Entre líneas invites a re-reading of history, architecture, and modernity through the contributions of women architects in Chile, dating back to their entry into universities in the 1920s (men began in 1849). The work highlights the young editors' ability to foster a sense of community among a broad collective of individuals and institutions.
Rooted in the feminist epistemology that defines this research, no knowledge is detached from the person studying it. Through initiatives like this, I see how the university allows itself to be challenged by us—students, professors, and directors or deans who were "new arrivals" over a century ago. It is also encouraging to see an increasing number of men and organizations joining this journey of building a memory with a forward-looking perspective.
