterday, the National Park Service confirmed their plans to demolish the modernist structure and restore the site to its original 1863 appearance just in time for the 150th anniversary commemoration of the battle. It is a victory for Civil War purists and a loss for 20th century architecture advocates.
As we announced last September, the U.S. District Court for the District of Columbia directed the park service to conduct an environmental analysis on the demolition and to consider “non-demolition alternatives” such as moving the structure or leaving part of it intact. Following the release of a 200-page analysis, the park confirmed that the service had “no need for the continued use of the building” and that it “conflicted with the overall goals of the park.”
The Graham Foundation of Chicago will host a book presentation and signing of Wiel Arets: Autobiographical References, a new book edited by Robert McCarter and designed by Irma Boom exploring the notion of ‘A Wonderful World’. The event will take place Friday, February 1st at 6:00pmCST. The evening will begin with a discussion and debate between Arets and McCarter, introducing the book’s origins as well as the work of Wiel Arets Architects, after which signed copies of the publication will be available for purchase. More information after the break.
Architects, Urban Planners, Engineers, and Activists with projects in Malaysia, Vietnam, Thailand, Cambodia, Indonesia, Singapore, Philippines are invited to send their proposals for an exhibition titled ‘SMART CITY: The Next Generation’. Organized by Aedes Architecture Forum, with the Goethe Institut/South-East Asia, under the guidance of curator Ulla Giesler, the exhibition will be held in Berlin at the their Architecture Forum between May and July 2013 within the framework of the Asia-Pacific-Week Berlin 2013. More information after the break.
Taking place February 1-2 at Abby and Howard Milstein Auditorium, Milstein Hall at Cornell University, the Design for Biodiversity Symposium will focus on the extended threshold between building and environment. Since its emergence in the 1970s, the field of Urban Ecology has investigated relations between living organisms and their urban environments, and has primarily addressed the city at the scale of urban planning. Within this framework, architecture, at the building scale, has thus far not been extensively tackled. How might architecture actively support multi-species habitats? Can these habitats help us replace existing, fossil fuel dependent, mechanistic systems with low impact, ecologically integrated systems that leverage natural sources? How does reimagining the city in this way change how we think about urban form and phenomenology? And finally, what are the appropriate models to study? These questions will be answered at the event and more. For more information, please visit here.
Taking place tomorrow, January 11th from 2:00-4:30pm EST, modeLab‘s Introduction to Simulation with Kangaroo Webinar will apply physical properties and forces to geometry to offer a fun and interactive way to implement physics-based constraints into your parametric workflows. Through a series of short presentations and “live” exercises, learn essential techniques for setting up and developing simulations with Kangaroo in Grasshopper, ranging from particle systems to spring networks. Over the course of the 2.5 hour webinar, you will learn strategies for working with physical geometry, dynamic relaxation, and funicular shapes. To register, and for more information, please visit here.
As the Atlantic Cities best describes, “Leave it to Japan to turn one of the dirtiest and noisiest processes of the urban lifecycle – the demolition of highrises – into a neat, quiet and almost cute affair.”
Japanese construction company Taisei Corporation has discovered a new, more efficient way to disassemble, rather than demolish, a tall building over 100 meters. The process, known as Taisei’s Ecological Reproduction System or Tecorep, begins by transforming the structure’s top floors into an enclosed “cap”, which is then supported by temporary columns and powerful jacks. As demolition workers begin to disassemble the building from within, they use interior cranes to lower materials. After dismantling an entire floor, the jacks quietly lower the “cap” and the process is repeated.
“It’s kind of like having a disassembly factory on top of the building and putting a big hat there, and then the building shrinks,” says one Taisei engineer, according to this report in the Japan Times.
Learn about the advantages of this process after the break.
During the 2012 World Architecture Festival held in Singapore, we had the opportunity to interview Richard Hassell, one of the founders of the highly acclaimed practice WOHA.
New York’s Garment District, consisting of 18 blocks in the west side of midtown, was the city’s most well known industries in the boom of the 1920s through the early 50s. The influx of immigrants and the geography of New York City made it a natural hub for manufacturing and trading activity. The work began in small workshops and at home in crowded tenements and eventually grew out of these crammed space into factories and warehouses. The industry inadvertently transformed Seventh Avenue into rows of skyscraper factories that faithfully abided to New York City’s zoning regulations. The 125 loft buildings all shared the pyramidal forms due to step-back laws governing design.
Now, The Skyscraper Museum in New York City is celebrating this neighborhood and its influential development of business, industry and architecture and the mark that it left on the city with an exhibition called URBAN FABRIC. It is curated by Andrew S Dolkart, the Director of the Historic Preservation Program, and will be running through February 17th.
Learn more and watch the curator’s lecture after the break.
Located in the old plot of the Olympic stadium of Sofia, Bulgaria, the proposal for the new soccer stadium by Gras Arquitectos aims to create a new mixed complex, keeping as much as possible the green and central qualities of the plot. Designed to seat around 15,000, the plot itself works as a central park of the neighborhood. More images and architects’ description after the break.
The “’Open Exchang’ proposal, for the Green Square Library and Plaza competition, creates a space of public engagement by challenging the role of the library in the contemporary city of Sydney. Designed by MODU, in collaboration with Future Green Studio landscape architects, their project becomes a social and public space made possible by new technology, with the potential to transcend the traditional definition of learning spaces. More images and architects’ description after the break.
The American Institute of Architects (AIA) and the National Institute of Building Sciences (NIBS) have developed the Building Research Information Knowledgebase (BRIK), an interactive portal offering free online access to peer-reviewed research projects and case studies in all facets of the built environment, from pre-design through occupancy and reuse.
“By providing a portal to comprehensive research and data, this initiative is intended to help better educate the entire real estate marketplace on how design strategies and innovations can have a profound impact on building performance,” said AIA Chief Executive Officer, Robert Ivy, FAIA. “The BRIK offering is an entry-way to show quantifiable proof of evidence-based design approaches.”
Assemblage has succeeded against a prestigious shortlist – which included Zaha Hadid Architects, Capita Symonds, Fevre Gaucher and ADPI – in an international competition for the new Iraqi parliament complex in Baghdad. The $1Bn USD project challenged contestants to design a new, large scale complex amidst the remnants of a partially built super mosque planned by Saddam Hussein (photos of the existing site here).
The London-based practice will be awarded $250,000 USD and asked to produce a master plan for the surrounding city, as well as additional government buildings, a new hotel and public parks. The anonymous jury plans to exhibit the submitted projects, along with the judging committee’s decision. However, a date has yet to be announced.
Continue after the break for more images and the architects’ description.
Quickly rising on the corner of 14th Street and 5th Avenue in Manhattan, this new, multipurpose facility will soon become the “heart” of The New School – an avant-garde university in New York City. The University Center, designed by Skidmore, Owings & Merrill (SOM), combines all aspects of a traditional campus into a single, 16-story building, offering 200,000 square feet of academic space on the first seven floors and 150,000 square feet for a 600-bed dormitory on the levels above.
The brass-and-glass structure, which is the largest construction project in the university’s 91-year history in Greenwich Village, is scheduled for completion in 2014.
In progress images and more information after the break.
Designed by Irad Shomroni and Josef Shushan, the proposal for the Yad Le’Banim Building – Cultural and Memorial Center seeks to emphasize the duality between everyday life activities and commemoration. In a center that houses both cultural communal facilities that open daily and annual memorial ceremonies for casualties of war, the center is designed as a linear path. It gradually rises from Ramat Yishay’s main street, hovers above its surrounding garden, and eventually reaches a viewpoint towards the historical buildings of Ramat Yishay. More images and architects’ description after the break.
Taking advantage of solid timber’s unique benefits, the Timber Café by BAKOKO, an emerging Tokyo architecture practice, is a proposal for a sustainable pop-up restaurant. The temporary building can be flat packed into a standard 40′ shipping container and erected with a crane in a mere day. Once assembled, this wooden box is remarkably self-stable. It does not need a permanent foundation, making it suitable almost anywhere. More images and architects’ description after the break.
Junichiro Tanizaki’s (1886-1965) book In Praise of Shadows has been haunting me lately. There it sits on my shelf, as it has for years, ever since it was part of a reading list for an art history course I once took as an undergrad.
It’s a thin volume. Ever so slight, it easily gets lost amongst more substantial books. But every time I’ve gone through my library and thought I don’t need it anymore, I hesitate and then put it back on the shelf.