Today citizens, artists and activists are "reclaiming their city" by transforming hundreds of metered parking spaces worldwide into temporary public parks and installations in an effort to call attention to the need for more open space. The yearly occurrence, known as PARK(ing) Day, has become an international phenomenon since its establishment in 2005 by the San Francisco art and design studio Rebar. Check out the official PARK(ing) Day Map to see if there are any pop-up parks happening in your area.

Harvard University’s Graduate School of Design (GSD) and John A. Paulson School of Engineering and Applied Sciences (SEAS) have announced a new, collaborative program: the Master in Design Engineering (MDE) degree. Beginning in Fall 2016, the program, lasting for four terms over two years, will offer students the resources of both GSD and SEAS, combining skills and knowledge across fields to solve multi-scale, complex, open-ended problems.

The Linda Pace Foundation has unveiled plans for a new building designed by Adjaye Associates. Planned to open in San Antonio, Texas in 2018, "Ruby City" will house the Foundation's growing collection of contemporary art. The two-story structure, clad in "crimson-hued panels of precast concrete with glass aggregate," will be distinct with its "dramatic rooftop of sloping angles and skylights that rise to varying heights and echo cut-away spaces at the building’s base."

One year after scrapping Norman Foster's controversial redesign, the New York Public Library has commissioned Mecanoo to oversee the planned $300 million overhaul of its Mid-Manhattan branch and flagship Stephen A. Schwarzman Building on Fifth Avenue. The Dutch practice, who is also renovating Mies van der Rohe's Martin Luther King Jr. Memorial Library in Washington DC, will work with the preservation experts of Beyer Blinder Belle - the project's architect of record.

"The building should be about the journey of learning," Mecanoo's founding partner and creative director Francine Houben told the New York Times. "Maybe you come in for a book but also take lessons in English."

Images of Moshe Safdie's first New York project has been released. Planned to rise on a Manhattan site at West 30th Street, between Broadway and 5th Avenue, the 64-story mixed-use tower will feature a limestone base that compliments and serves its historic neighbor: the Marble Collegiate Church, one of the Collegiate Churches’ five ministries.

The building "will be distinguished by its vertical massing, which breaks down the scale of the tower into a series of three-story-high, offset projections," says Safdie Architects. "The offset projections also provide energy efficiency by self-shading the tower’s facade, further enhanced by additional sun shading at the south facade."

US Secretary of Agriculture Tom Vilsack, in partnership with the Softwood Lumber Board and the Binational Softwood Lumber Council, has announced the winners of the US Tall Wood Building Prize Competition. The two winning projects—Framework, by Framework, LLC, and 475 West 18th, by 130-134 Holdings LLC—will each receive $1.5 million in funding for their development in Portland and New York, respectively.

Each of the projects took a unique perspective on wood building systems, fulfilling the competition’s call “to showcase the safe application, practicality, and sustainability of a minimum 80-foot structure that uses mass timber, composite wood technologies, and innovative building techniques.”

Dominique Perrault, David Chipperfield, OMA, Shigeru Ban, Sou Fujimoto, and Jacques Ferrier are among 75 teams that have been selected to move onto Phase 3 of the highly anticipated "Reinventing Paris" competition. The first of its kind, the competition is calling on architects and designers to envision innovative projects to solve some of Paris' most pressing problems over 23 sites, from abandoned electricity substations to open spaces in the heart of urban areas.

Rogers Stirk Harbour + Partners' Leadenhall Building has been deemed the City of London's "Building of the Year 2015." The inaugural award, organized by the Worshipful Company of Chartered Architects (WCCA), aims to "recognize the extraordinary examples of contemporary architecture across the London cityscape."

The award's jury, chaired by World Architecture Festival director Paul Finch, selected the Leadenhall Building over 15 other publicly nominated buildings. It was lauded for providing a "world-class working environment" and having a positive impact on the city street.

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Solar energy is considered by many to be the future of electricity worldwide. Cities from Houston to Mumbai are embracing massive rooftop and rural solar infrastructure, a largely standardized system of fixed panels positioned to optimize sun intake at peak times. Only the most sophisticated adjustable panels which track the sun, however, are capable of absorbing the maximum amount of daylight allowed by the technology, meaning that the average immovable panel loses a significant amount of available energy.

Researchers at the University of Michigan sought to develop a solar energy system that could absorb the most daylight possible while reducing the carbon footprint from production of the panels themselves. The results are surprisingly beautiful: through the application of the ancient Japanese art of Kirigami, a variation of Origami, the researchers were able to capture up to 40 percent more sunlight than traditional panels.

In May, OMA celebrated the opening of Fondazione Prada. Set out to “expand the repertoire of spatial typologies in which art can be exhibited and shared with the public,” the project resulted in an “unusually diverse environment” staged within a historic 20th-century distillery south of Milan’s city center that goes beyond the traditional white museum box.

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Lorcan O’Herlihy Architects (LOHA) has designed a speculative system of interventions for the Los Angeles River that “examines the relationship between urbanization and water use to develop new models of densification that recognize and tap into existing ecological and infrastructural patterns.” Called WATERshed, the design is part of the A+D Museum’s ongoing “Shelter: Rethinking How We Live in Los Angeles” exhibition that explores new typologies of housing in Los Angeles.

With their model for urban regeneration, LOHA hopes to address issues like the ongoing California drought, as well as the United Nation’s prediction that by 2030, nearly half of the world’s population will be living in areas of high water stress. Thus, the plan utilizes the Los Angeles River as a resource for water use and management in order to provide a path for sustainable growth in Los Angeles, and an example for other cities.

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The World Architecture Festival (WAF) has announced the shortlist for its Colour Prize, which is supported by three-time Headline Sponsor AkzoNobel. Last year, the Innovative Use of Color on Exteriors Prize was awarded to the Vienna University of Economics and Business’ Department of Law and Central Administration, for its use of Copper Orange in a 200-meter-long pairing of buildings.

This year’s Color Prize shortlist includes nine projects that span the wide spectrum of WAF award categories:

A photo posted by Kyle Krieger (@kylekriegerhair) on Sep 10, 2015 at 9:22am PDT

It has been a week since the conclusion of this year's Burning Man festival in Black Rock City, Nevada, and images of its most imaginative structures are still surfacing. Even Bjarke Ingels has published a few of his favorite findings from the week-long event. Read on to see of the best structures and installations found at Burning Man 2015.

Mecanoo has unveiled plans for a new £350 million engineering campus for the University of Manchester. Known as the "Manchester Engineering Campus Development (MECD)," the project will be the UK's largest, single construction endeavors ever conducted by a higher education institution.

"The campus will help demonstrate how UK engineering is one of the most creative industries in the world – a key feature on the ground floor of the main hall will be a dedicated ‘maker space’ which will provide dynamic workshops for students and academics to share ideas and innovate," says Mecanoo.

Russian artist Nikolay Polissky has completed yet another of his impressive, handcrafted installations. Located in Zvizzhi Village, in the Ugra National Park in Russia, Polissky’s newest creation—called SELPO, which stands for The Rural Consumer Association, in Russian—wraps around an abandoned soviet building, which used to house the village shop.

The project utilizes off-cut materials from Polissky’s previous work, which has ranged “from temporary pieces of landscape proportions, collectively created […] to public art works in city parks or sculpture parks […] in Europe and in Russia, as well as museum installations.”

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The first woman to receive the Pritzker Prize in 2004, Iraqi architect Zaha Hadid tells newspaper El País that she was fortunate as a child to have traveled with her parents and seen some of the world’s most impressive works of architecture and engineering feats.

Awed by the Mosque of Cordoba, Hadid says that the contrast between the darkness and the marble of the central church left a lasting impression, making this one of her favorite works to this day. 

HHF architects has created a temporary pavilion for the first biennial for contemporary music and architecture ZeitRäume in Basel, Switzerland.

At nearly six meters tall, the installation is constructed of simple parts:  “a large drum made of bamboo poles, with a roof of scaffolding brackets.” While seemingly basic in construction, the pavilion additionally features movement in the roof portion, when blown by the wind.

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Martha Thorne has been appointed as dean of the IE School of Architecture and Design in Madrid. Thorne, who is currently IE's vice dean, has had a major impact on the profession by serving as the executive director of the Pritzker Prize for nearly a decade. As BDOnline reports, Thorne will retain her Pritzker role as she furthers "the school's aim to bring the best of innovation and management to architectural disciplines.”