The encounter between CAMPO and Le FRAC Centre-Val de Loire of Orleans produced MISUNDERSTANDINGS, a project which, addressing one of the most important archives of architectural experiments worldwide, opens a reflection on the operative value of museums and collections for the contemporary discourse and practice of architecture.
Approaching Le FRAC Centre-Val de Loire’s collection less with the cultural diligence of the curator than the amateur curiosity of the architect, CAMPO discards the traditional monographic, typological or historical readings, to adopt a looser and unconventional framework that pairs human emotions and architectural principles.
