For over five decades, Swiss photographer Thomas Mayer has developed a serene, emotional, and documentary language for architecture. His lens captures the random and memorable moments of our built environment - reflections in the rain, long blue hours in Nordic summers, and the quiet darkness of sacred spaces. Recognized by ArchDaily as one of the top architectural photographers, Mayer carries an abundant fascination for light and space.
The creative fusion of art and activism in urban spaces has propelled the British collective Led by Donkeys into the spotlight, garnering millions of views for their interventions on social media. Their critical visual occupations - whether billboard messages during the day or large-scale projections at night - raise a compelling question: which medium holds the greater persuasive power? The book "Led by Donkeys: Adventures in Art, Activism and Accountability" offers a deep dive into their conceptual approach, charting their rapid evolution over six years. What began as a London-based response to Brexit has expanded into a global critique of political hypocrisy, addressing issues in Europe, the Middle East, and America. For Peter Weibel, former director of the ZKM Center for Art and Media in Karlsruhe, Germany, the innovative fusion of activism and art—or "Artivism"—represents the first new art form of the 21st century. Years of experience in environmental activism provided the group with crucial insights into the mechanics of political communication, the organization of public interventions, and the challenges of achieving meaningful societal change.
Robert Wilson embodies the roles of director, set designer, scenographer, lighting designer, and architect in a single figure. Internationally celebrated as a pioneer of stage lighting and honored with numerous prestigious awards, including the Golden Lion of the Venice Biennale and the Praemium Imperiale, Wilson, now in his eighties, continues to travel the world, staging remarkable productions. His use of light and color is marked by precision and minimalism, creating scenes that skillfully oscillate between stillness and drama. During rehearsals at the Düsseldorf Schauspielhaus, he elaborates on the interplay between stage and architecture, his creative process, and the profound impact of light on darkness.
Walls have long been more than mere structural elements; they are canvases that narrate stories, reflecting desires for nature, spirituality, or the pursuit of tranquility and stimulation. With advancements in addressable LED pixels, walls have evolved into immersive digital surfaces capable of displaying any image in large format, adapting to the needs of the moment.
However, while universities continue to train architects and interior designers to create static buildings, the art of meaningful storytelling through digital screens—especially those with dynamics—remains largely unexplored in academic curricula.
Over the years, the nocturnal landscape of cities has witnessed a significant transformation, marked by the emergence of more than 80-night mayors globally, a trend that has been on the rise since the early 2000s. Andreina Seijas, currently working as an Associate at Gehl, has analyzed these shifting dynamics of night-time governance in her research and during her doctoral studies at Harvard GSD. Seijas speaks in the interview about this development, challenges, and opportunities with night mayors, global differences, and the role of climate change. Seijas' upbringing in Caracas, Venezuela, where safety concerns dictated strict curfews, ignited her passion for creating safer, more inclusive urban environments, particularly for the youth. Her quest for a better future for the urban night explores the potential for cities to become safer, more inclusive, and more productive by creating spaces for work and leisure after dark.
Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.
If there is any consistent factor in his work, says Pritzker-winning architect Tadao Ando, then it is the pursuit of light. Ando’s complex choreography of light fascinates most when the viewer experiences the sensitive transitions within his architecture. Sometimes walls wait calmly for the moment to reveal striking shadow patterns, and other times water reflections animate unobtrusively solid surfaces. His combination of traditional Japanese architecture with a vocabulary of modernism has contributed greatly to critical regionalism. While he is concerned with individual solutions that have a respect for local sites and contexts Ando’s famous buildings – such as the Church of the Light, Koshino House or the Water Temple – link the notion of regional identity with a modern imagining of space, material and light. Shoji walls with diffuse light are reinterpreted in the context of another culture, for instance, filtered through the lens of Rome’s ancient Pantheon, where daylight floods through an oculus. Ando’s masterly imagination culminates in planning spatial sequences of light and dark like he envisioned for the Fondation d’Art Contemporain François Pinault in Paris.
In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While James Turrell, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of light art isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of Light Collective.
After founding the platform "Women in Lighting" their book "Women Light Artists," takes a bold step in introducing us to 40 creative women whose work radiates with responsive ingenuity and brilliance. The book offers a captivating spectrum of projects from interactive pools to the play of colorful daylight shadows dancing across a bridge in London, from the peaceful projection onto an iconic Berlin landmark to the vivid rainbow arching above Manhattan's skyline, each work embodies a unique dialogue between light and space. The luminous journey offers a valuable tribute to the power of female artists who, for far too long, have remained in the shadows.
In the realm of media architecture and its role in supporting struggles for social justice, the recent Media Architecture Biennale 2023 (MAB23) in Toronto, Canada, shed light on a captivating aspect: The rapid and vast propagation of solidarity lighting in response to Russia's invasion of Ukraine in 2022. The synchronized illuminations, infused with activism and global art projects, became a powerful emblem of worldwide support for Ukraine during its time of crisis. Two emphatic female political leaders in Europe initiated the lighting solidarity message. Surprisingly, the blue and yellow Ukrainian flag illumination on iconic buildings worldwide defined an image of solidarity even faster in the press than large crowds of people in anti-war protests the weekend after the war began.
Richard Kelly illuminated some of the twentieth century’s most iconic buildings: the Glass House, Seagram Building and Kimbell Art Museum, to name a few. His design strategy was surprisingly simple but extremely successful.
Lighting for architecture has been and still often is dominated by an engineering viewpoint, resigned to determining sufficient illuminance levels for a safe and efficient working environment. With a background in stage lighting, Kelly introduced a scenographic perspective for architectural lighting. His point of view might look self-evident to today’s architectural community, but it was revolutionary for his time and has strongly influenced modern architecture.
Sunlight has proven to be an excellent formgiver, with which architecture can create dynamic environments. The lighting design pioneer William M.C. Lam (1924-2012) emphasized in his book “Sunlighting as Formgiver” that the consideration of daylight is about much more than energy efficiency. Architects have now found numerous ways of implementing sunlight and the questions arises whether a coherent daylight typology could be a valuable target during the design process. However, many daylight analyses focus mainly on energy consumption.
Siobhan Rockcastle and Marilyne Andersen, though, have developed a thrilling qualitative approach at EPFL in Lausanne. Their interest was driven by the spatial and temporal diversity of daylight, introducing a matrix with 10 shades of daylight.
When transparent facade elements deliberately evolve from the course of the sun, we can explore a fascinating slow movement in stark contrast to the hectic urban street life on the ground. Especially the French designer Pierre Brault has responded to the accelerated rhythm of our society with facade installations that combine the principle of the sundial with colorful pop design. His three-dimensional works made of recycled colored plexiglass mesmerize through simple but dramatic movements of colored shadows. In the interview, Brault explains his inspiration, the experimental approach and his interest in working responsibly with material.
Imagine if light would not only provide optimum visibility for tasks but convey meanings as well. Standards with recommended lux levels for various visual tasks have led to a quantitative understanding of lighting. However, lighting can also be used to contribute to emotion in rooms and to structure architecture. Would it be adequate to regard lighting as language sent by architects or interior designers and being received by inhabitants and citizens? Adding a semiotic perspective can help to recognize how light and shadow contributes to the meaning of the built environment.
Light is an essential element to perceive architecture and to live and work in buildings. Therefore architects, lighting designers, teachers, and researchers have written inspirational books about light. They have shared their valuable theories and turned their experience into guidelines to improve daylight design and the art of illumination.
This collection offers a useful source of the best lighting design books for students, professionals, and academics. The book list is grouped into categories: Daylight, illumination, urban lighting, media facades, landscape lighting, light collections, culture, monography, history, stage lighting, and light art. In each section, the volumes appear in alphabetical order with recent books in the beginning followed by classic publications. Discover fascinating publications that will enlighten your perception and understanding of light and space.
As farmers water crops by moonlight, undocumented children head to school and villagers scan the sky for surveillance airplanes—these are glimpses of a complex culture that emerges in south Lebanon after dark. In collecting some of these nightly practices, Mohamad Nahleh—lecturer in architecture and urbanism at MIT—journeyed across the landscapes of Jabal ‘Amil hoping to build a new alliance between architecture and the night. His "Path of Nightrise" research has turned into a construction to revive a forgotten river path and was published by Places Journal. The interview with Nahleh argues for a new nocturnal imagination in design and reveals, not only how the night has changed in Lebanon over time, but also how he has changed alongside it.
When capital cities like Paris and Berlin resolved to switch off lighting for public buildings and landmarks in July 2022 in order to save energy in the context of the Russian invasion of Ukraine, the cities created a ripple effect throughout central Europe. Images of dark iconic landmarks swept through the media and allowed politicians a momentary act of environmental demonstration. However, designers have started to question the sustainability of this ad hoc step. Seen from a broader perspective the impression arises that this alleged radical action has been part of a rather media-savvy campaign with small effect in cities at night. Further steps are necessary to reassess urban lighting that may have a major impact on energy saving and sustainability.
Using only natural light to document English cathedrals can turn into a logistical and technical challenge. However, Peter Marlow's photography has resulted in a remarkable series of iconic spiritual sites whose contemplative atmosphere is rarely accessible to others. Looking east with the camera towards the nave as the dawn light streamed through the main window opens a purist and mystical perspective to the time when these sacred structures were erected.
The motto of the Solar Decathlon Europe 21/22 was to convert and expand rather than to demolish and reconstruct. Recycling windows, using biodegradable materials for luminaires and connecting light with sensors represented just some innovative examples of the international university-level student competition in Wuppertal, Germany. For the first time, the competition presented an award for sustainable architectural lighting. This was a question of quality as much as quantity, and that applies equally to daylight and artificial light.
.jpg?1555434139 "Koshino House, Ashiya-shi / Japan. Image © Kazunori Fujimoto")
