Between August 19 and 20, 2025, thousands of spectators watched as one of Sweden's largest wooden buildings was lifted onto beams and wheeled across town. The Kiruna Church, constructed between 1909 and 1912, was designed to echo the form of a Sámi hut in Sweden's far northern region, within the Arctic Circle. The building was designed by architect Gustaf Wickman, who served as the church's architect at the time, and combines elements of Gothic Revival with an Art Nouveau altar. The building, one of the city's main tourist attractions, was moved to a new location between the cemetery and the new city center to prevent damage caused by the expansion of the local mine.
“Glen and Anna Harder House, Mountain Lake, Minnesota,” 1970. Color transparency, 4 x 5 in. Copyright J. Paul Getty Trust, Getty Research Institute, Los Angeles (2004.R.10). Photo: Julius Shulman. For the 2025 grant to the Art Institute of Chicago for the exhibition “Bruce Goff: Material Worlds”. Image Courtesy of Graham Foundation
The Graham Foundation for Advanced Studies in the Fine Arts has announced $573,300 in grants to 39 organizations worldwide. Chosen from more than 200 submissions, the 2025 awards support a broad range of initiatives, including exhibitions, installations, publications, podcasts, student-led journals, internationalarchitectureevents, and public programs that contribute to advancing architectural discourse and design experimentation. Over nearly seven decades, the Graham Foundation has provided more than $45 million in direct support to over 5,200 projects. With the addition of the 2025 grantees, the Foundation aims to continue to strengthen its international network of individuals and organizations advancing architectural ideas and public engagement around the world.
Strada Brutalissima. Pavilion of the Republic of North Macedonia at the 19th Venice Architecture Biennale, 2025. Image Courtesy of Blagoja Bajkovski
The Republic of North MacedoniaPavilion at the 19th Venice Architecture Biennale is dedicated to the Brutalist architecture of its capital city, Skopje. This architectural movement has given the city a distinctive identity following the earthquake that struck in 1963. According to pavilion curator, architect Blagoja Bajkovski, in the aftermath of the disaster, Skopje embraced Brutalism from a variety of sources. One of the most prominent of these was Kenzo Tange's reconstruction plan, developed after an international competition organized by the United Nations in 1965. The exhibition, titled Strada Brutalissima, recounts this identity, the events that shaped it, and the buildings that continue to represent it through a series of architectural models. Inspired by the 1980 Venice Architecture Biennale's Strada Novissima, the project reinterprets the concept of a curated "street," this time centered on Skopje's Brutalist heritage.
The Ministry of Spatial Planning, Urbanism and State Property of Montenegro has announced the results of the international competition for the new Museum District and Park of Arts & Culture in Podgorica. The winning proposal, led by Milan- and London-based practice a-fact architecture factory in collaboration with LAND, Maffeis Engineering, and Charcoalblue, was selected from 48 entries by an international jury. The project envisions a new cultural district consolidating three institutions, the Museum of Contemporary Art, the Natural History Museum, and the House of Architecture, within a landscape that reconnects the city to the Morača River.
Oxford United Football Club's planning application for a new all-electric football stadium has been approved by Cherwell District Council. The scheme was developed by a team that includes AFL Architects, Mott Macdonald engineering services, Fabrik landscape design, and Ridge and Partners built environment consultants. Designed for a capacity of 16,000 spectators, the master plan also proposes a 1,000-person events space, a 180-bed hotel, a restaurant, a health and wellbeing centre, and a new public plaza with gardens.
The Republic of Kosovo brings this year to the 19th Venice Architecture Biennale an exhibition titled Lulebora nuk çel më. Emerging Assemblages. The exhibit was commissioned by the National Gallery of Kosovo and curated by the architect, interdisciplinary designer, and researcher Erzë Dinarama. Reflecting on the country's shifting agricultural landscapes in the context of ecological uprooting and embodied knowledge systems under climate pressure, the installation offers a sensorial exploration of Kosovan fieldwork. Combining a range of local soil materials with a hanging olfactory calendar, the Pavilion invites visitors to imagine through touch and smell.
The City of Chicago and the Chicago Department of Aviation (CDA) have broken ground on Concourse D at O'Hare International Airport, designed by Skidmore, Owings & Merrill (SOM) in collaboration with Ross Barney Architects, Juan Gabriel Moreno Architects (JGMA), and Arup. The project marks the first building in ORDNext, O'Hare's most ambitious expansion to date, and introduces a new chapter in the airport's modernization. Construction management is led by AECOM Hunt Clayco Bowa, with completion expected in late 2028. Planning is also progressing on Concourse E, the second satellite concourse designed by the same team.
SPPARC architecture and design studio has revealed plans to renovate the former Ravenscourt Park Hospital in Hammersmith, London, which has stood vacant for two decades. The building, originally named the Royal Masonic Hospital and designed by Thomas S. Tait, is regarded as one of the first major modern buildings in the UK and was Europe's largest independent acute hospital when it was opened by King George V in 1933. Built to provide low-cost treatment for Freemasons and their families, the 260-bed facility operated until 1994, reopened as an NHS hospital in 2002, and was permanently closed in 2004. According to the recent announcement, the Grade II listed landmark, currently on Historic England's Heritage at Risk register, is intended to be repurposed as 140 new homes, a 65-bed care home, and spaces available for public hire.
During the 47th session of the World Heritage Committee, held from July 6 to 16, 2025, at UNESCO Headquarters in Paris, France, 26 new properties were inscribed on the World Heritage List. In addition to examining new nominations, the Committee reviewed the conservation and management of existing sites, addressed the impact of climate change on heritage, and approved the extension of two existing sites to create new transboundary natural parks. According to UNESCO, the session placed the work of local communities at the center of safeguarding policies, reinforced efforts to preserve African heritage, and acknowledged the growing recognition of remembrance sites and the protection of humanity's shared prehistory. These 26 properties, located across 26 countries, now benefit from the highest level of international heritage protection.
The Land Art Generator Initiative (LAGI) has announced the winners of its 2025 competition in Marou Village, Fiji. Developed in partnership with the local community and supported by the Fiji Department of Energy, the FijiRural Electrification Fund, and the United Nations Development Program, LAGI 2025 invited designers from around the world to envision renewable energy and water systems that could also serve as cultural and social spaces. From over 200 entries representing 45 countries, two projects were selected: The O by Alberto Roncelli and Ligavatuvuce by Young Kang.
IOTA Seoul I mixed-use development. Render. Image Courtesy of Foster + Partners
Foster + Partners has released images of the proposed design for IOTA Seoul I, a mixed-use development in Seoul, South Korea. The project would be located between Seoul Station and Namsan, a 270-meter-high peak in the Jung-gu district in the south-central part of the city. The site has been described by the architects as a landmark location due to its historical significance as one of Seoul's gateways for travelers arriving by train.
In February 2023, the governor of Kagawa Prefecture, Japan, announced the planned demolition of the Kagawa Prefectural Gymnasium, designed by Pritzker Prize-winning architect Kenzo Tange. Discussion surrounding its fate dates back to its permanent closure in 2014, after a roof leak caused structural problems in the ceiling boards. Since then, several organizations have worked to save the building, including a petition by the World Monuments Fund and an effort by a promotional council to nominate it as a UNESCO World Cultural Heritage site in 2021. Despite these initiatives, on August 7, 2025, the Kagawa Prefectural Government officially announced a public competitive bidding process to select a contractor for the demolition, something the Former Kagawa Prefectural Gymnasium Regeneration Committee is determined to prevent.
Baptism Site. Image Courtesy of Malcolm Reading Consultants
Seven international design teams have been shortlisted for the "Museum of Jesus' Baptism" at Bethany, Jordan, a cultural and spirituallandmark scheduled to open in 2030 to mark the bimillennial of Christ's baptism. Endorsed by His Majesty King Abdullah II bin Al-Hussein and led by the Foundation for the Development of the Lands Adjacent to the Baptism Site, the project is managed by London-based Malcolm Reading Consultants (MRC). The museum will be situated adjacent to the UNESCOWorld Heritage Site of "Bethany Beyond the Jordan" on the east bank of the JordanRiver, a place of Christian pilgrimage for centuries.
CRA-Carlo Ratti Associati has unveiled images of its design for a new cultural center in Addis Ababa, the capital of Ethiopia. The project is located in Kazanchis, a cultural, musical, and historic neighborhood currently undergoing transformation as part of a government-led urban renewal program focused on corridor development. This neighborhood was home to the traditional compound of the Fendika Cultural Center, a hub for Ethiopia's traditional and experimental arts, which was demolished on October 23, 2024, after the site was designated for redevelopment as part of the systematic clearing of the area. In recognition of Fendika's cultural significance, the Addis Ababa Municipality offered the institution the opportunity to remain on-site and rebuild in a way that aligned with the city's plans for the neighborhood. CRA's project responds to this context with an open stage and a four-story civic space.
Curated by Anneke Abhelakh, the Albania Pavilion at the 2025 Venice Architecture Biennale, titled "Building Architecture Culture", explores how the country's architecture embodies its political, cultural, and social transformations. Albania's built environment reflects a layered history, from Ottoman and Italian rule to communist isolation and post-socialist transformation, each leaving visible marks on its cities and public spaces. The pavilion examines how architecture both responds to and shapes collective memory, public space, and civic engagement, framing these questions through past, present, and future perspectives.
In December 2016, BIG unveiled the first images of a concrete superstructure for Los Angeles' Arts District. The project, a mixed-use complex called 670 Mesquit, was originally projected to cover 2.6 million square feet (242,000 square meters) and include office space, residential units, and two hotels, marking BIG's first project in Los Angeles. In July 2025, nearly nine years after the original proposal, the Los Angeles City Council approved the project to be eventually built in multiple phases.
Foster + Partners has completed the modernization of Manchester United's men's first team building at the Carrington Training Complex. The project rethinks the 1999 structure to create a high-performance, collaborative environment for players and staff, integrating new facilities while retaining much of the original building's structure. The refurbishment introduces large windows and rooflights to bring natural light deep into the floor plate, complemented by timber panelling that adds warmth and a sense of permanence. Integrated MEP systems improve the building's operational performance, energy efficiency, and overall user experience.
August 12, designated by the United Nations as International Youth Day since 1998, was conceived as an occasion to bring youth issues to the forefront of the international agenda and to celebrate the contributions of young people to today's global society. Each year, the observance focuses on a specific theme. In 2025, it is "Local Youth Actions for the SDGs and Beyond," emphasizing the role of youth in transforming global ambitions into community-driven realities. The aim is to highlight how young people help implement the Sustainable Development Goals (SDGs) within local contexts and bridge the gap between policy and practice. In this spirit, we present three educational programs, in Romania, the United Kingdom, and the United States, that empower youth to deepen their understanding of the built environment and envision a more sustainable, people-friendly urban future.
Harvard University Graduate School of Design (GSD) has announced Maura Marinelli, co-founder of franzosomarinelli, as the winner of the 2025 Wheelwright Prize. The annual $100,000 grant supports emerging architects in pursuing investigative research that addresses contemporary architectural challenges with a global perspective. Marinelli's winning proposal, "Topographies of Resistance: Architecture and the Survival of Cultures," explores how architecture can sustain and revitalizerural, mountainous regions that confront climate change, infrastructure limitations, and cultural erosion. His research aims to develop design strategies that promote autonomy, sustainability, and local identity by comparing contexts in the Alps, Andes, and Himalayas. Through fieldwork and analysis, the project seeks to propose architectural approaches that empower communities and challenge urban-centric perspectives.
The French pavilion exhibition, entitled "Vivre avec / Living with," was developed by the agency Jakob+Macfarlane, formed by architects Dominique Jakob and Brendan MacFarlane, in collaboration with Martin Duplantier Architects and Eric Daniel Lacombe EDL. France's project for the 2025 Venice Biennale was selected through a two-phase competition, involving an initial pre-selection of five teams from forty-five applicants, followed by a detailed project presentation. The winning proposal focuses on architecture's capacity to address global challenges such as climate change, conflict, and instability, utilizing a combination of natural, human, and artificial intelligence.
The Colombia Pavilion at the Expo Osaka 2025 adopts the theme "ICE CUBE," inspired by the scene in Gabriel García Márquez's One Hundred Years of Solitude where a young boy encounters ice for the first time. Translating this literary reference into built form, the pavilion presents a facade of translucent cubes set at varying angles, creating a sense of movement and articulation. Designed by MORF Inc., with Karim Chahal as Project Director and Ko Oono as Principal Architect, the exterior is composed of semi-transparent polycarbonate panels integrated with color-controlled lighting, allowing the facade to transform in appearance throughout the day and night.