The relationship between art and architecture at the 35th Bienal de São Paulo - choreographies of the impossible

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To transcend the idea of progressive, linear, Western time. To create strategies for bypassing, crossing boundaries, and escaping the impossibilities imposed by the world. Attentive to the "politics of movement and political movements intertwined in artistic expressions," the 35th Bienal de São Paulo - choreographies of the impossible presents, through spatial intervention and its list of participants, ways of relating that expand the cultural and social aspects defining the seemingly insurmountable crisis we face as a society.

To delve deeper into how spatial, territorial, and architectural issues unfold in this upcoming edition of one of the world's largest and most important art exhibitions, we spoke with the curatorial collective* comprising Diane Lima, Grada Kilomba, Hélio Menezes, and Manuel Borja-Villel. 

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Cite: Delaqua, Victor. "The relationship between art and architecture at the 35th Bienal de São Paulo - choreographies of the impossible" [A relação entre arte e arquitetura na 35ª Bienal de São Paulo - coreografias do impossível] 07 Jul 2026. ArchDaily. Accessed . <https://www.archdaily.com/1136187/the-relationship-between-art-and-architecture-at-the-35th-bienal-de-sao-paulo-choreographies-of-the-impossible> ISSN 0719-8884
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第35届圣保罗双年展中艺术与建筑的关系——不可能的编舞

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