Blair Kamin is the Pulitzer Prize-winning architecture critic for the Chicago Tribune. He is the author, most recently, of Terror and Wonder: Architecture in a Tumultuous Age. We recently engaged in an email discussion about architecture as a social art, the importance of enlightened leadership, and about the critic as a tie-wearing “street fighter.”
GH: Whenever sites like ground zero come up, or New Orleans, architecture takes center stage for a brief moment. Park51, the so-called “ground zero mosque,” is also a good example of catalyzing architectural concern through controversy or trauma. When this happens the symbolic or political aspects of architecture get emphasized over everything else. This contributes to the notion that architecture is removed from day-to-day issues, that it is special, exotic, not next door. Do you think such architectural controversies help create more awareness of architecture and its day-to-day importance or do they ultimately make the public wary of “architecture” and architects?
See the complete discussion after the break.
