This volume is part of the Exorcity series, which began with Madrid Monumental and continued with Porto Monumental. The series proposes architectural design as a critical tool for intervening in cities with strong historical heritages. This time, Granada becomes a new laboratory for exploring the tensions between heritage, territory, and contemporaneity through the project.
Rather than viewing architecture as the production of objects, the book presents an approach grounded in commitment — in the etymological sense of exorkismos, "to be under oath" — and in the discipline's capacity to identify, challenge, and transform aspects of the city that are ineffective. In this context, the architect broadens his field of action, positioning himself at the intersection of environment, landscape, culture, and infrastructure.
