
Architecture is typically understood through principles such as order, clarity, and functionality. In O Livro dos Labirintos, Francesco Perrotta-Bosch proposes another entry point: thinking about the discipline through the labyrinth—a structure that, since its mythical origins, has operated through detours, ambiguity, and disorientation.
Drawing on the Labyrinth of Crete, attributed to Daedalus in Greek mythology, the author shifts the discussion on the origins of architecture to a realm less associated with constructive rationality and closer to spatial experience. The book's guiding question is direct: why would architecture have begun with a form that subverts linearity and legibility?






























