The French pavilion exhibition, entitled "Vivre avec / Living with," was developed by the agency Jakob+Macfarlane, formed by architects Dominique Jakob and Brendan MacFarlane, in collaboration with Martin Duplantier Architects and Eric Daniel Lacombe EDL. France's project for the 2025 Venice Biennale was selected through a two-phase competition, involving an initial pre-selection of five teams from forty-five applicants, followed by a detailed project presentation. The winning proposal focuses on architecture's capacity to address global challenges such as climate change, conflict, and instability, utilizing a combination of natural, human, and artificial intelligence.
The Colombia Pavilion at the Expo Osaka 2025 adopts the theme "ICE CUBE," inspired by the scene in Gabriel García Márquez's One Hundred Years of Solitude where a young boy encounters ice for the first time. Translating this literary reference into built form, the pavilion presents a facade of translucent cubes set at varying angles, creating a sense of movement and articulation. Designed by MORF Inc., with Karim Chahal as Project Director and Ko Oono as Principal Architect, the exterior is composed of semi-transparent polycarbonate panels integrated with color-controlled lighting, allowing the facade to transform in appearance throughout the day and night.
The Belgian Pavilion at the Venice Architecture Biennale 2025 presents a prototype that integrates landscape architecture into architectural interiors. Designed by Bas Smets in collaboration with Stefano Mancuso, the exhibition transforms the pavilion into a microclimate modeled after the understory of a subtropical forest, creating an indoor jungle that actively regulates temperature and humidity. The curatorial concept, supported by the Flanders Architecture Institute and its director, Dennis Pohl, promotes landscape thinking as an active design force rather than exterior decoration. In this video interview from Venice, Bas Smets and Dennis Pohl explain to ArchDaily editors how the project positions architecture as a platform for climate resilience and proposes a shift in design paradigms, from static images to evolving, living processes.
The 2025 edition of the Seoul Biennale of Architecture and Urbanism has announced the 24 designers commissioned to create the Walls of Public Life, a collective installation that explores how the exteriors of buildings can become more expressive, engaging, and emotionally resonant. Each contributor will produce a 2.4 by 4.8-meter building fragment, offering a reimagining of the architectural wall not as a backdrop, but as an active participant in public life. Installed along the north side of Songhyeon Green Plaza in central Seoul, the walls will form part of a larger urban intervention that includes the Humanise Wall, a four-storey, 90-meter-long installation to the south of the park.
Foster + Partners has revealed designs for a retail plaza located on the northern bank of the Golden Horn in Istanbul, Türkiye. The project forms part of the larger Tersane master plan, which proposes to redevelop 1.6 kilometers of previously underutilized waterfront. The master plan integrates a mix of retail, residential, hospitality, cultural buildings, and landscaped public spaces, aiming to enhance access along the shoreline. The plaza sits within close proximity to several of Istanbul's historiclandmarks, drawing on the area's maritime and industrial heritage. The design's scale and material choices reflect this context, seeking to align with the site's historic layers while introducing a contemporary retail environment.
Returning for his second interview with ArchDaily, Sir Peter Cook sat with Editor in Chief, Christele Harrouk, at the World Architecture Festival 2025. While the first conversation focused on his advice for young architects, this one followed his presentation during WAF on the forthcoming book, Archigram Ten, an editorial project reviving the spirit of the original magazine with founding members and contemporary designers. Building on those themes, he reflects on artificial intelligence, the impact of COVID-19 on his own practice, and current architectural pedagogies.
The White House has unveiled plans for a new permanent event space on its historic grounds. Intended to address long-standing spatial limitations for large-scale ceremonial functions, the proposed White House State Ballroom will provide a venue with an expanded capacity. McCrery Architects, a Washington-based firm recognized for its work in classical architecture, has been appointed as lead architect. Clark Construction will oversee the build, with engineering support provided by AECOM. The construction is scheduled to begin in September 2025, with completion planned within the current administration.
Sierra Blanca Estates, a real estate development firm, has officially announced plans to build a new residential neighborhood in the coastal city of Málaga, Spain. According to the developers, the proposal is intended to address the city's growing demand for housing in the capital of the Andalucía autonomous community, located along the Mediterranean Sea in the southern Iberian Peninsula. The new neighborhood is planned for the El Bulto area and would include a 21-storey building designed by Zaha Hadid Architects.
Germany's contribution to the 19th Venice Architecture Biennale 2025 exposes visitors physically and psychologically to the future urban climate: a STRESSTEST that makes the need for immediate action palpable. The exhibition takes a clear stance: climate change is an unstoppable reality, and the measures taken so far are inadequate. It presents a scenario in which climate change manifests globally through rising temperatures, extreme weather, and sea level rise, with its effects directly felt at a local level: urban spaces suffering from heat stress. Curators Nicola Borgmann, Elisabeth Endres, Gabriele G. Kiefer, and Daniele Santucci have designed an exhibition to highlight the impacts of global warming on urban life in an urgent call to action, emphasizing that this reality threatens urban social life, productivity, and the health and survival of citizens.
In 1968, Swiczinsky co-founded Coop Himmelb(l)au alongside Wolf D. Prix and Michael Holzer. The studio quickly gained international recognition for its radical design approach, defined by fragmented geometries, exposed structural systems, and spatial complexity. After Holzer's departure in 1971, Swiczinsky and Prix continued to lead the practice through the 1980s and 1990s, establishing it as one of the most prominent voices of the deconstructivist movement.
Archinfo, the Information Centre for Finnish Architecture, has announced the theme, curator, and exhibition team for the Pavilion of Finland at the 19th International Architecture Exhibition of La Biennale di Venezia. The exhibition, titled "The Pavilion – Architecture of Stewardship", will focus on the diverse labor involved in constructing and maintaining architecture, from design contributions by architectural workers and engineers to the efforts of construction workers, restoration architects, maintenance staff, and cleaners, all of whom play vital roles in the creation and upkeep of the built environment. Curated by Ella Kaira and Matti Jänkälä from the Helsinki-based architecture practice Vokal, it will use Alvar and Elissa Aalto's Pavilion of Finland to explore architecture as a collaborative endeavor.
Following an extensive conservation process, the Eames House, Case Study House No. 8, has reopened to visitors after a five-month closure due to smoke damage from the Palisades Wildfire earlier this year. Although the iconic structure, designed by Charles and Ray Eames in 1949 as part of the Case Study House Program, was not directly damaged by flames, it required comprehensive cleaning and restoration to address the effects of smoke infiltration. As part of the reopening, the adjacent Eames Studio, previously closed to the public, will now be accessible for the first time. Designed and used by Charles and Ray as a working space, the studio will serve as a venue for rotating exhibitions, workshops, and public programs, offering an expanded architectural experience.
Riken Yamamoto, born in Beijing in 1945 and raised in Yokohama shortly after World War II, is a Japanese architect celebrated for fostering community through architecture. After founding his practice, Riken Yamamoto & Field Shop, in 1973, he became renowned for works ranging from social housing, such as Hotakubo Housing and Pangyo Housing, to civic projects like the Hiroshima Nishi Fire Station and Saitama Prefectural University, all unified by modular simplicity. Honored in March 2024 as the Pritzker Architecture Prize Laureate, he was praised by jury chair Alejandro Aravena for "blurring boundaries between public and private," fostering spontaneous social interaction, and "bringing dignity to everyday life" by enabling community to flourish through thoughtful design. In this interview with Louisiana Channel, the architect reflects on the social role of architecture, emphasizing the inseparable bond between housing and context, and the need to create spaces that foster visible, meaningful relationships.
The International Union of Architects (UIA), in collaboration with UN-Habitat, has announced the launch of the third cycle of the UIA 2030 Award. Introduced in 2021, the biennial international prize highlights the role of architecture in advancing the UN 2030 Agenda for Sustainable Development, with a particular emphasis on SDG11: Sustainable Cities and Communities and the New Urban Agenda. Organized by the UIA's UN 17 SDGs Commission, the award recognizes built projects that combine architecture with measurable contributions to the Sustainable Development Goals (SDGs). Structured to coincide with the schedule of the World Urban Forum (WUF), the award will run through five cycles.
The Cristo Rei Cathedral is Oscar Niemeyer's design for the cathedral of Belo Horizonte, the capital of the state of Minas Gerais in southeastern Brazil. Conceived between 2005 and 2006, it is one of the late architect's final projects in the country. The design features a domed structure approximately 60 meters in diameter, suspended by two towering elements rising 100 meters high. Niemeyer referred to the project as a "square," consisting of a cathedral with a capacity for 3,000 people and an external altar designed to accommodate up to 20,000 worshippers for mass and public events. Construction began in 2013 and is still ongoing. Earlier this year, photographer Paul Clemence visited the site, documenting the building process and capturing the emergence of Niemeyer's signature curves.
The Deutsches Architekturmuseum (DAM) in Frankfurt has launched its new exhibitionArchitecture and Energy: Building in the Age of Climate Change on June 14, which will be open to visitors until October 5, 2025. Developed in collaboration with engineer and sustainability advocate Werner Sobek, the exhibition explores the intersections of architecture, energy, and climate, focusing on the environmental impact of the built environment and the role of architecture in mitigating climate change. By framing architecture as both a challenge and an opportunity in the context of the climate crisis, the exhibition seeks to contribute to a broader shift in thinking, one that positions design as a vital component of a sustainable future.
The Getty Foundation's Conserving Black Modernism initiative was launched in 2022 as a grant program to preserve and ensure the legacy of African American architects within the Modernist movement across the United States. In partnership with the National Trust for Historic Preservation's African American Cultural Heritage Action Fund, it supports conservation efforts, training, and educational initiatives to address the historical oversight of significant architectural landmarks and their designers' contribution. For its third funding cycle in 2025, five new buildings will receive critical support, expanding the initiative's reach into new communities with the first projects in Chicago and the Pacific Northwest.
As Expo 2025 Osaka passes the midpoint of its six-month duration on July 13, the international exposition continues to serve as a global platform for architectural experimentation, cultural exchange, and technological innovation. Officially opened on April 13 on the reclaimed island of Yumeshima, the event is organized under the theme "Designing Future Society for Our Lives," and has already welcomed more than 13 million visitors as of late July. Conceived as a space for collaboration across disciplines and borders, the Expo brings together more than 150 national, thematic, and corporate pavilions.
The Ukrainian pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia explores the intersection of traditional building methods and improvised construction during wartime crises. Under the title "DAKH (ДАХ): Vernacular Hardcore", the exhibition refers to the concept of the roof ("dakh" in Ukrainian) as a primary shelter in architecture, examining the roofs of an "architecture without architects" both in the country's constructive tradition and in the contemporary reality of aerial vigilance over its national territory. Curated by Bögdana Kosmina, Michał Murawski, and Kateryna Rusetska, the Ukrainian display consists of a six-element exhibition at the Arsenale's Sale d'Armi and an accompanying nomadic program titled Planetary Hardcore.
The selection was made by a jury composed of Melike Altınışık, Hans-Petter Bjørnådal, Eleni-Stefania Kalapoda, and Adrian Yap, who evaluated submissions from a range of scales and typologies. The winning projects will be presented in the exhibition "40 Young European Architects with New Visions," opening on December 5th, 2025, at The European Centre, Contemporary Space Athens. A special yearbook publication by Metropolitan Arts Press will also document the selected works, making them accessible to international audiences. Submissions are now open for the 2025–2026 edition, with a deadline of December 15, 2025.
Jenny E. Sabin is an American architect, designer, and educator known for her work at the intersection of architecture, computation, and biomaterials. She integrates digital fabrication, responsive materials, and bio-inspired design into her architectural practice and runs an experimental architecture studio, Jenny Sabin Studio, based in Ithaca, NY. In this interview with Louisiana Channel, she shares her personal journey from artist to scientist, explains how biological and material systems can be applied at an architectural scale, and discusses her teaching and research roles at Cornell University. She elaborates on her interest in bringing people together through new strategies for responsive and adaptive architecture. In her view, the connections between the digital, the physical, and the biological define a paradigm shift in the evolution of architecture, converging with other realms of physical experience to create a more interconnected future.
