Inspired by travel, history and sport, I've been writing for ArchDaily since May 2018 whilst working as an Architectural Assistant in London. Completing my undergraduate studies at the University of Nottingham, I developed a passionate interest for tactile, sustainable design, as well as a strong appreciation for the role of literature within architecture.
When the Greeks carved stone steps into the side of a hill, they were aiming to create a seated area for people to rest and from which to have an excellent view of the stage at the amphitheater's center. over two millennia later, these objectives are still key to stadium design principles, however, with an ever-increasing global reach and the need for multiple functions, the goal posts for what makes a successful arena are always being moved. As you prepare to watch the 2018 World Cup hosted in Russia, take a look at this list of notable stadium designs in World Cup history which have influenced the evolution of stadium design.
As the 2018 World Cup approaches, we architects can already look ahead to the next tournament. The 2022 FIFA World Cup in Qatar offers the most exciting opportunity in stadium design for decades, with the competition relying on an almost entirely new footballing infrastructure. Several world-renowned designers have submitted proposals, and the following set of newly released time-lapse videos show the progression of each stadium, as we approach four years to the competition’s start. Emphasising the structural shells, the videos highlight a sometimes overlooked facet of stadium design. To materialize the effortless magic of the initial renders - like those produced by Foster + Partners and Zaha Hadid Architects - phenomenal levels of engineering and problem solving are required, and in the early stages of construction, this becomes the visual focal point. Read on to see the beauty of these structural marvels, but be warned - you may develop World Cup fever.
Red is everywhere. From stop signs to bricks and lipstick to wine, our constant use of the color in everyday objects has slowly taken over our subconscious. Red is a color that always blends with the context, telling us how to feel or what to think, but why are we attracted to it? Why did cavemen choose ochre-based paint to draw on their walls? Why do revolutions always seem to use red to stir support? Why do we parade celebrities down red carpets, when green or blue would surely do the same job? While the answers to these questions may be vague and indefinite, red’s use in architecture is almost always meticulously calculated.
Kéré Architecture has recently completed the scenography for “Racism. The Invention of Human Races,” an exhibition at the Deutsches Hygiene-Museum, Dresden. The atmospheres within each of the three spaces are unique yet harmonious, aiming to connect “the rooms’ architecture with the rooms’ theme.” Using a variety of high-quality materials and engaging structures, the journey hopes to show a conflict between people’s desires for stability and the organic need for social transformation, emphasizing the charm of the temporary and importance of conversation.
Bee Breeders have announced the winners of the Iceland Northern Lights Rooms competition, where entrants were tasked with designing a series of guest houses that framed the beauty of the surrounding context. In response to the delicate landscape, Mývatn Lake in Iceland, the brief outlined a number of restrictions. These included no permanent construction within 200m from the lake, and that all guest houses were to be movable. Shared themes throughout all the successful proposals were specific material experimentation, “distinct interaction with the site and sky,” scalable design, irand cost-conscious solutions.
The winners of arch out loud’s competition Reside - in which entrants were to design a mixed residential development on one of the last remaining sections of undeveloped Mumbai coastline - have been announced. The architectural research initiative challenged entrants to design for “both the indigenous fishing community that has occupied the site for hundreds of years - as well as a new demographic drawn to the affluent neighborhood that now encompasses the site”.
Designed by Henning Larsen and MSR Design, the New Public Service Building for the city of Minneapolis aims to consolidate several departments, currently found across multiple different sites, into one unified building. The scheme promotes the health and well-being of its 1,300 employees through maximizing daylight and green space throughout, integrating a significantly sustainable remit within the 385,000 square foot, 11 story proposal. Located diagonally across from the existing city hall, Henning Larsen brings a “knowledge-based Scandinavian design approach” to the high-performance office space, hoping to set a “new architectural agenda in North America."
A +100 meter stretch of land beneath a train overpass in Koganecho, a district of Yokohama, Japan, underwent a progressive refurbishment in which seven different types of community space, each designed by a different architect, were built within a pre-set spatial grid. Historically there were many social issues in the area, largely in relation to its profitable but dangerous black market and red-light district. Once the illegal activity was eradicated in 2005, the underpass presented a great opportunity for social re-development, and the resultant project - the Koganecho Centre - emphasized an age-old Japanese cultural commitment, where what was once broken is used to make something new.
After being knighted in 1990 for services to architecture, winning the 1999 Pritzker Prize and then gaining peerage in the same year, it could be argued that there is no living architect that has had a larger impact on urban life than Norman Foster. In a recent talk, Foster addressed a sold-out Barbican Hall on the future of our growing urban landscape, in the seventh installment of the Architecture On Stage series organized by The Architecture Foundation with the Barbican. While the content was full of grandiose statements and predictions, of a scale similar to the projects Foster's practice undertakes, it was the problem-solving approach he showed that gave more of an insight into the man himself. The following 5 lessons gleaned from the presentation won't guarantee Foster-like levels of success, but they may be able to help you navigate the challenges that architecture can present, both personally and professionally.
Appreciated within the industry but often maligned by the general public, brutalism came to define post-war architecture in the UK, as well as many countries around the world. In his 1955 article The New Brutalism, Reyner Banham states it must have “1, Formal legibility of plan; 2, clear exhibition of structure, and 3, valuation of materials for their inherent qualities as found.”
One Kemble Street, a 16-story cylindrical office block originally named "Space House" and designed by George Marsh and Richard Seifert, clearly exhibits all of these characteristics, creating a landmark in the heart of London that remains as striking today as it was upon its completion in 1968. Photographing the Grade-II listed building throughout the day, photographer Ste Murray manages to beautifully capture the building’s essence, celebrating its 50 year anniversary while also highlighting the intrigue of its form in a way that suggests parallels to contrasting ideologies.
Surrounded on all sides by "business blocks of architectural beauty and metropolitan dimensions," the intersecting planes of Pershing Square in Los Angeles provide a modernist retreat for many Angelinos in the downtown area. While to some, the square's large stucco tower and aqueduct-like water feature serve as a cultural landmark, the park has drawn negative press due to its lack of green space and abundance of drug-related activity. John Moody purposefully concentrates on the perception, memory, and identity of the space in his documentary Redemption Square—winner of the Best Urban Design Film 2017 at the New Urbanism Film Festival. Using the voice of strangers, residents and those who used to call it home, Moody guides you from the park’s formation in 1866 to its impending renewal: a “radically flat” redesign courtesy of Agence Ter and Gruen Associates.
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