Materials & ProductsExclusive Articles, from ArchDaily

For companies or leasers that own large buildings, building maintenance can seem daunting, costly, or even superfluous, particularly when building functions appear to be running smoothly. But proper and consistent building maintenance is imperative for a number of reasons. Buildings inherently function less effectively over time due to natural causes such as climate, daily occupant use, mechanical obsolescence, and more. When left unresolved, these issues can devalue user experiences, create dangerous and unhealthy environments, and even incur costs higher and more sudden than consistent building maintenance costs.

Many of our childhood experiences take place in school. Whether these memories are good or bad, most children and teenagers spend a majority of their days in classrooms or other educational facilities. According to IQAir, “every year, children spend an average of 1,300 hours in school buildings.” But even as the world changes rapidly, and the internet in particular increases the accessibility of information, the design and operation of schools remain, in a way, outdated. As noted in a previous article, ideally the typology of educational spaces and the configuration of classrooms should suit more contemporary ways of teaching and learning, rather than the traditional organization of rows of desks facing a teacher at the head. But it is important that the analysis of educational facilities does not stop there. All surfaces and materials have a significant impact on both the well-being and learning of users.

Francis D. K. Ching [1] characterizes a chimney as an “incombustible vertical structure, which contains a duct through which smoke and gases from a fire or furnace are pushed outwards and through which an air current is created.” While its pipes can be hidden in walls or other structures, the chimney top usually remains prominent in order to transfer dangerous gases from the inside out without dirtying the interior or harming the health of the occupants. Being vertical elements, there are chimneys that become major landmarks in the urban landscape, especially in industrial projects. At the time of drawing, deciding on the “weight” that the chimney will have in a project is essential. At Casa Milá, for example, Gaudí crowns the building in sinuous and curvy sculptural chimneys. In other cases, the solemnity of the building aesthetic is mirrored in its chimney, whereas in others, the architects render the chimney as hidden as possible. Recently, too, many chimneys have been refurbished for new uses or to accommodate new cleaner technologies. Whether it takes a prominent role or is hidden from view, see below some chimney design tips and possibilities of use.

Before the pandemic, the world was already facing a series of global transformations in the field of construction, where emerging countries were at the forefront of a powerful economic shift. As the world's population is expected to reach the 10-billion milestone before 2100, the construction sector should be able to understand and adapt to the megatrends that are reshaping the globe.

Floors, roofs, ceilings. Speaking in a very generic way, they are practically all the horizontal elements that we can find in the construction of a building. These three parts have a very similar way of modeling in Revit and this is the reason why when learning this software, they almost always appear one after the other. The order is usually a rather logical and therefore similar order: starting first with the floors, later the soffits and, finally, the ceilings. All this, clearly after having modeled the exterior and interior walls of our building.

The construction industry moves a huge amount of resources, employs millions of people, and is a fairly accurate gauge for the economic situation of different countries. If the economy goes down, construction shrinks, and vice versa. Members of the construction industry include mining companies, contractors, material manufacturers, architects, engineers, governments, real estate, and more. In other words, many agents participate either directly and indirectly in the industry. But construction is also considered to be one of the most backward and resistant industries to embrace new technologies, instead opting to replicate traditional ways of doing less efficient work with high rates of waste. A study by McKinsey & Company showed that, unlike other industries, industry productivity has remained stable in construction in recent years, despite all the technological progress that has occurred.

In recent years, we have published many articles about wood. Addressing trends of use, possibilities for log wood, panels, curves, and finishes, innovations in tall building structures, and wood's behavior towards fire, these articles have explicated a wide variety of the material's applications and characteristics. A specific type of wood, Cross Laminated Timber (CLT), has emerged as highly structurally efficient with thermal, seismic, and even sensory benefits, described by specialists as the concrete of the future. But when we post these articles on social media, we frequently encounter comments from our readers concerned about the impact of deforestation. Although we may see wood as a great building material of the future, we must ask ourselves: is it possible to continue cutting down trees and using their wood while still calling it sustainable?

Accessibility is one of the most important considerations in architecture, ensuring that the built environment caters to people of all abilities. However, popular conceptions of what disability and accessibility look like remain limited, and often encompass only physically disabled people such as wheelchair users. Among architectural designers especially, it is common to visualize accessibility as adding ramps, wide corridors, and elevators. However, disability can take many different forms, some less visible than others; accordingly, accessibility in architecture means much more than accommodating just wheelchair users. For the visually impaired, incorporating specific tactile elements in architecture and urban design can vastly improve the navigability of a foreign space. In this article, we talk about tactile paving specifically, including its different forms, its history, and its means of implementation.

In the Genesis flood narrative, Noah built an ark after a call from God, who decided to flood and destroy all life on Earth due to the misbehavior of humanity. Only Noah's family and a couple representatives of each species of animals could enter the huge vessel and save themselves. In the bible, the ark is described in the exact measurements of 300 cubits in length by 50 cubits in width by 30 cubits in height. This was a unit used at the time based on the length of the forearm, measured from the tip of the middle finger to the elbow. A Dutchman who has devoted himself to building a replica of Noah's Ark, without success in finding a correspondingly accurate value in the metric system, used his own body measurements as a module. Modulation in architecture means adapting the project to a defined measurement based usually on a specific dimension or material. Whether it is a meter, a brick, a tile, or a container, it serves to guide the design process and make it more efficient and sustainable.

Children's furniture is all furniture –fixed or mobile– that is designed according to the ergonomic guidelines and anatomical dimensions of children specifically. Following this definition, we can identify two types of furniture: (1) those that facilitate a relationship between the caregiver and the child, and (2) those that allow the child to use them independently.

Revit is a parametric and multidisciplinary design software that can virtually create and insert any building within a BIM process. Revit is not a true modeler, but an aggregator of construction components governed by a series of specific rules. In order to avoid issues within the Revit project, it must be set up carefully. Since each project has different characteristics and requirements, there is no standard procedure when starting a new one. However, becoming familiar with various situations and their necessary steps will greatly help.

When designing the Nordic Pavilion in Venice, Sverre Fehn incorporated Nordic architectural elements in unusual ways. One of the most attention-grabbing elements of the building is its laminar roof cover of white concrete, which is broken by trees planted inside the building blocking the sun's rays and filtering the light. Depending on the angle, the roof blades allow visitors to see the colors of the sky and the canopy of the trees, bringing dynamism to the pavilion's lighting and movement. In fact, the use of parallel slats on facades, walls, and roofs is a tradition that comes from Nordic architecture and has spread throughout the world. In this article we will cover some examples that use this element, including its variety of possibilities and the best ways to amplify their effect.

Building design today, and throughout the 20th century, has been significantly shaped by fire safety considerations. Architects today are familiar with the wide range of code requirements for a building to be compliant, from materials, to fire extinguisher locations, to fire-rated walls and doors. As buildings have become better-equipped to withstand fire emergencies, however, modern life has simultaneously increased the amount of fire hazards we live with.

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One of the great difficulties we encounter with “classic” plan delineation methodologies are ramp and stair projections. It has always been difficult to avoid calculating the ramp’s slope, as well as the dimensions of the footprint and riser of the communication staircase between two floors of a building. Do they comply with current regulations in my country? Do they adapt to the project standards? Will they be accurately calculated?

Concrete is one of the top building materials in the world and it is almost impossible not to associate it with architectural structures. However, the so-called brutalist style is becoming more and more popular in interior design, and concrete is replacing the traditional materials used in furniture and countertops, such as wood and stone.

If a person were to imagine a setting of complete relaxation, odds are the first image that comes to mind is a place surrounded by nature, be it a forest, the mountains, the sea, or a meadow. Rarely does one imagine an office or a shopping mall as a source of comfort and relaxation. Still, the majority of people spend almost 80-90 % of their time indoors, going back and forth from their houses to their workplaces.

Every child has drawn a house. Perhaps a sunny day with some clouds, a leafy tree, a family with a dog, low wooden fences, or even a car. But in these drawings, they will almost certainly draw a simple rectangle with a gable or hip roof. This archetype of the house appears in virtually all cultures, and even today many architects use it for contemporary projects.

In the early modern period, Taoist monks cultivated Bonsai trees seeking to bring their beauty from the outside to the inside, considering them a link between the human and the divine. Likewise, in the 18th century, different tree-lined walks and avenues arose on the outskirts of some European cities, generating spaces for rest and socialization that were previously non-existent in cities at that time.