October will see the opening of Ibraaz, a new cultural space reimagined by Architect-in-Residence Sumayya Vally in central London. The initiative is led by the Kamel Lazaar Foundation and aims to highlight art, culture, and ideas from the Global Majority: communities of African, Asian, Indigenous, and Latin American heritage that together represent most of the world's population. The project seeks to bridge local and global conversations by creating a "world of many worlds" within a single venue: a six-floor, 10,000-square-foot building that has undergone multiple transformations, from synagogue to residence, club, and now cultural center.
This edition of Architecture Now brings together projects that explore how architecture is reshaping global gateways, cultural destinations, and urban living. SOM's design for a new Arrivals and Departures Hall in Austin and Scott Brownrigg's Heathrow West proposal highlight the airport as a civic threshold, while Kerry Hill Architects' three-tower precinct in Brisbane emphasizes public space and subtropical landscapes in high-density housing. Zaha Hadid Architects' beachfront tower in Florida extends Miami's sculptural coastal tradition, and Pharrell Williams and NIGO's Japa Valley Tokyo introduces a temporary cultural district blending art, hospitality, and retail. Together, these initiatives reflect how infrastructure, lifestyle, and design intersect to define contemporary urban experience.
CRA-Carlo Ratti Associati has unveiled images of its design for a new cultural center in Addis Ababa, the capital of Ethiopia. The project is located in Kazanchis, a cultural, musical, and historic neighborhood currently undergoing transformation as part of a government-led urban renewal program focused on corridor development. This neighborhood was home to the traditional compound of the Fendika Cultural Center, a hub for Ethiopia's traditional and experimental arts, which was demolished on October 23, 2024, after the site was designated for redevelopment as part of the systematic clearing of the area. In recognition of Fendika's cultural significance, the Addis Ababa Municipality offered the institution the opportunity to remain on-site and rebuild in a way that aligned with the city's plans for the neighborhood. CRA's project responds to this context with an open stage and a four-story civic space.
Studio Libeskind has released new images of the design for the transformation of the Boerentoren tower, one of Europe's earliest skyscrapers, located in the heart of Antwerp, Belgium. Developed in collaboration with Belgian architecture firm ELD, the project reimagines the 1932 Art Deco landmark as a new public cultural hub that will house The Phoebus Foundation's art collection. The design includes the addition of exhibition spaces, a panoramic viewing platform, a rooftop sculpture garden, and new restaurants and bars. According to the architects, the original architectural features will be preserved while introducing a new architectural feature, which they are calling the "Reimagined Crown." Initially announced in 2022, the project has now received preliminary approval from the Flemish Heritage Agency and the City of Antwerp.
In most situations, architects navigate a complex web of construction codes, airspace regulations, and numerous other rules that dictate the form and execution of a project. However, cultural architecture often presents a unique opportunity for more daring and expressive designs. These projects frequently garner support from local governments, unlocking possibilities for formal explorations that might otherwise remain unrealized. In this regard, cultural architecture serves a dual purpose: enriching the community and establishing iconic landmarks that define the identity of their city or region. This ambition has certainly manifested in Taiwan. Situated in the heart of East Asia, this island nation boasts a remarkable array of formal explorations by both international and Taiwanese architects.
Studio Gang, led by Jeanne Gang, in collaboration with Lincoln Road Enterprises, a philanthropic organization advancing women's leadership, has unveiled the design for the forthcoming Women's Leadership Center at Williams Bay. Located on an 8.6-acre site overlooking Geneva Lake in southeastern Wisconsin, the 24,000-square-foot retreat center is designed to support innovation, collaboration, and leadership programming for professional women's groups. The project broke ground in July 2024 and is scheduled for completion in 2026.
Creating an atmosphere that enhances exhibitions and enriches the visitor and user experience requires a thoughtful balance between preserving a space's unique character and adapting it to meet the needs of artistic and cultural production. The challenge lies in maintaining a building's industrial atmosphere while accommodating the specific requirements of exhibition design or the various uses the new building will require. This delicate task involves careful consideration of spatial layout, material choices, and lighting solutions, all of which play a significant role in shaping the new environment.
Education has long been a driving force in the Middle East, shaping knowledge, encouraging innovation, and strengthening cultural identity. In recent years, educational architecture in the region has expanded beyond its academic function, evolving into public gathering spaces and cultural hubs. These institutions are designed not only for learning but also for dialogue, research, and collaboration, often integrating open courtyards, multi-use public areas, and architectural elements that reflect local heritage. Whether through their physical openness, adaptability, or connection to the urban environment, these spaces reinforce the idea that universities and research centers are essential to civic life.
Zaha Hadid Architects have announced the breaking ground for the Centre of Mediterranean Culture in Reggio Calabria, Italy. The 24,000 square-meter structure houses diverse spaces, including a network of exhibition galleries, both permanent and temporary, capable of showcasing a wide range of displays. An integrated aquarium is a key feature, offering visitors a glimpse into the marine life of the Strait. The building also provides conference facilities, including a large auditorium suitable for performances, presentations, and industry events. Dedicated educational spaces are incorporated to support the region's schools, and visitor amenities include a bookshop and a restaurant and bar overlooking the port.
Spore Haus / AFF Architekten. Image Courtesy of DAM Preis 2025
The DAM Preis 2025, presented by the Deutsches Architekturmuseum (DAM), has been awarded to AFF Architekten for their project, Spore Haus, in Berlin. As one of Germany's most recognized architecture awards, the DAM Preis highlights significant contributions to contemporary architectural practice. This year's winner, Spore Haus, was selected for its "thoughtful design and careful integration" into the urban context, as well as its contribution to public life.
Bjarke Ingels Group (BIG), in collaboration with ALB-Architect, has unveiled the design for the Opera & Ballet Theatre of Kosovo, a new cultural venue set to reshape Prishtina's performing arts landscape. As the first operahouse in the Republic of Kosovo, the theatre will serve as a home for the country's Philharmonic, Ballet, and Opera, marking a significant step in the development of Kosovo's artistic institutions. The project includes multiple performance halls and a public plaza, reinforcing its role as a cultural hub within the capital.
Architecture competitions have long been a means for nations to shape their identity, cultural landscapes, and built environment. They provide a platform for international architects to contribute to national projects, often reflecting broader ambitions of modernization and global recognition. In 1976, Bahrain launched potentially the first major architectural competition—a call for designs for a National Cultural Centre, bringing some of the world's leading architects into the Gulf's emerging architectural discourse. Though the winning design by Timo Penttilä was never built, the competition remains a key moment in Bahrain's history, illustrating the challenges of translating external visions into local realities.
British architect Asif Khan has just unveiled the transformation of a Soviet-era cinema in Almaty, Kazakhstan, into the Tselinny Center of Contemporary Culture, a multifunctional venue designed to support the growth of Kazakh and Central Asian creatives. The project, which began in 2018, is set to open in April and will feature spaces for art exhibitions, performances, film screenings, workshops, and more. Once complete, the Tselinny Center will mark Kazakhstan's first independent cultural institution.
Kéré Architecture has revealed the design of a masterplan and series of buildings dedicated to the cultural and spiritual heritage of the Ewé people in the town of Notsé, in Togo. Commissioned by the Kothor Foundation, the center incorporates a sanctuary, several temples, a large-scale open-air amphitheater, as well as cultural functions such as exhibition halls, an auditorium, restaurants, and a reconstruction of the ancient royal palace of the Ewé Kingdom. The project, Francis Kéré's first in Togo, started construction in October 2024 and is scheduled for completion in February 2026.
Woodward Avenue, between the Detroit Institute of Arts and the Detroit Public Library, serves as a public mediating ground on the nation's first paved road.. Image Courtesy of Agence Ter - Akoaki
The Detroit Cultural District has announced an ambitious initiative to reshape its urban landscape. This multi-phased project led by the Detroit Cultural Center Association (DCCA) in partnership with Design Leads Akoaki and Agence Ter, will transform the district's character, creating a more vibrant and accessible environment for residents and visitors alike. The project builds upon a comprehensive master plan, outlining a 15-year vision for the 80-acre campus in Detroit, Michigan. The plan's guiding principles focus on unifying the district's twelve institutions, improving pedestrian flow, and fostering a stronger sense of community.
Cultural centers are vibrant places where art, community, and innovation intersect—each uniquely crafted to embody and celebrate its local character. This month's projects, submitted by the ArchDaily community, showcase a diverse array of cultural spaces, from the transformation of a historic townhouse in Montreal to a dynamic creative hub in Riyadh and an eco-conscious visitor center in Tennessee's mountains. Each design offers a new perspective on what a cultural center can be, whether a hub for creativity, a sanctuary for nature, or a bridge to the past.
In Belo Horizonte’s Aglomerado da Serra, Brazil’s third-largest favela complex with 50,000 residents, the Lá da Favelinha Cultural Center stands out as a vibrant hub of art and education. Founded in 2015 by the multifaceted artist Kdu do Anjos, the striking red building that stands out in the outskirts has gained recognition in both national and international architectural circles, earning several prestigious awards Yet, the recent renovation by Coletivo LEVANTE—honored as one of the Best New Architectural Practices of 2024—represents far more than vivid colors and bold design. It symbolizes the creativity and potential of the community itself. As a space for support and inspiration, Lá da Favelinha reflects a collective, democratic vision that merges the community’s dreams with the dedication of its founders.
